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Showing 55 results for Abdallah Musavvar

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Battle of Karbala, Abdallah Musavvar Iranian, Oil on canvas — Battle of Karbala
Abdallah Musavvar
late 19th–early 20th century

Tombeau de Hadji-Abdallah-el-Marabout, à Herment, Maxime Du Camp French, Salted paper print from paper negative — Tombeau de Hadji-Abdallah-el-Marabout, à Herment
Maxime Du Camp
1849–50

Two Reverse Glass Paintings: Abdallah and al-Yamina on a Horse; Two Horsemen, Painted on glass — Two Reverse Glass Paintings: Abdallah and al-Yamina on a Horse; Two Horsemen
possibly 1950s–60s

Folio from a Qur'an Manuscript, Ahmad ibn al-Suhrawardi al-Bakri, Ink, opaque watercolor, and gold on paper — Folio from a Qur'an Manuscript
Ahmad ibn al-Suhrawardi al-Bakri
Muhammad ibn Aibak ibn 'Abdallah
dated 707 AH/1307–8 CE

Opening Folio of the 26th Volume of the "Anonymous Baghdad Qur'an", Ahmad ibn al-Suhrawardi al-Bakri, Ink, opaque watercolor, and gold on paper — Opening Folio of the 26th Volume of the "Anonymous Baghdad Qur'an"
Ahmad ibn al-Suhrawardi al-Bakri
Muhammad ibn Aibak ibn 'Abdallah
706 AH/1306–7 CE

Seal inscribed "There is no God but [?]; Blessings on the owner 'Amir ibn Abdallah", Soapstone; incised, carved — Seal inscribed "There is no God but [?]; Blessings on the owner 'Amir ibn Abdallah"
10th century

Tiraz Textile Fragment, Linen; plain weave, embroidered in silk — Tiraz Textile Fragment
dated 320 AH/932–33 CE

Tile Panel with Calligraphic Inscription, Stonepaste; polychrome painted under transparent glaze — Tile Panel with Calligraphic Inscription
dated 1000 AH/1591–92 CE

Textile Fragment with Inscription, Cotton, gold, ink; plain weave, painted — Textile Fragment with Inscription
10th–11th century

Fragment with a Garden Scene, Silk, metal wrapped thread; lampas — Fragment with a Garden Scene
early 17th century

Woman from the French Colonies, Charles-Henri-Joseph Cordier French, Algerian onyx-marble, bronze, and enamel; white marble socle, French, Paris — Woman from the French Colonies
Charles-Henri-Joseph Cordier
Charles-François Rossigneux
1861

Pedestal [for Woman from the French Colonies], Charles-Henri-Joseph Cordier French, Red and white marble pedestal with gilt-bronze mounts and ornaments, French, Paris — Pedestal [for Woman from the French Colonies]
Charles-Henri-Joseph Cordier
Charles-François Rossigneux
1861

"Preparing Medicine from Honey", from a Dispersed Manuscript of an Arabic Translation of De Materia Medica of Dioscorides, 'Abdullah ibn al-Fadl, Ink, opaque watercolor, and gold on paper — "Preparing Medicine from Honey", from a Dispersed Manuscript of an Arabic Translation of De Materia Medica of Dioscorides
'Abdullah ibn al-Fadl
dated 621 AH/1224 CE

Shahnama (Book of Kings) of Firdausi, Mu'in Musavvir Iranian, Ink, opaque watercolor, gold, and silver on paper — Shahnama (Book of Kings) of Firdausi
Mu'in Musavvir
Abu'l Qasim Firdausi
1660s

A Gathering of Mythical Creatures around a Lotus Leaf, Mu'in Musavvir Iranian, Watercolor and ink on paper — A Gathering of Mythical Creatures around a Lotus Leaf
Mu'in Musavvir
dated Shawwal 1088 AH/1677 CE

Lamp Stand, Abdullah Haidar al-Husaini, Brass; cast, engraved, and inlaid with black compound and applied cinnabar — Lamp Stand
Abdullah Haidar al-Husaini
1027–29 AH/1617–18 CE

Les porteuses d'eau, Hamed Abdalla Egyptian, Opaque watercolor on Japanese paper on canvas — Les porteuses d'eau
Hamed Abdalla
1956

[Studio Portrait: Person with Brooms, Syria], Abdullah Frères, Albumen silver print — [Studio Portrait: Person with Brooms, Syria]
Abdullah Frères
1860s–70s

Album of Photographs of Views of the Interior of the Ottoman Military Museum in the Former Church of St. Irene, Constantinople (Vues de Sainte Irène, Constantinople), Abdullah Frères, Albumen prints, paper, leather, textile, gold, Turkish — Album of Photographs of Views of the Interior of the Ottoman Military Museum in the Former Church of St. Irene, Constantinople (Vues de Sainte Irène, Constantinople)
Abdullah Frères
1891

"Two Nightingales in a Rose Bush", Double-Sided Illustrated Leaf from an Ottoman Album, 'Abdullah Bukhari Turkish, Opaque watercolor with black ink, shell, and gold leaf on paper, with a marbled paper margin — "Two Nightingales in a Rose Bush", Double-Sided Illustrated Leaf from an Ottoman Album
'Abdullah Bukhari
ca. 1725–45

Ka'ba Tile, Osman Ibn Mehmed Turkish, Stonepaste; polychrome painted under transparent glaze — Ka'ba Tile
Osman Ibn Mehmed
`Abdullah Mehmed
ca. 1720–30

Inkwell with the Name of Amir 'Abdullah ibn al-Hasan Pars, Bronze; cast — Inkwell with the Name of Amir 'Abdullah ibn al-Hasan Pars
probably 11th century

Letter in Ta'liq Script, Darvish 'Abdullah Munshi, Ink, opaque watercolor, and gold on paper — Letter in Ta'liq Script
Darvish 'Abdullah Munshi
911 AH/1505–6 CE

"Physician Preparing an Elixir", Folio from a Materia Medica of Dioscorides, 'Abdullah ibn al-Fadl, Ink, opaque watercolor, and gold on paper — "Physician Preparing an Elixir", Folio from a Materia Medica of Dioscorides
'Abdullah ibn al-Fadl
dated 621 AH/1224 CE

Page of Calligraphy from Munajat (Prayers) of Abdullah Ansar, Ink on paper — Page of Calligraphy from Munajat (Prayers) of Abdullah Ansar
17th–19th century

Revealing Such Treasure as Surely Mortal Eyes Had Never Before Gazed Upon, frontispiece from 'The Story of Baba Abdalla' in "The Arabian Nights", Edward Julius Detmold British, Watercolor — Revealing Such Treasure as Surely Mortal Eyes Had Never Before Gazed Upon, frontispiece from 'The Story of Baba Abdalla' in "The Arabian Nights"
Edward Julius Detmold
1922

"The Wedding of Siyavush and Farangis", Folio 185v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper — "The Wedding of Siyavush and Farangis", Folio 185v from the Shahnama (Book of Kings) of Shah Tahmasp
Multiple artists/makers
ca. 1525–30

"The Khaqan Captive Before Bahram Gur", Folio 578r from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper — "The Khaqan Captive Before Bahram Gur", Folio 578r from the Shahnama (Book of Kings) of Shah Tahmasp
Multiple artists/makers
ca. 1530–35

Qur'an, Abdullah ibn Muhammad ibn Muhammad al-Tabrizi, Ink, watercolor, and gold on paper — Qur'an
Abdullah ibn Muhammad ibn Muhammad al-Tabrizi
dated Rabi’ al-Akhir 765 AH/1364 CE

"Rustam's Seventh Course: He Kills the White Div", Folio from a Shahnama (Book of Kings), Abu'l Qasim Firdausi Iranian, Ink, opaque watercolor, silver, and gold on paper — "Rustam's Seventh Course: He Kills the White Div", Folio from a Shahnama (Book of Kings)
Abu'l Qasim Firdausi
Mu'in Musavvir
dated 1077 AH/1666–67 CE

"Rustam's First Encounter with Afrasiyab", Folio from a Shahnama (Book of Kings), Abu'l Qasim Firdausi Iranian, Ink, opaque watercolor, silver, and gold on paper — "Rustam's First Encounter with Afrasiyab", Folio from a Shahnama (Book of Kings)
Abu'l Qasim Firdausi
Mu'in Musavvir
dated 1077 AH/1666–67 CE

"Rustam Slays Esfandiyar", Folio from a Shahnama (Book of Kings), Abu'l Qasim Firdausi Iranian, Ink, opaque watercolor, silver, and gold on paper — "Rustam Slays Esfandiyar", Folio from a Shahnama (Book of Kings)
Abu'l Qasim Firdausi
Mu'in Musavvir
1666–67

"Siyavush Recounts His Nightmare to Farangis", Folio 195r from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper — "Siyavush Recounts His Nightmare to Farangis", Folio 195r from the Shahnama (Book of Kings) of Shah Tahmasp
Multiple artists/makers
ca. 1525–30

"Rustam Blames Kai Kavus for the Death of Siyavush", Folio 202v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper — "Rustam Blames Kai Kavus for the Death of Siyavush", Folio 202v from the Shahnama (Book of Kings) of Shah Tahmasp
Multiple artists/makers
ca. 1525–30

"Bahram Gur Pins the Coupling Onagers", Folio 568r from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper — "Bahram Gur Pins the Coupling Onagers", Folio 568r from the Shahnama (Book of Kings) of Shah Tahmasp
Abu'l Qasim Firdausi
Mir Sayyid 'Ali
ca. 1530–35

Sultan 'Abdullah Qutb Shah, Ink, opaque watercolor, and gold on paper — Sultan 'Abdullah Qutb Shah
ca. 1660

Madame Abdala (from Le Café Concert), Henri de Toulouse-Lautrec French, Brush and spatter lithograph with scraper printed in black on laid Japan paper; only state; from deluxe 1893 edition — Madame Abdala (from Le Café Concert)
Multiple artists/makers
1893

Madame Abdala, from "Le Café Concert", Henri de Toulouse-Lautrec French, Brush and spatter lithograph with scraper printed in black on wove paper; only state — Madame Abdala, from "Le Café Concert"
Multiple artists/makers
1893

"Siyavush Stands Accused by Sudaba before Kai Kavus", Folio 163v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper — "Siyavush Stands Accused by Sudaba before Kai Kavus", Folio 163v from the Shahnama (Book of Kings) of Shah Tahmasp
Multiple artists/makers
ca. 1530–35

"Siyavush and Jarira Wedded", Folio 183v from the Shahnama (Book of Kings) of Abu'l Qasim Firdausi, commissioned by Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper — "Siyavush and Jarira Wedded", Folio 183v from the Shahnama (Book of Kings) of Abu'l Qasim Firdausi, commissioned by Shah Tahmasp
Multiple artists/makers
ca. 1525–30