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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,256 results for Adrien Majewski

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[Effluvia from a Hand Resting on a Photographic Plate], Adrien Majewski French, Gelatin silver print — [Effluvia from a Hand Resting on a Photographic Plate]
Adrien Majewski
1898–99

The Great Pyramid, Giza, Adrien Dauzats French, Oil on canvas — The Great Pyramid, Giza
Adrien Dauzats
1830 or later

The Giralda, Seville, Adrien Dauzats French, Oil on paper, laid down on canvas — The Giralda, Seville
Adrien Dauzats
1836/37

Boudoir from the Hôtel de Crillon, Pierre-Adrien Paris French, Oak, painted and gilded, French, Paris — Boudoir from the Hôtel de Crillon
Pierre-Adrien Paris
ca. 1777–80

Pair of sauceboats, Pierre-Adrien Dachery, Silver, French, Saint Quentin — Pair of sauceboats
Pierre-Adrien Dachery
Amiens Mint
1768–75

Bowl with two panthers, Pierre-Adrien Dalpayrat French, Stoneware, French, Bourg-la-Reine — Bowl with two panthers
Pierre-Adrien Dalpayrat
1894–95

Table lamp, Pierre-Adrien Dalpayrat French, Glass, glazed stoneware, bronze — Table lamp
Pierre-Adrien Dalpayrat
ca. 1900–1902

Gourd-shaped bottle, Pierre-Adrien Dalpayrat French, Glazed stoneware; wood stopper, French, Bourg-la-Reine — Gourd-shaped bottle
Pierre-Adrien Dalpayrat
ca. 1900

Cameo of the Virgin and Child, Adrien Jean Maximilien Vachette [Gold Frame] French, Agate cameo, gold frame, Byzantine — Cameo of the Virgin and Child
Adrien Jean Maximilien Vachette
ca. 1050–1100 (cameo); ca. 1800 (frame)

Electro–Physiologie, Figure 64, Adrien Tournachon French, Albumen silver print from glass negative — Electro–Physiologie, Figure 64
Adrien Tournachon
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862

Pascaline, Adrien Tournachon French, Salted paper print or albumen print — Pascaline
Adrien Tournachon
ca. 1855–60

[Bull from Glane, Canton of Fribourg], Adrien Tournachon French, Salted paper print from glass negative — [Bull from Glane, Canton of Fribourg]
Adrien Tournachon
1856

[Self-Portrait], Adrien Tournachon French, Salted paper print from glass negative — [Self-Portrait]
Adrien Tournachon
ca. 1855

Emmanuel Frémiet, Adrien Tournachon French, Salted paper print from glass negative — Emmanuel Frémiet
Adrien Tournachon
1854–55

Absalon, Adrien Tournachon French, Salted paper print or albumen print — Absalon
Adrien Tournachon
ca. 1855–60

A Cairo Bazaar, Adrien Dauzats French, Oil on wood — A Cairo Bazaar
Adrien Dauzats
1839

Vase, Pierre-Adrien Dalpayrat French, Stoneware, French, Bourg-la-Reine — Vase
Pierre-Adrien Dalpayrat
ca. 1900

Ewer, Pierre-Adrien Dalpayrat French, Glazed earthenware, pewter, French, Bourg-la-Reine — Ewer
Pierre-Adrien Dalpayrat
Edward Colonna
1898–1902

Inkwell, Pierre-Adrien Dalpayrat French, Glazed earthenware, gilt bronze, French, Bourg-la-Reine — Inkwell
Multiple artists/makers
ca. 1900

Work and writing table (table en chiffonière), Adrien-Faizelot Delorme, Oak veneered with tulipwood, kingwood, holly, engraved satinwood and green stained wood, gilt bronze and brass, gold-tooled green leather., French — Work and writing table (table en chiffonière)
Adrien-Faizelot Delorme
ca. 1755–65

Vase with face, Pierre-Adrien Dalpayrat French, Stoneware, French, Bourg-la-Reine — Vase with face
Pierre-Adrien Dalpayrat
Alphonse Voisin-Delacroix
1892–93

Vase, Pierre-Adrien Dalpayrat French, Stoneware — Vase
Pierre-Adrien Dalpayrat
end of 19th century

Vase, Pierre-Adrien Dalpayrat French, Stoneware — Vase
Pierre-Adrien Dalpayrat
1897

Puddlers in Profile

Constantin Meunier

Pierre-Adrien Dalpayrat

ca. 1900

Adrien Tournachon

1860

Snuffbox with four maritime scenes; Louis XIV crossing the Rhine in 1672, Adrien Jean Maximilien Vachette French, Gold, enamel, French, Paris — Snuffbox with four maritime scenes; Louis XIV crossing the Rhine in 1672
Adrien Jean Maximilien Vachette
Henri Joseph van Blarenberghe
1798–1838

Snuffbox, Adrien Jean Maximilien Vachette French, Gold, enamel, French, Paris — Snuffbox
Multiple artists/makers
1789–90

Snuffbox, Adrien Jean Maximilien Vachette French, Gold, enamel, French, Paris — Snuffbox
Adrien Jean Maximilien Vachette
1782–83

[Man in Chainmail Tunic Posing as a Dying Soldier], Adrien Constant de Rebecque Swiss, Albumen silver print from collodion glass negative — [Man in Chainmail Tunic Posing as a Dying Soldier]
Adrien Constant de Rebecque
ca. 1863

Pierrot Laughing, Nadar French, Gelatin-coated salted paper print (vernis-cuir) — Pierrot Laughing
Multiple artists/makers
1855

The Rest on the Flight into Egypt, Adrien Dassier French, Pen, brown ink, brush and gray-brown wash, heightened with white over traces of black chalk, faintly squared in black chalk — The Rest on the Flight into Egypt
Adrien Dassier
1666

Mécanisme de la physionomie humaine ou Analyse électro-physiologique de l’expression des passions applicable à la pratique des arts plastiques, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver prints from glass negatives — Mécanisme de la physionomie humaine ou Analyse électro-physiologique de l’expression des passions applicable à la pratique des arts plastiques
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Faradisation du muscle frontal, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Faradisation du muscle frontal
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 4: The face in repose of a young man
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 4: The face in repose of a young man
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 6: The grimice produced is similar to a tic of the face
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 6: The grimice produced is similar to a tic of the face
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 8: Contraction of the right m. frontalis.
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 8: Contraction of the right m. frontalis.
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 9: A study of m. frontalis in maximum contraction, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 9: A study of m. frontalis in maximum contraction
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 10: Showing the expressive lines of m. frontalis in a young girl
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 10: Showing the expressive lines of m. frontalis in a young girl
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 16: Expression of severity
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 16: Expression of severity
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862

Figure 19: Suffering
, Guillaume-Benjamin-Amand Duchenne de Boulogne French, Albumen silver print from glass negative — Figure 19: Suffering
Guillaume-Benjamin-Amand Duchenne de Boulogne
Adrien Tournachon
1854–56, printed 1862