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Showing 87 results for Agapito Franzetti
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Piazza Giudea
Agapito Franzetti
1775–1825
A bacchante, a garland on her head, and playing cymbals, set against a black background inside a rectangular frame, Aloysio Cunego Italian, Engraving
A bacchante, a garland on her head, and playing cymbals, set against a black background inside a rectangular frame
Aloysio Cunego
Agapito Franzetti
1795–1820
A bacchante holding a pitcher in her right hand and carrying in her left hand an oval dish containing three figs, set against a black background inside a rectangular frame, Aloysio Cunego Italian, Engraving
A bacchante holding a pitcher in her right hand and carrying in her left hand an oval dish containing three figs, set against a black background inside a rectangular frame
Aloysio Cunego
Agapito Franzetti
1795–1820
A bacchante wearing a hooded shawl and holding a box in her left hand, set against a black background inside a rectangular frame, Antonio Ricciani Italian, Engraving
A bacchante wearing a hooded shawl and holding a box in her left hand, set against a black background inside a rectangular frame
Multiple artists/makers
ca. 1795–ca. 1820
A bacchante holding a sword in her left arm and a branch with fruit in her right hand, set against a black background inside a rectangular frame, Antonio Ricciani Italian, Engraving
A bacchante holding a sword in her left arm and a branch with fruit in her right hand, set against a black background inside a rectangular frame
Multiple artists/makers
ca. 1795–ca. 1820
A bacchante seen in profile facing left, with outstretched left arm holding her drapery, set against a black background inside a rectangular frame, Antonio Ricciani Italian, Engraving
A bacchante seen in profile facing left, with outstretched left arm holding her drapery, set against a black background inside a rectangular frame
Multiple artists/makers
ca. 1795–ca. 1820
A bacchante carrying a large basket on her head and holding a staff in her left hand, set against a black background inside a rectangular frame, Antonio Ricciani Italian, Engraving
A bacchante carrying a large basket on her head and holding a staff in her left hand, set against a black background inside a rectangular frame
Multiple artists/makers
ca. 1795–ca. 1820
A bacchante wearing a flowing drapery, looking down, right arm bent and left arm outstretched, set against a black background inside a rectangular frame, Antonio Ricciani Italian, Engraving
A bacchante wearing a flowing drapery, looking down, right arm bent and left arm outstretched, set against a black background inside a rectangular frame
Multiple artists/makers
ca. 1795–1847
A partly naked bacchante seen from behind, facing right and holding an oval dish in her left hand, her drapery in her right, set against a black background inside a rectangular frame, Antonio Ricciani Italian, Engraving
A partly naked bacchante seen from behind, facing right and holding an oval dish in her left hand, her drapery in her right, set against a black background inside a rectangular frame
Multiple artists/makers
ca. 1795–ca. 1820
A partly nude bacchante holding a disk in her left hand and raising her garments with right, Vicenzo Feoli Italian, Engraving
A partly nude bacchante holding a disk in her left hand and raising her garments with right
Multiple artists/makers
ca. 1795–1820
A partly naked bacchante holding a disk in her raised left hand and a bucket in her right, Vicenzo Feoli Italian, Engraving
A partly naked bacchante holding a disk in her raised left hand and a bucket in her right
Multiple artists/makers
ca. 1795–1820
A partly naked bacchante playing a tambourine, Vicenzo Feoli Italian, Engraving
A partly naked bacchante playing a tambourine
Multiple artists/makers
ca. 1795–1820
A partly nude bacchante stepping forward and holding ends of her drapery in each hand, Vicenzo Feoli Italian, Engraving
A partly nude bacchante stepping forward and holding ends of her drapery in each hand
Multiple artists/makers
ca. 1795–1820
View of the Arch of Janus, with shepherds and goats in the foreground, François Morel French, Etching
View of the Arch of Janus, with shepherds and goats in the foreground
François Morel
Agapito Franzetti
1795–1800
View of the Campo Vaccino, with the Colosseum in the background and the ruins of the Temple of Castor and Pollux at right, François Morel French, Etching
View of the Campo Vaccino, with the Colosseum in the background and the ruins of the Temple of Castor and Pollux at right
François Morel
Agapito Franzetti
1796
The council of the Gods on Olympus
Multiple artists/makers
ca. 1800–20
Sculpture in the shape of two figures (suplicante), Alamito artist(s), Stone, Alamito
Sculpture in the shape of two figures (suplicante)
Alamito artist(s)
500 BCE–500 CE
Mask, Condorhuasi-Alamito artist(s), Stone (lapis lazuli), Condorhuasi-Alamito
Mask
Condorhuasi-Alamito artist(s)
400 BCE–700 CE
Beaker with face, Condorhuasi-Alamito artist(s), Stone, Condorhuasi-Alamito
Beaker with face
Condorhuasi-Alamito artist(s)
500 BCE–500 CE
Mask, Condorhuasi-Alamito artist(s), Stone, Condorhuasi-Alamito
Mask
Condorhuasi-Alamito artist(s)
400 BCE–500 CE
Mask, Condorhuasi-Alamito artist(s), Stone, Condorhuasi-Alamito
Mask
Condorhuasi-Alamito artist(s)
400 BCE–500 CE
Beaker with animal heads, Condorhuasi-Alamito artist(s), Stone, Condorhuasi-Alamito
Beaker with animal heads
Condorhuasi-Alamito artist(s)
500 BCE–500 CE
Mortar in the form of a feline, Basalt, Alamito
Mortar in the form of a feline
Alamito
700–400 BCE
Clement VIII (Pope, 1592–1605), Giorgio Rancetti, Bronze, Italian, Rome
Clement VIII (Pope, 1592–1605)
Giorgio Rancetti
1598
Saint Agapitus of Praeneste in the Arena; (interior) The Beheading of Saint Agapitus of Praeneste, Swiss Painter Swiss, Oil, gold, and white metal on wood
Saint Agapitus of Praeneste in the Arena; (interior) The Beheading of Saint Agapitus of Praeneste
Swiss Painter
ca. 1500–1505
Clearing at the Edge of a Wood, Louis-Auguste Lapito French, Oil on paper, laid down on canvas
Clearing at the Edge of a Wood
Louis-Auguste Lapito
[Louis Auguste Lapito]
Legé & Bergeron
Louis-Auguste Lapito
1867–1871
Mortar with incised geometric design, Stone, Condorhuasi-Alamito
Mortar with incised geometric design
Condorhuasi-Alamito
500 BCE–500 CE
Feline figure, Condorhuasi artist(s), Stone, Condorhuasi
Feline figure
Condorhuasi artist(s)
500 BCE–500 CE
Red-spined Cactus and Lichen-covered Branches, Near El Aguajito, Baja California, Eliot Porter American, Dye transfer print
Red-spined Cactus and Lichen-covered Branches, Near El Aguajito, Baja California
Eliot Porter
1964
The death of Saint Anne with various family members surrounding her and angels overhead, Cesare Fantetti Italian, Etching and engraving
The death of Saint Anne with various family members surrounding her and angels overhead
Multiple artists/makers
1670–80
S. Agapit, soldat (St. Agapitus, Soldier), March 24th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year), Jacques Callot French, Etching; second state of two (Lieure)
S. Agapit, soldat (St. Agapitus, Soldier), March 24th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Jacques Callot
Israël Henriet
1636
Textile patterns printed in green, white, or blue on black grounds
Ernani Franzinetti
n.d.
Textile patterns printed in brown or blue paste, numbered by pattern (NOT consecutive or complete)
Ernani Franzinetti
n.d.
Plate 3: God the Father creating the sun and the moon, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Multiple artists/makers
1675
Plate 5: God the Father creating Adam and Eve, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Multiple artists/makers
1675
Plate 7: The expulsion of Adam and Eve from the Garden of Paradise, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Multiple artists/makers
1675
Plate 9: Noah watching over three men as they build the ark, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Multiple artists/makers
1675
Plate 18: Abimelech looking through a window to see Isaac embracing his wife Rebekah, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Multiple artists/makers
1675
Plate 24: Jacob and his family ride camels home to Isaac, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Multiple artists/makers
1675