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The Holy Family with the Young Saint John the Baptist, Andrea del Sarto (Andrea d'Agnolo) Italian, Oil on wood
The Holy Family with the Young Saint John the Baptist
Andrea del Sarto (Andrea d'Agnolo)
ca. 1528
Saint Sebastian, Francesco Botticini (Francesco di Giovanni) Italian, Tempera and oil on wood
Saint Sebastian
Francesco Botticini (Francesco di Giovanni)
Portrait of a Man, Andrea del Sarto (Andrea d'Agnolo) Italian, Oil on canvas, transferred from wood
Portrait of a Man
Andrea del Sarto (Andrea d'Agnolo)
1528–29
Standing boy, Andrea Mantegna Italian, Bronze, silver inlay (eyes), on a later porphyry and ormolu base, Italian, probably Mantua
Standing boy
After a model by Andrea Mantegna
Former Attribution Workshop of Andrea del Verrocchio
late 15th–early 16th century
Madonna and Child, Andrea del Verrocchio Italian, Tempera and gold on wood
Madonna and Child
Workshop of Andrea del Verrocchio
ca. 1470
Reclining putto, Andrea del Verrocchio Italian, Bronze, Italian, Florence
Reclining putto
Style of Andrea del Verrocchio
probably 19th century
Virgin and Child, Andrea del Verrocchio Italian, Terracotta, painted and partially gilt, Italian
Virgin and Child
Follower of Andrea del Verrocchio
15th century
Lady holding a bunch of flowers to her breast, Andrea del Verrocchio Italian, Plaster and stucco, polychromed and gilt, Italian, Florence
Lady holding a bunch of flowers to her breast
After a composition by Andrea del Verrocchio
probably late 19th century
Virgin Adoring the Christ Child, Andrea della Robbia Italian, Glazed terracotta, Italian, Florence
Virgin Adoring the Christ Child
Workshop of Andrea della Robbia
after 1479
Virgin Adoring the Christ Child, Andrea della Robbia Italian, Glazed terracotta, Italian, Florence
Virgin Adoring the Christ Child
Workshop of Andrea della Robbia
after 1479
Study for the Head of Julius Caesar, Andrea del Sarto (Andrea d'Agnolo) Italian, Red chalk
Study for the Head of Julius Caesar
Andrea del Sarto (Andrea d'Agnolo)
ca. 1520–21
Measured Drawing of a Horse Facing Left (recto), Andrea del Verrocchio Italian, Pen and dark brown ink, over traces of black chalk
Measured Drawing of a Horse Facing Left (recto)
Andrea del Verrocchio
ca. 1480–88
Studies of Hands, Andrea del Sarto (Andrea d'Agnolo) Italian, Red chalk. Lined
Studies of Hands
Andrea del Sarto (Andrea d'Agnolo)
ca. 1517
Woman and Child Kneeling (recto); Head of Child (verso), Andrea del Sarto (Andrea d'Agnolo) Italian, Pen and brown ink (recto and verso)
Woman and Child Kneeling (recto); Head of Child (verso)
After Andrea del Sarto (Andrea d'Agnolo)
16th century
The Birth of Saint John the Baptist, Andrea del Sarto (Andrea d'Agnolo) Italian, Pen and brown ink, brush and brown wash, highlighted with Chinese white of brown paper
The Birth of Saint John the Baptist
After Andrea del Sarto (Andrea d'Agnolo)
16th century
Studies of a Head and a Hand, Andrea del Sarto (Andrea d'Agnolo) Italian, Red chalk
Studies of a Head and a Hand
Andrea del Sarto (Andrea d'Agnolo)
1510
Seated satyr with silvered eyes, Andrea Briosco, called Riccio Italian, Bronze, silver inlay (eyes), Italian, Padua
Seated satyr with silvered eyes
Andrea Briosco, called Riccio
second quarter of the 16th century
Virgin and Child on a crescent moon, Gilt bronze, Italian, probably Florence
Virgin and Child on a crescent moon
Italian, probably Florence
late 15th–early 16th century
Entombment, Andrea Briosco, called Riccio Italian, Copper alloy with a warm, reddish brown patina.
Entombment
Andrea Briosco, called Riccio
model ca. 1516–21 (last cast)
Neptune from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi) Italian, Wool and silk (7-8 warps per cm.), Netherlandish, probably Brussels
Neptune from the "Doria Grotesques"
Designer Designed by Perino del Vaga (Pietro Buonaccorsi)
Woven by Anonymous Workshop
designed 1545, woven ca. 1550
Madonna and Child, Bachiacca (Francesco d'Ubertino Verdi) Italian, Oil and gold on wood
Madonna and Child
Bachiacca (Francesco d'Ubertino Verdi)
possibly early 1520s
Death of Francesca Pitti Tornabuoni, Andrea del Verrocchio Italian, Marble
On loan to The Met
Death of Francesca Pitti Tornabuoni
Andrea del Verrocchio
Francesco di Simone Ferrucci
ca. 1480
Minerva from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi) Italian, Wool, silk (17-19 warps per inch, 7-8 per cm.), Netherlandish, Brussels
Minerva from the "Doria Grotesques"
Designer Probably designed in the workshop of Perino del Vaga (Pietro Buonaccorsi)
Perhaps woven in the workshop of Joost van Herzeele
Designed 1545, woven ca. 1550
The Mystic Marriage of St. Catherine, Marco Angolo del Moro Italian, Etching
The Mystic Marriage of St. Catherine
After Marco Angolo del Moro
After Andrea Schiavone (Andrea Meldola)
After a design by Parmigianino (Girolamo Francesco Maria Mazzola)
16th century
Saint Michael and Saint Giovanni Gualberto (after Andrea del Sarto's Vallombrosa Altarpiece), Federico Zuccaro (Zuccari) Italian, Black and red chalk
Saint Michael and Saint Giovanni Gualberto (after Andrea del Sarto's Vallombrosa Altarpiece)
After Federico Zuccaro (Zuccari)
1540/41–1609
L'Architettura di Andrea Palladio divisa in quattro libri
Multiple artists/makers
1711
Jupiter and Juno: Study for the "Furti di Giove" Tapestries, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache
Jupiter and Juno: Study for the "Furti di Giove" Tapestries
Perino del Vaga (Pietro Buonaccorsi)
ca. 1532–35
Head of the Madonna, Franciabigio (Francesco di Cristofano) Italian, Oil on wood
Head of the Madonna
Franciabigio (Francesco di Cristofano)
ca. 1509
Del Teatro Olimpico di Andrea Palladio in Vicenza
Author Conte Giovanni Montenari
1749
Bust of a woman flanked by three women on each side, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
Bust of a woman flanked by three women on each side, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Bust of a woman in profile facing left, set in an elaborate frame with figures in niches at left and right, Battista Angolo del Moro Italian, Etching
Bust of a woman in profile facing left, set in an elaborate frame with figures in niches at left and right
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Young woman drinking from a bowl, an old woman standing in front of her, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
Young woman drinking from a bowl, an old woman standing in front of her, set within an elaborate frame
Battista Angolo del Moro
Former Attribution Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
The Cumeaean sibyl walking to the right and carrying a tray, followed by three women, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
The Cumeaean sibyl walking to the right and carrying a tray, followed by three women, set within an elaborate frame
Battista Angolo del Moro
Former Attribution Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
A man and woman offering a platter of coins to a king seated on a throne, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
A man and woman offering a platter of coins to a king seated on a throne, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Woman seated with arms outstretched, personification of Fame with trumpet at right, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
Woman seated with arms outstretched, personification of Fame with trumpet at right, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Bust of a woman in profile facing right, set within an elaborate frame with putti, Battista Angolo del Moro Italian, Etching
Bust of a woman in profile facing right, set within an elaborate frame with putti
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Four women surrounding a seated figure, a bird above them, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
Four women surrounding a seated figure, a bird above them, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
A young man offers his hand to a seated woman, another woman stands between them and a third blows a trumpet behind them, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
A young man offers his hand to a seated woman, another woman stands between them and a third blows a trumpet behind them, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Figure on horseback holding a sword and riding over a figure lying on the ground, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
Figure on horseback holding a sword and riding over a figure lying on the ground, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
The Judgment of Paris; man seated at left reaches out to a woman who is flanked by two others, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
The Judgment of Paris; man seated at left reaches out to a woman who is flanked by two others, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Four women surrounding a seated figure, a bird above them, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
Four women surrounding a seated figure, a bird above them, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Bust of a woman in profile facing left, set in an elaborate frame with figures in niches, Battista Angolo del Moro Italian, Etching
Bust of a woman in profile facing left, set in an elaborate frame with figures in niches
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80