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Madonna and Child, Andrea del Verrocchio Italian, Tempera and gold on wood
Madonna and Child
Workshop of Andrea del Verrocchio
ca. 1470
Reclining putto, Andrea del Verrocchio Italian, Bronze, Italian, Florence
Reclining putto
Style of Andrea del Verrocchio
probably 19th century
Lady holding a bunch of flowers to her breast, Andrea del Verrocchio Italian, Plaster and stucco, polychromed and gilt, Italian, Florence
Lady holding a bunch of flowers to her breast
After a composition by Andrea del Verrocchio
probably late 19th century
Virgin and Child, Andrea del Verrocchio Italian, Terracotta, painted and partially gilt, Italian
Virgin and Child
Follower of Andrea del Verrocchio
15th century
Standing boy, Andrea Mantegna Italian, Bronze, silver inlay (eyes), on a later porphyry and ormolu base, Italian, probably Mantua
Standing boy
After a model by Andrea Mantegna
Former Attribution Workshop of Andrea del Verrocchio
late 15th–early 16th century
Measured Drawing of a Horse Facing Left (recto), Andrea del Verrocchio Italian, Pen and dark brown ink, over traces of black chalk
Measured Drawing of a Horse Facing Left (recto)
Andrea del Verrocchio
ca. 1480–88
Virgin and Child on a crescent moon, Gilt bronze, Italian, probably Florence
Virgin and Child on a crescent moon
Italian, probably Florence
late 15th–early 16th century
Death of Francesca Pitti Tornabuoni, Andrea del Verrocchio Italian, Marble
On loan to The Met
Death of Francesca Pitti Tornabuoni
Andrea del Verrocchio
Francesco di Simone Ferrucci
ca. 1480
The Holy Family with the Young Saint John the Baptist, Andrea del Sarto (Andrea d'Agnolo) Italian, Oil on wood
The Holy Family with the Young Saint John the Baptist
Andrea del Sarto (Andrea d'Agnolo)
ca. 1528
The Tomb of Pietro and Giovanni de' Medici from The Tombs of the Medici, Cornelis Cort Netherlandish, Engraving
The Tomb of Pietro and Giovanni de' Medici from The Tombs of the Medici
Cornelis Cort
After Andrea del Verrocchio
1570
The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia. Studies in the History and Criticism of Sculpture, Volume VII
Clarence Kennedy
Author Elizabeth Wilder Weismann
1930s
The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia. Studies in the History and Criticism of Sculpture, Volume VII
Clarence Kennedy
Author Elizabeth Wilder Weismann
Editor Peleo Bacci
1930s
Andrea Verrocchio
Multiple artists/makers
1682–95
Portrait of a Man, Andrea del Sarto (Andrea d'Agnolo) Italian, Oil on canvas, transferred from wood
Portrait of a Man
Andrea del Sarto (Andrea d'Agnolo)
1528–29
The Tomb of Pietro and Giovanni de' Medici from the Tombs of the Medici
Cornelis Cort
After Andrea del Verrocchio
Publisher Giovanni Giacomo De Rossi
1570
Angel (one of a pair), Bronze, fire-gilt, Italian, probably Florence
Angel (one of a pair)
Italian, probably Florence
late 15th century
Angel (one of a pair), Bronze, fire-gilt, Italian, probably Florence
Angel (one of a pair)
Italian, probably Florence
late 15th century
Virgin Adoring the Christ Child, Andrea della Robbia Italian, Glazed terracotta, Italian, Florence
Virgin Adoring the Christ Child
Workshop of Andrea della Robbia
after 1479
Virgin Adoring the Christ Child, Andrea della Robbia Italian, Glazed terracotta, Italian, Florence
Virgin Adoring the Christ Child
Workshop of Andrea della Robbia
after 1479
Study for the Head of Julius Caesar, Andrea del Sarto (Andrea d'Agnolo) Italian, Red chalk
Study for the Head of Julius Caesar
Andrea del Sarto (Andrea d'Agnolo)
ca. 1520–21
Sketches of Figures of the Virgin Kneeling, Saint Peter Standing, Seated Allegorical Figures of Faith and Charity, and Child Standing on a Corbel (?) (recto); Sketches of Figures of Saint Sebastian Standing and the Virgin and Child with Angels (verso), Francesco di Simone Ferrucci Italian, Pen and brown ink, over leadpoint or black chalk, on rose-washed paper
Sketches of Figures of the Virgin Kneeling, Saint Peter Standing, Seated Allegorical Figures of Faith and Charity, and Child Standing on a Corbel (?) (recto); Sketches of Figures of Saint Sebastian Standing and the Virgin and Child with Angels (verso)
Attributed to Francesco di Simone Ferrucci
1487–88
Studies of Hands, Andrea del Sarto (Andrea d'Agnolo) Italian, Red chalk. Lined
Studies of Hands
Andrea del Sarto (Andrea d'Agnolo)
ca. 1517
Woman and Child Kneeling (recto); Head of Child (verso), Andrea del Sarto (Andrea d'Agnolo) Italian, Pen and brown ink (recto and verso)
Woman and Child Kneeling (recto); Head of Child (verso)
After Andrea del Sarto (Andrea d'Agnolo)
16th century
The Birth of Saint John the Baptist, Andrea del Sarto (Andrea d'Agnolo) Italian, Pen and brown ink, brush and brown wash, highlighted with Chinese white of brown paper
The Birth of Saint John the Baptist
After Andrea del Sarto (Andrea d'Agnolo)
16th century
Studies of a Head and a Hand, Andrea del Sarto (Andrea d'Agnolo) Italian, Red chalk
Studies of a Head and a Hand
Andrea del Sarto (Andrea d'Agnolo)
1510
Saint Sebastian, Francesco Botticini (Francesco di Giovanni) Italian, Tempera and oil on wood
Saint Sebastian
Francesco Botticini (Francesco di Giovanni)
Seated satyr with silvered eyes, Andrea Briosco, called Riccio Italian, Bronze, silver inlay (eyes), Italian, Padua
Seated satyr with silvered eyes
Andrea Briosco, called Riccio
second quarter of the 16th century
Entombment, Andrea Briosco, called Riccio Italian, Copper alloy with a warm, reddish brown patina.
Entombment
Andrea Briosco, called Riccio
model ca. 1516–21 (last cast)
Neptune from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi) Italian, Wool and silk (7-8 warps per cm.), Netherlandish, probably Brussels
Neptune from the "Doria Grotesques"
Designer Designed by Perino del Vaga (Pietro Buonaccorsi)
Woven by Anonymous Workshop
designed 1545, woven ca. 1550
Madonna and Child, Bachiacca (Francesco d'Ubertino Verdi) Italian, Oil and gold on wood
Madonna and Child
Bachiacca (Francesco d'Ubertino Verdi)
possibly early 1520s
Minerva from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi) Italian, Wool, silk (17-19 warps per inch, 7-8 per cm.), Netherlandish, Brussels
Minerva from the "Doria Grotesques"
Designer Probably designed in the workshop of Perino del Vaga (Pietro Buonaccorsi)
Perhaps woven in the workshop of Joost van Herzeele
Designed 1545, woven ca. 1550
The Mystic Marriage of St. Catherine, Marco Angolo del Moro Italian, Etching
The Mystic Marriage of St. Catherine
After Marco Angolo del Moro
After Andrea Schiavone (Andrea Meldola)
After a design by Parmigianino (Girolamo Francesco Maria Mazzola)
16th century
Saint Michael and Saint Giovanni Gualberto (after Andrea del Sarto's Vallombrosa Altarpiece), Federico Zuccaro (Zuccari) Italian, Black and red chalk
Saint Michael and Saint Giovanni Gualberto (after Andrea del Sarto's Vallombrosa Altarpiece)
After Federico Zuccaro (Zuccari)
1540/41–1609
L'Architettura di Andrea Palladio divisa in quattro libri
Multiple artists/makers
1711
Jupiter and Juno: Study for the "Furti di Giove" Tapestries, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache
Jupiter and Juno: Study for the "Furti di Giove" Tapestries
Perino del Vaga (Pietro Buonaccorsi)
ca. 1532–35
Head of the Madonna, Franciabigio (Francesco di Cristofano) Italian, Oil on wood
Head of the Madonna
Franciabigio (Francesco di Cristofano)
ca. 1509
Del Teatro Olimpico di Andrea Palladio in Vicenza
Author Conte Giovanni Montenari
1749
Bust of a woman flanked by three women on each side, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
Bust of a woman flanked by three women on each side, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Bust of a woman in profile facing left, set in an elaborate frame with figures in niches at left and right, Battista Angolo del Moro Italian, Etching
Bust of a woman in profile facing left, set in an elaborate frame with figures in niches at left and right
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Young woman drinking from a bowl, an old woman standing in front of her, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
Young woman drinking from a bowl, an old woman standing in front of her, set within an elaborate frame
Battista Angolo del Moro
Former Attribution Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
The Cumeaean sibyl walking to the right and carrying a tray, followed by three women, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
The Cumeaean sibyl walking to the right and carrying a tray, followed by three women, set within an elaborate frame
Battista Angolo del Moro
Former Attribution Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
A man and woman offering a platter of coins to a king seated on a throne, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
A man and woman offering a platter of coins to a king seated on a throne, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80