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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Andrea di Alessandri, called Il Bresciano

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Altar candlestick (pair with 1975.1.1383), Andrea di Alessandri, called Il Bresciano Italian, Copper alloy with a thick black varnish patina. — Altar candlestick (pair with 1975.1.1383)
Andrea di Alessandri, called Il Bresciano
ca. 1565

Altar candlestick, Andrea di Alessandri, called Il Bresciano Italian, Copper alloy with a thick black varnish patina. — Altar candlestick
Andrea di Alessandri, called Il Bresciano
ca. 1565

Rothschild lamp, Andrea Briosco, called Riccio Italian, Bronze, on a later wood base, Italian, Padua — Rothschild lamp
Andrea Briosco, called Riccio
ca. 1510–20

Striding Pan, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Striding Pan
Andrea Briosco, called Riccio
1530–1539

Tobit Burying the Dead, Andrea di Lione Italian, Oil on canvas — Tobit Burying the Dead
Andrea di Lione
1640s

The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, Giovanni di ser Giovanni Guidi (called Scheggia) Italian, Tempera, silver, and gold on wood — The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia)
ca. 1449

Triton and Nereid, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Triton and Nereid
Andrea Briosco, called Riccio
after 1532–before ca. 1550

Seated satyr with a shell, Andrea Briosco, called Riccio Italian, Bronze, Italian — Seated satyr with a shell
Andrea Briosco, called Riccio
after 1600

Seated satyr with silvered eyes, Andrea Briosco, called Riccio Italian, Bronze, silver inlay (eyes), Italian, Padua — Seated satyr with silvered eyes
Andrea Briosco, called Riccio
second quarter of the 16th century

The Entombment of Christ, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — The Entombment of Christ
Andrea Briosco, called Riccio
probably early 16th century

ex "Kurtz" Violin, Andrea Amati Italian, Spruce, maple, ebony, paint, gilding, Italian (Cremona) — ex "Kurtz" Violin
Andrea Amati
ca. 1560

The Adoration of the Shepherds, Andrea Mantegna Italian, Tempera on canvas, transferred from wood — The Adoration of the Shepherds
Andrea Mantegna
shortly after 1450

The Holy Family with the Young Saint John the Baptist, Andrea del Sarto (Andrea d'Agnolo) Italian, Oil on wood — The Holy Family with the Young Saint John the Baptist
Andrea del Sarto (Andrea d'Agnolo)
ca. 1528

Julius Caesar, Andrea di Pietro di Marco Ferrucci Italian, Marble, Italian, Florence — Julius Caesar
Andrea di Pietro di Marco Ferrucci
ca. 1512–14

The Crucifixion, Andrea di Cione (Orcagna) , and workshop Italian, Tempera on wood, gold ground — The Crucifixion
Andrea di Cione (Orcagna)
ca. 1365

The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60

Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground — Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455

The Crucifixion, Francesco Granacci (Francesco di Andrea di Marco) Italian, Tempera and gold on wood — The Crucifixion
Francesco Granacci (Francesco di Andrea di Marco)
ca. 1510

A Hunting Scene, Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) Italian, Tempera and oil transferred to Masonite — A Hunting Scene
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1494–1500

Portrait of a Young Man, Bronzino (Agnolo di Cosimo di Mariano) Italian, Oil on wood — Portrait of a Young Man
Bronzino (Agnolo di Cosimo di Mariano)
1530s

Virgin and Child, Andrea della Robbia Italian, Glazed terracotta, Italian, Florence — Virgin and Child
Andrea della Robbia
ca. 1470–75

Standing boy, Andrea Mantegna Italian, Bronze, silver inlay (eyes), on a later porphyry and ormolu base, Italian, probably Mantua — Standing boy
Andrea Mantegna
Andrea del Verrocchio
late 15th–early 16th century

The Coronation of the Virgin, Niccolò di Buonaccorso Italian, Tempera on wood, gold ground — The Coronation of the Virgin
Niccolò di Buonaccorso
ca. 1380

The Adoration of the Shepherds, Bartolo di Fredi Italian, Tempera on poplar, gold ground, Italian — The Adoration of the Shepherds
Bartolo di Fredi
1374

The Adoration of the Magi, Bartolo di Fredi Italian, Tempera and gold on wood — The Adoration of the Magi
Bartolo di Fredi
ca. 1390

Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground — Madonna and Child
Benvenuto di Giovanni
ca. 1470

The Adoration of the Magi, Giotto di Bondone Italian, Tempera on wood, gold ground — The Adoration of the Magi
Giotto di Bondone
possibly ca. 1320

Madonna and Child, Duccio di Buoninsegna Italian, Tempera and gold on wood — Madonna and Child
Duccio di Buoninsegna
ca. 1290–1300

The Crucifixion, Andrea di Bartolo Italian, Tempera on wood, gold ground — The Crucifixion
Andrea di Bartolo

The Sacrifice of a Swine, Andrea Briosco, called Riccio Italian, Bronze, Italian — The Sacrifice of a Swine
Andrea Briosco, called Riccio
probably early 16th century

The Triumph of a Hero, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — The Triumph of a Hero
Andrea Briosco, called Riccio
probably early 16th century

Oil Lamp in the Form of a Sphinx, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Oil Lamp in the Form of a Sphinx
Andrea Briosco, called Riccio
mid-16th century

Allegory of Virtue, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Allegory of Virtue
Andrea Briosco, called Riccio
probably early 16th century

Kneeling Satyr, Andrea Briosco, called Riccio Italian, Bronze, possibly Italian, Padua — Kneeling Satyr
Andrea Briosco, called Riccio
16th century

Satyr Riding a Goat, Andrea Briosco, called Riccio Italian, Bronze; dark brown patina; yellow and green marble base, Italian, Padua — Satyr Riding a Goat
Andrea Briosco, called Riccio
19th–20th century

Apollo and Marsyas, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Apollo and Marsyas
Andrea Briosco, called Riccio
19th–20th century

Satyr with vase (one of a pair), Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Satyr with vase (one of a pair)
Andrea Briosco, called Riccio
ca. 1540–50

Satyress with vase (one of a pair), Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Satyress with vase (one of a pair)
Andrea Briosco, called Riccio
ca. 1540–50

Seated Faun, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Seated Faun
Andrea Briosco, called Riccio
ca. 1540–50