Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
On view
Has image
Has Open Access image
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Has 3D image

More than 10,000 results for Andrew Best Leloir

Sort by:

Hamlet and Horatio, from "Le Magasin Pittoresque", Andrew Best Leloir French, Wood engraving — Hamlet and Horatio, from "Le Magasin Pittoresque"
Multiple artists/makers
December 1837

Le Diable a Paris. . . Paris et Les Parisiens, Vol. II, Andrew Best Leloir French, Wood engraving — Le Diable a Paris. . . Paris et Les Parisiens, Vol. II
Multiple artists/makers
1846

Chapter illustrations, from "Le Charivari"

Multiple artists/makers

July 30, 1838

Chapter illustrations, from "Le Charivari"

Multiple artists/makers

July 30, 1838

Goetz von Berlichingen Writing His Memoirs, Eugène Delacroix French, Wood engraving (or possibly stereotype) — Goetz von Berlichingen Writing His Memoirs
Eugène Delacroix
Andrew, Best, Leloir, Hotelin et Régnier
after 1845

Goetz and Friar Martin, Eugène Delacroix French, Wood engraving; proof before letters — Goetz and Friar Martin
Eugène Delacroix
Andrew, Best, Leloir, Hotelin et Régnier
1845

Goetz Aided by the Gypsies, from "Le Magasin Pittoresque", Eugène Delacroix French, Wood engraving (or possibly stereotype) on newsprint — Goetz Aided by the Gypsies, from "Le Magasin Pittoresque"
Eugène Delacroix
Andrew, Best, Leloir, Hotelin et Régnier
after 1845

Goetz and Friar Martin, Eugène Delacroix French, Wood engraving (or possibly stereotype) — Goetz and Friar Martin
Eugène Delacroix
Andrew, Best, Leloir, Hotelin et Régnier
after 1845

Jewish Musician in Mogador Costume, Morocco, from "Le Magasin Pittoresque", Eugène Delacroix French, Wood engraving on newsprint; second state — Jewish Musician in Mogador Costume, Morocco, from "Le Magasin Pittoresque"
Eugène Delacroix
Andrew, Best, Leloir, Hotelin et Régnier
January 1842

I hope to prove one day that in the hands of a magpie, a feather is no less valuable than in the claws of a wolf or the legs of a fox, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — I hope to prove one day that in the hands of a magpie, a feather is no less valuable than in the claws of a wolf or the legs of a fox, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

The Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — The Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

Having said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — Having said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

The further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — The further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

The author of this attack is a delicate little wolf, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — The author of this attack is a delicate little wolf, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

He tells us: don't cry, Act!, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — He tells us: don't cry, Act!, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

I took a note first, then two, then three, then a thousand..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — I took a note first, then two, then three, then a thousand..., from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

... and soon formed a fantastic round, from "Scenes from the Private and Public Life of Animals"
, J. J. Grandville French, Wood engraving — ... and soon formed a fantastic round, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

Instead of all this..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — Instead of all this..., from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

Here, the civet offers a hit of snuff to an old beaver, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — Here, the civet offers a hit of snuff to an old beaver, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

To pay the landlord, a very harsh man, whose name was M. Vautour, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — To pay the landlord, a very harsh man, whose name was M. Vautour, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

Friends, the wise one places his glory in eating well, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — Friends, the wise one places his glory in eating well, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

Only his belly was remarkable, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — Only his belly was remarkable, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

A very well put insect and beautiful dancer, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — A very well put insect and beautiful dancer, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

Here is one who mends by nicely biting, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — Here is one who mends by nicely biting, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

What's that noise? and what does this scoundrel want?, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — What's that noise? and what does this scoundrel want?, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

This is what the men call a church rat, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — This is what the men call a church rat, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

He had only his beautiful colors..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — He had only his beautiful colors..., from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

After, in came the body of guards armed with terrible stings, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — After, in came the body of guards armed with terrible stings, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

I saw a wolf standing guard, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — I saw a wolf standing guard, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

What do you say about the butterfly hunt?, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — What do you say about the butterfly hunt?, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

The Proprietor, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — The Proprietor, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

When he was sleeping in the sun..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving — When he was sleeping in the sun..., from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47

Les mille et une nuits, from "Le Charivari"

Multiple artists/makers

ca.1838–40

Les Mille et une nuits, from "Le Charivari"

Multiple artists/makers

ca.1838–40

Louis Leloir, W. Severin German, Albumen silver print — Louis Leloir
W. Severin
1860s

Saint Andrew, Simone Martini Italian, Tempera on wood, gold ground — Saint Andrew
Simone Martini
ca. 1326

Saint Andrew, El Greco (Domenikos Theotokopoulos) Greek, Oil on canvas — Saint Andrew
El Greco (Domenikos Theotokopoulos)
ca. 1610

Saint Andrew, Andrea Bregno Italian, Marble, Italian, Rome — Saint Andrew
Andrea Bregno
1491

Andrew Jackson, Hiram Powers American, Marble, American — Andrew Jackson
Hiram Powers
1834–35; carved 1839

Mrs. Andrew Sigourney, Gilbert Stuart American, Oil on canvas, American — Mrs. Andrew Sigourney
Gilbert Stuart
Ca. 1820