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More than 10,000 results for Anonymous, British, late 18th–early 19th century
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Design for an Orchestra Gallery in an Assembly Room, Plan and Elevation, Anonymous, British, late 18th–early 19th century  British, Pen and ink and watercolor
Anonymous, British, late 18th–early 19th century
ca. 1800
Northeast Transept of Canterbury Cathedral (recto); Architectural Details (verso), Anonymous, British, late 18th–early 19th century  British, Graphite
Anonymous, British, late 18th–early 19th century
ca. 1800
A Jacobean Country House with 18th century alterations (recto); Spired Country Church (verso), Anonymous, British, late 18th–early 19th century  British, Recto: pen and ink, brush and gray wash<br/>Verso: graphite
Anonymous, British, late 18th–early 19th century
18th–19th century
Scene with Banditti, Anonymous, British, late 18th–early 19th century  British, Pen and black ink, brush and wash
Anonymous, British, late 18th–early 19th century
mid-18th–early 19th century
Architectural Portal with Paired Planking Ionic Columns (only left-hand columns and part of arched opening shown), Anonymous, British, late 18th–early 19th century  British, Pen and black ink, brush and gray wash
Anonymous, British, late 18th–early 19th century
late 18th–mid-19th century
A Duet, Anonymous, British, late 18th–early 19th century  British, Hand-colored etching
Multiple artists/makers
1785 (?)
Trade Card for E. Orme, Printseller and Publisher, Anonymous, British, late 18th–early 19th century  British, Etching
Anonymous, British, late 18th–early 19th century
early 19th century
Trade card for William Allen, Map and Print Seller in Dublin, Anonymous, British, late 18th–early 19th century  British, Etching
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
Trade card of Esther Burney, fan-maker, Anonymous, British, late 18th–early 19th century  British, Etching
Anonymous, British, late 18th–early 19th century
1749–51
Head of Apollo in Glory, Anonymous, British, late 18th–early 19th century  British, Pen and brown ink over graphite
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
A Plan of the Gallery Floor over Offices, and Two Side Walls, Queens Square, Camden, London, Anonymous, British, late 18th–early 19th century  British, Pen and ink
Anonymous, British, late 18th–early 19th century
ca. 1800
Design for an Adam-style Mantel, with a Marble Surround and Iron Firebox, Anonymous, British, late 18th–early 19th century  British, Graphite, brush and gray and pink wash
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
Trade Card for Suffield, seal engraver, Anonymous, British, late 18th–early 19th century  British, Engraving
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
Trade Card for Suffield, seal engraver, Anonymous, British, late 18th–early 19th century  British, Engraving
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
Trade Card of the Gunmaker Samuel Brunn (active 1795–1820), Anonymous, British, late 18th–early 19th century  British, Engraving
Anonymous, British, late 18th–early 19th century
Samuel Brunn
1797–1803
Trade card for William Allen, Map and Print Seller in Dublin, Anonymous, British, late 18th–early 19th century  British, Etching
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
Trade Card for W. H. Lizars, Engraver, Anonymous, British, late 18th–early 19th century  British, Engraving
Anonymous, British, late 18th–early 19th century
18th century
Trade Card for John Steell, Carver, Gilder, and Printseller, Anonymous, British, late 18th–early 19th century  British, Engraving
Anonymous, British, late 18th–early 19th century
19th century
Trade Card Bearing the Name of the Late Gunmaker John Knubley (1750–1795), Anonymous, British, late 18th–early 19th century  British, Engraving
Anonymous, British, late 18th–early 19th century
John Knubley
ca. 1795–1804
Trade Card for D. MacDonald, Engraver, Lithographer & Letter Press Printer, Anonymous, British, late 18th–early 19th century  British, Engraving
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
Anonymous, British, late 18th–early 19th century
Anonymous, American, 18th to 19th century
19th century
Multiple artists/makers
1780–1820
Anonymous, British, late 18th–early 19th century
P. Stampa
August 26, 1800
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
Anonymous, British, late 18th–early 19th century
ca. 1800
Anonymous, British, late 18th–early 19th century
18th–19th century
Anonymous, British, late 18th–early 19th century
late 18th–early 19th century
Anonymous, British, late 18th–early 19th century
18th century
Anonymous, British, late 18th–early 19th century
1720–1820
Multiple artists/makers
1798–1805
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Multiple artists/makers
ca. 1575–95
Plate, Bruno Geyer, Austrian, active late 19th century to early 20th century  Austrian, Porcelain, American
Bruno Geyer, Austrian, active late 19th century to early 20th century
Ceramic Art Company, Trenton, New Jersey
1904–5
Portrait of a Military Family, early 19th century painter, Oil on canvas
early 19th century painter
Jean Jacques Hauer
ca. 1789–90
Sketch of an Allegory of the Abolition of Slavery, Anonymous, French School, 19th Century  French, Terracotta, French
Anonymous, French School, 19th Century
ca. 1848
Plate, Ceramic Art Company, Trenton, New Jersey  American, white bone china, painted with polychrome glazes with red border and gold pastework, American
Ceramic Art Company, Trenton, New Jersey
Bruno Geyer, Austrian, active late 19th century to early 20th century
ca. 1904
Design for a Ceiling with Square Central Compartment and Semicircular Ends, the Ornament of Foliage and Grotesque Motifs, Anonymous, British, late 18th century  British, Pen and ink and watercolor
Anonymous, British, late 18th century
Robert Adam
late 18th century
Building On a Riverbank, Anonymous, British, late 18th century  British, Pen and black ink
Multiple artists/makers
1760–1800
Sr. George Bridges Rodney, Rear Admiral of the Blue, Anonymous, British, late 18th century  British, Mezzotint
Multiple artists/makers
May 9, 1780
Interior with Four Armchairs, a Round Mirror, Demilune Table and Framed Prints or Drawings, Anonymous, British, late 18th century  British, Pen and black ink
Anonymous, British, late 18th century
late 18th century