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More than 10,000 results for Anonymous, Italian, Bolognese

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Figure of Christ, Anonymous, Italian, Bolognese Italian, Bistre, pen and wash — Figure of Christ
Anonymous, Italian, Bolognese
16th century

Saint Peter Released from Prison, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk over black chalk on cream paper. Drawing for an engraving; framing lines in red chalk — Saint Peter Released from Prison
Anonymous, Italian, Bolognese, 17th century
17th century

Mythological Scene, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk on cream paper — Mythological Scene
Anonymous, Italian, Bolognese, 17th century
17th century

Saint Catherine Flanked by a Male and a Female Saint, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over black chalk on light brown paper; framing lines on left, bottom and right edges in black chalk and pen and brown ink — Saint Catherine Flanked by a Male and a Female Saint
Anonymous, Italian, Bolognese, 17th century
17th century

Landscape with the Baptism of Christ, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink over traces of black chalk on light brown paper — Landscape with the Baptism of Christ
Anonymous, Italian, Bolognese, 17th century
17th century

Male Figure with Arms Raised to the Left Seen From the Rear (recto); Male Figures with Arms Raised to the Left (front view of figure on recto) (verso), Anonymous, Italian, Bolognese, 17th century Italian, Red chalk on light brown paper; framing lines in pen and brown ink — Male Figure with Arms Raised to the Left Seen From the Rear (recto); Male Figures with Arms Raised to the Left (front view of figure on recto) (verso)
Anonymous, Italian, Bolognese, 17th century
17th century

Pietà, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over traces of charcoal on light brown paper — Pietà
Anonymous, Italian, Bolognese, 17th century
17th century

Three Studies of Seated Nude Male with Raised Arm, Seen from Below, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk, on light brown paper; partly reworked with red crayon — Three Studies of Seated Nude Male with Raised Arm, Seen from Below
Anonymous, Italian, Bolognese, 17th century
17th century

Allegorical Figures, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink, brush and gray wash, over faint traces of black chalk on light brown paper — Allegorical Figures
Anonymous, Italian, Bolognese, 17th century
17th century

Landscape With Shepherds, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink on light brown laid paper. Faint ruled line along upper edge in black chalk and brown ink — Landscape With Shepherds
Anonymous, Italian, Bolognese, 17th century
Carracci School
1600–1650

Design for an Overdoor Decoration with Variant (recto); Sketch of a Marbled Wall (verso), Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink, brush and wash, over black chalk (recto); pen and brown ink (verso) — Design for an Overdoor Decoration with Variant (recto); Sketch of a Marbled Wall (verso)
Anonymous, Italian, Bolognese, 18th century
1740–60

Designs for an Overdoor Decoration (recto); Various Sketches (verso), Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink, brush and wash, over black chalk (recto); black chalk (verso) — Designs for an Overdoor Decoration (recto); Various Sketches (verso)
Anonymous, Italian, Bolognese, 18th century
1740–60

Design for an Overdoor Decoration (?) (recto); Part of a Doorway (verso), Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink, brush and wash, over black chalk (recto); pen and brown ink (verso) — Design for an Overdoor Decoration (?) (recto); Part of a Doorway (verso)
Anonymous, Italian, Bolognese, 18th century
1740–60

Veronica's Veil Held by Two Angels and God the Father(?), Anonymous, Italian, Bolognese, 17th century Italian, Charcoal, pen and ink on paper — Veronica's Veil Held by Two Angels and God the Father(?)
Anonymous, Italian, Bolognese, 17th century
17th century

Head of a Young Man, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink — Head of a Young Man
Anonymous, Italian, Bolognese, 17th century
Carracci School
1560–1609

Seated Nude Male in Profile View Facing Left with Arm Raised; Fragment of Study of Right Hand

Anonymous, Italian, Bolognese, 17th century

17th century

Bust-Length Study for the Head of Saint Francis in Near Profile Facing Right

Anonymous, Italian, Bolognese, 17th century

17th century

Europa and the Bull, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk — Europa and the Bull
Anonymous, Italian, Bolognese, 17th century
17th century

Girl with Book, Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink, washed, on gray paper — Girl with Book
Anonymous, Italian, Bolognese, 18th century
18th century

Design for a Ceiling, Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink and gray wash — Design for a Ceiling
Anonymous, Italian, Bolognese, 18th century
18th century

Saint Jerome in the Wilderness

Anonymous, Italian, Bolognese

Caravaggio (Michelangelo Merisi)

ca. 1630

Two Male Figures in Half-Length Conversing, Anonymous, Italian, Bolognese, second half of the 16th century Italian, Red chalk — Two Male Figures in Half-Length Conversing
Anonymous, Italian, Bolognese, second half of the 16th century
late 16th century

Cassetta frame, Poplar. Gilt; dull orange-brown bole., Italian, Bolognese — Cassetta frame
Italian, Bolognese
early 17th century

The Battle of Tunis, Giovanni Bernardi da Castel Bolognese Italian, Rock crystal, gold enamel, Italian, Faenza — The Battle of Tunis
Giovanni Bernardi da Castel Bolognese
ca. 1544

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, Plate 2 from the Libro de' Trofei, Anonymous, Italian , 16th century Italian, Engraving, Italian, Rome — Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, Plate 2 from the Libro de' Trofei
Multiple artists/makers
ca. 1550–53

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

The Rape of Ganymede, Giovanni Bernardi da Castel Bolognese Italian, Lead, Italian — The Rape of Ganymede
Giovanni Bernardi da Castel Bolognese
16th century

Reverse frame, Poplar. Mitered. Gilt; brown-orange bole., Southern Italian or Bolognese — Reverse frame
Southern Italian or Bolognese
ca. 1640

Dish (tondino), Italian , Gubbio, early 16th century, Maiolica (tin-glazed earthenware), Italian, Gubbio — Dish (tondino)
Italian
ca. 1530

Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass. Blown, enameled, gilt., Italian (Venice) — Pilgrim flask
Italian
ca. 1500–1525

Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena — Tondo mirror frame
Italian, Siena
ca. 1490–1500

Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris) — Ewer in the Shape of a Sitting Dog
Multiple artists/makers
second half 16th century and second half 19th century

Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany — Cupboard (credenza)
Italian (Tuscan)
ca. 1500–1550

Sallet in the Shape of a Lion's Head, Steel, copper, gold, glass, pigment, textile, Italian — Sallet in the Shape of a Lion's Head
Italian
ca. 1475–80

Armor, Steel, copper alloy, textile, leather, Italian — Armor
Italian
ca. 1400–1450 and later

The Adoration of the Shepherds, Bartolo di Fredi Italian, Tempera on poplar, gold ground, Italian — The Adoration of the Shepherds
Bartolo di Fredi
1374

Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano Italian, Marble, Italian — Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist
Giovanni Pisano
ca. 1301, with later additions

Virginal, Wood, parchment, ivory, paint, Italian — Virginal
Italian
1540

Rebecchino, Boxwood, rosewood, ebony, Italian — Rebecchino
Italian
ca. 1420