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1-42 of 24,234 results for Anonymous, Italian, Bolognese
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Object type / material
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Figure of Christ, Anonymous, Italian, Bolognese Italian, Bistre, pen and wash
Figure of Christ
Anonymous, Italian, Bolognese
16th century
Head of a Young Man, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink
Head of a Young Man
Anonymous, Italian, Bolognese, 17th century
Carracci School
1560–1609
Europa and the Bull, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk
Europa and the Bull
Anonymous, Italian, Bolognese, 17th century
17th century
Veronica's Veil Held by Two Angels and God the Father(?), Anonymous, Italian, Bolognese, 17th century Italian, Charcoal, pen and ink on paper
Veronica's Veil Held by Two Angels and God the Father(?)
Anonymous, Italian, Bolognese, 17th century
17th century
Design for a Ceiling, Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink and gray wash
Design for a Ceiling
Anonymous, Italian, Bolognese, 18th century
18th century
Design for an Overdoor Decoration with Variant (recto); Sketch of a Marbled Wall (verso), Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink, brush and wash, over black chalk (recto); pen and brown ink (verso)
Design for an Overdoor Decoration with Variant (recto); Sketch of a Marbled Wall (verso)
Anonymous, Italian, Bolognese, 18th century
1740–60
Designs for an Overdoor Decoration (recto); Various Sketches (verso), Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink, brush and wash, over black chalk (recto); black chalk (verso)
Designs for an Overdoor Decoration (recto); Various Sketches (verso)
Anonymous, Italian, Bolognese, 18th century
1740–60
Design for an Overdoor Decoration (?) (recto); Part of a Doorway (verso), Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink, brush and wash, over black chalk (recto); pen and brown ink (verso)
Design for an Overdoor Decoration (?) (recto); Part of a Doorway (verso)
Anonymous, Italian, Bolognese, 18th century
1740–60
Saint Peter Released from Prison, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk over black chalk on cream paper. Drawing for an engraving; framing lines in red chalk
Saint Peter Released from Prison
Anonymous, Italian, Bolognese, 17th century
17th century
Mythological Scene, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk on cream paper
Mythological Scene
Anonymous, Italian, Bolognese, 17th century
17th century
Saint Catherine Flanked by a Male and a Female Saint, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over black chalk on light brown paper; framing lines on left, bottom and right edges in black chalk and pen and brown ink
Saint Catherine Flanked by a Male and a Female Saint
Anonymous, Italian, Bolognese, 17th century
17th century
Landscape with the Baptism of Christ, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink over traces of black chalk on light brown paper
Landscape with the Baptism of Christ
Anonymous, Italian, Bolognese, 17th century
17th century
Male Figure with Arms Raised to the Left Seen From the Rear (recto); Male Figures with Arms Raised to the Left (front view of figure on recto) (verso), Anonymous, Italian, Bolognese, 17th century Italian, Red chalk on light brown paper; framing lines in pen and brown ink
Male Figure with Arms Raised to the Left Seen From the Rear (recto); Male Figures with Arms Raised to the Left (front view of figure on recto) (verso)
Anonymous, Italian, Bolognese, 17th century
17th century
Pietà, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over traces of charcoal on light brown paper
Pietà
Anonymous, Italian, Bolognese, 17th century
17th century
Three Studies of Seated Nude Male with Raised Arm, Seen from Below, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk, on light brown paper; partly reworked with red crayon
Three Studies of Seated Nude Male with Raised Arm, Seen from Below
Anonymous, Italian, Bolognese, 17th century
17th century
Girl with Book, Anonymous, Italian, Bolognese, 18th century Italian, Pen and brown ink, washed, on gray paper
Girl with Book
Anonymous, Italian, Bolognese, 18th century
18th century
Seated Nude Male in Profile View Facing Left with Arm Raised; Fragment of Study of Right Hand, Anonymous, Italian, Bolognese, 17th century Italian, Red chalk on light brown paper. Partly reworked with red crayon
Seated Nude Male in Profile View Facing Left with Arm Raised; Fragment of Study of Right Hand
Anonymous, Italian, Bolognese, 17th century
17th century
Allegorical Figures, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink, brush and gray wash, over faint traces of black chalk on light brown paper
Allegorical Figures
Anonymous, Italian, Bolognese, 17th century
17th century
Landscape With Shepherds, Anonymous, Italian, Bolognese, 17th century Italian, Pen and brown ink on light brown laid paper. Faint ruled line along upper edge in black chalk and brown ink
Landscape With Shepherds
Anonymous, Italian, Bolognese, 17th century
Carracci School
1600–1650
Bust-Length Study for the Head of Saint Francis in Near Profile Facing Right, Anonymous, Italian, Bolognese, 17th century Italian, Black and red chalk, traces of white chalk, on blue paper
Bust-Length Study for the Head of Saint Francis in Near Profile Facing Right
Anonymous, Italian, Bolognese, 17th century
17th century
Saint Jerome in the Wilderness
Anonymous, Italian, Bolognese
Caravaggio (Michelangelo Merisi)
ca. 1630
Two Male Figures in Half-Length Conversing, Anonymous, Italian, Bolognese, second half of the 16th century Italian, Red chalk
Two Male Figures in Half-Length Conversing
Anonymous, Italian, Bolognese, second half of the 16th century
late 16th century
Cassetta frame, Poplar. Gilt; dull orange-brown bole., Italian, Bolognese
Cassetta frame
Italian, Bolognese
early 17th century
The Battle of Tunis, Giovanni Bernardi da Castel Bolognese Italian, Rock crystal, gold enamel, Italian, Faenza
The Battle of Tunis
Giovanni Bernardi da Castel Bolognese
ca. 1544
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, Plate 2 from the Libro de' Trofei, Anonymous, Italian , 16th century Italian, Engraving, Italian, Rome
Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, Plate 2 from the Libro de' Trofei
Multiple artists/makers
ca. 1550–53
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
The Rape of Ganymede, Giovanni Bernardi da Castel Bolognese Italian, Lead, Italian
The Rape of Ganymede
Giovanni Bernardi da Castel Bolognese
16th century
Reverse frame, Poplar. Mitered. Gilt; brown-orange bole., Southern Italian or Bolognese
Reverse frame
Southern Italian or Bolognese
ca. 1640
Dish (tondino), Italian , Gubbio, early 16th century, Maiolica (tin-glazed earthenware), Italian, Gubbio
Dish (tondino)
Italian
ca. 1530
Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass. Blown, enameled, gilt., Italian (Venice)
Pilgrim flask
Italian
ca. 1500–1525
Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena
Tondo mirror frame
Italian, Siena
ca. 1490–1500
Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris)
Ewer in the Shape of a Sitting Dog
Multiple artists/makers
second half 16th century and second half 19th century
Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany
Cupboard (credenza)
Italian (Tuscan)
ca. 1500–1550
Sallet in the Shape of a Lion's Head, Steel, copper, gold, glass, pigment, textile, Italian
Sallet in the Shape of a Lion's Head
Italian
ca. 1475–80
Armor, Steel, copper alloy, textile, leather, Italian
Armor
Italian
ca. 1400–1450 and later
The Adoration of the Shepherds, Bartolo di Fredi Italian, Tempera on poplar, gold ground, Italian
The Adoration of the Shepherds
Bartolo di Fredi
1374
Portal from the Church of San Leonardo al Frigido, Biduinus Italian, Marble (Carrara marble), Italian
Portal from the Church of San Leonardo al Frigido
Biduinus
ca. 1175
Archlute, David Tecchler Austrian, active Italy, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, Italian
Archlute
David Tecchler
ca. 1725
Bassoon, Giosue Esposito Naples, Maple, nickel-silver, Italian
Bassoon
Giosue Esposito
1881
Guitar, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, brass, Italian
Guitar
Italian
ca. 1800
Virginal, Wood, parchment, ivory, paint, Italian
Virginal
Italian
1540