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1-42 of 40,677 results for Anonymous, Italian, Florentine, first half of the 15th century
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Famous Men and Women from Classical and Biblical Antiquity, Barthelemy d'Eyck Netherlandish, Pen and brown ink, brush and watercolor of various hues, traces of gold paint
Famous Men and Women from Classical and Biblical Antiquity
Multiple artists/makers
1450s
Famous Men and Women from Classical and Biblical Antiquity, Barthelemy d'Eyck Netherlandish, Pen and brown ink, brush and watercolor of various hues
Famous Men and Women from Classical and Biblical Antiquity
Multiple artists/makers
1450s
The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian
The Crucifixion
Master of the Codex of Saint George
ca. 1330–35
Virgin and Child, Master of the Female Half-Lengths Netherlandish, Oil on wood, Netherlandish
Virgin and Child
Master of the Female Half-Lengths
ca. 1525–50
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Tabernacle frame, Spruce. Gilt; orange bole., Florentine
Tabernacle frame
Florentine
ca. 1404
One of a pair of pilaster panels, A single piece of poplar. Gilt; red-brown bole., Florentine
One of a pair of pilaster panels
Florentine
1385
One of a pair of pilaster panels, Poplar, Florentine
One of a pair of pilaster panels
Florentine
1385
The Martyrdom of Saint Sebastian, with three archers, Anonymous, Italian, Florentine, 15th century Italian, Engraving
The Martyrdom of Saint Sebastian, with three archers
Anonymous, Italian, Florentine, 15th century
ca. 1480–90
The Inferno according to Dante, after the Last Judgement fresco in the Campo Santo, Pisa, Anonymous, Italian, Florentine, 15th century Italian, Engraving (a later restrike)
The Inferno according to Dante, after the Last Judgement fresco in the Campo Santo, Pisa
Multiple artists/makers
ca. 1470–80
The Inferno according to Dante, after the Last Judgment fresco in the Campo Santo, Pisa, Anonymous, Italian, Florentine, 15th century Italian, Engraving, a later re-strike (possibly 19th century)
The Inferno according to Dante, after the Last Judgment fresco in the Campo Santo, Pisa
Multiple artists/makers
ca. 1460–80
The Coronation of the Virgin, surrounded by seven scenes from her life, Anonymous, Italian, Florentine, 15th century Italian, Engraving (a modern forgery ?)
The Coronation of the Virgin, surrounded by seven scenes from her life
Anonymous, Italian, Florentine, 15th century
Maso Finiguerra
15th century (a modern forgery?)
Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian
Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century
Figure Studies; Landscape (recto); Copy after Antique Style Hercules Statue (verso), Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk; some black chalk
Figure Studies; Landscape (recto); Copy after Antique Style Hercules Statue (verso)
Anonymous, Italian, Florentine, second half of the 16th century
1580–1620
Drapery Study, Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk
Drapery Study
Anonymous, Italian, Florentine, second half of the 16th century
17th century
State Baptism of a Child of Noble Blood, Anonymous, Italian, Florentine, second half of the 16th century Italian, Pen and brown ink, brush with brown and red wash, over red chalk and traces of black chalk; squared in black and red chalk
State Baptism of a Child of Noble Blood
Anonymous, Italian, Florentine, second half of the 16th century
ca. 1612
Design for a Chalice Surmounted by a Maltese Cross, Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk and leadpoint
Design for a Chalice Surmounted by a Maltese Cross
Anonymous, Italian, Florentine, second half of the 16th century
1580–1620
The Lamentation, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian
The Lamentation
Master of the Codex of Saint George
ca. 1330–35
Terracotta volute-krater (bowl for mixing wine and water), Painter of the Woolly Satyrs (namepiece), Terracotta, Greek, Attic
Terracotta volute-krater (bowl for mixing wine and water)
Painter of the Woolly Satyrs
ca. 450 BCE
Close Helmet for Foot Combat, the Master of the Castle Mark Italian, Steel, gold, leather, Italian, Milan
Close Helmet for Foot Combat
the Master of the Castle Mark
ca. 1600–1610
Madonna and Child, Italian (Tuscan) Painter, first quarter of the 14th century Italian, Tempera on wood, gold ground
Madonna and Child
Italian (Tuscan) Painter, first quarter of the 14th century
first quarter the 14th century
Man of Sorrows, Italian (Tuscan) Painter, first quarter of the 14th century Italian, Tempera on wood, gold ground
Man of Sorrows
Italian (Tuscan) Painter, first quarter of the 14th century
first quarter of the 14th century
Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence
Cassone (one of a pair)
Italian (Florentine?) Painter
second quarter 15th century
Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence
Cassone (one of a pair)
Italian (Florentine?) Painter
second quarter 15th century
Manuscript Leaf with the Trinity in an Initial T, from an Antiphonary, Master of the Riccardiana Lactantius, Tempera, ink, and gold on parchment, Italian
Manuscript Leaf with the Trinity in an Initial T, from an Antiphonary
Master of the Riccardiana Lactantius
second half 15th century
Manuscript Leaf with Saint John the Evangelist and Saint John the Baptist in an Initial M, from an Antiphonary, Master of the Riccardiana Lactantius, Tempera, ink, and gold on parchment, Italian
Manuscript Leaf with Saint John the Evangelist and Saint John the Baptist in an Initial M, from an Antiphonary
Master of the Riccardiana Lactantius
second half 15th century
Tester bed, Italian (Florentine) Painter Italian, Walnut, partly painted and gilded, paintings on canvas, Italian, Tuscany and Florence
Tester bed
Italian (Florentine) Painter
late 16th–second quarter 17th century
Studies of Putti, Anonymous, Italian, Paduan, second half of the 15th century Italian, Pen and brown ink
Studies of Putti
Anonymous, Italian, Paduan, second half of the 15th century
1450–99
Madonna and Child Enthroned, Italian (Florentine) Painter Italian, Tempera on wood, gold ground
Madonna and Child Enthroned
Italian (Florentine) Painter
Madonna and Child Enthroned with Saint John the Baptist and Another Saint, Italian (Florentine) Painter Italian, Tempera and gold on wood
Madonna and Child Enthroned with Saint John the Baptist and Another Saint
Italian (Florentine) Painter
Madonna and Child with Angels, Italian (Florentine) Painter Italian, Oil on wood
Madonna and Child with Angels
Italian (Florentine) Painter
Madonna and Child with the Young Saint John the Baptist, Italian (Florentine) Painter Italian, Oil on wood
Madonna and Child with the Young Saint John the Baptist
Italian (Florentine) Painter
Elijah in the Fiery Chariot, Master of the Barbarigo Reliefs, Bronze, partially oil-gilt, Italian, Venice
Elijah in the Fiery Chariot
Master of the Barbarigo Reliefs
ca. 1520
Mishneh Torah, Master of the Barbo Missal Italian, Tempera and gold leaf on parchment; leather binding, North Italian
Mishneh Torah
Multiple artists/makers
ca. 1457
Head of Saint John the Baptist (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enemaled glass, French, possibly Rouen
Head of Saint John the Baptist (one of a pair)
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510
Head of Christ (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enameled glass, French, possibly Rouen
Head of Christ (one of a pair)
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510
Design for a Wall Elevation with Grotesques, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash; some stylus ruling; highlighted with white gouache; on blue paper
Design for a Wall Elevation with Grotesques
Anonymous, Italian, second half of the 16th century
Pellegrino Tibaldi
ca. 1540–70
Frieze with Acanthus Rinceau with Grotesques, Anonymous, Italian, second half of the 16th century Italian, Pen and black ink with traces of metalpoint and red chalk
Frieze with Acanthus Rinceau with Grotesques
Anonymous, Italian, second half of the 16th century
16th century
Design for a Frame with Putti and Sirens, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash, over black chalk; selectively pricked for transfer
Design for a Frame with Putti and Sirens
Anonymous, Italian, second half of the 16th century
1550–1600
Design for a Cartouche with the "IHS" Monogram of the Society of Jesus, Putti, Fantastick Creatures, at the Borders, a Central Scene of the Virgin and Child with a Monastic Figure, and the Family Arms of a Cardinal, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash, outlines partly pricked for transfer
Design for a Cartouche with the "IHS" Monogram of the Society of Jesus, Putti, Fantastick Creatures, at the Borders, a Central Scene of the Virgin and Child with a Monastic Figure, and the Family Arms of a Cardinal
Anonymous, Italian, second half of the 16th century
1550–1600
Colonnade and Fountain with a Crowned Armorial Shield, Anonymous, Italian, second half of the 18th century Italian, Pen and dark brown ink with gray wash
Colonnade and Fountain with a Crowned Armorial Shield
Anonymous, Italian, second half of the 18th century
ca. 1750–1800
Flora, Anonymous, Italian, second half of the 16th century Italian, Engraving
Flora
Multiple artists/makers
ca. 1560–70