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More than 10,000 results for Anonymous, Italian, Florentine, first half of the 15th century

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Famous Men and Women from Classical and Biblical Antiquity, Barthelemy d'Eyck Netherlandish, Pen and brown ink, brush and watercolor of various hues, traces of gold paint — Famous Men and Women from Classical and Biblical Antiquity
Multiple artists/makers
1450s

Famous Men and Women from Classical and Biblical Antiquity, Barthelemy d'Eyck Netherlandish, Pen and brown ink, brush and watercolor of various hues — Famous Men and Women from Classical and Biblical Antiquity
Multiple artists/makers
1450s

The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Crucifixion
Master of the Codex of Saint George
ca. 1330–35

Virgin and Child, Master of the Female Half-Lengths Netherlandish, Oil on wood, Netherlandish — Virgin and Child
Master of the Female Half-Lengths
ca. 1525–50

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Tabernacle frame, Spruce. Gilt; orange bole., Florentine — Tabernacle frame
Florentine
ca. 1404

One of a pair of pilaster panels, Poplar, Florentine — One of a pair of pilaster panels
Florentine
1385

One of a pair of pilaster panels, A single piece of poplar. Gilt; red-brown bole., Florentine — One of a pair of pilaster panels
Florentine
1385

The Martyrdom of Saint Sebastian, with three archers, Anonymous, Italian, Florentine, 15th century Italian, Engraving — The Martyrdom of Saint Sebastian, with three archers
Anonymous, Italian, Florentine, 15th century
ca. 1480–90

The Inferno according to Dante, after the Last Judgement fresco in the Campo Santo, Pisa, Anonymous, Italian, Florentine, 15th century Italian, Engraving (a later restrike) — The Inferno according to Dante, after the Last Judgement fresco in the Campo Santo, Pisa
Multiple artists/makers
ca. 1470–80

The Inferno according to Dante, after the Last Judgment fresco in the Campo Santo, Pisa, Anonymous, Italian, Florentine, 15th century Italian, Engraving, a later re-strike (possibly 19th century) — The Inferno according to Dante, after the Last Judgment fresco in the Campo Santo, Pisa
Multiple artists/makers
ca. 1460–80

The Coronation of the Virgin, surrounded by seven scenes from her life, Anonymous, Italian, Florentine, 15th century Italian, Engraving (a modern forgery ?) — The Coronation of the Virgin, surrounded by seven scenes from her life
Anonymous, Italian, Florentine, 15th century
Maso Finiguerra
15th century (a modern forgery?)

Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian — Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century

Drapery Study, Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk — Drapery Study
Anonymous, Italian, Florentine, second half of the 16th century
17th century

State Baptism of a Child of Noble Blood, Anonymous, Italian, Florentine, second half of the 16th century Italian, Pen and brown ink, brush with brown and red wash, over red chalk and traces of black chalk; squared in black and red chalk — State Baptism of a Child of Noble Blood
Anonymous, Italian, Florentine, second half of the 16th century
ca. 1612

Figure Studies; Landscape (recto); Copy after Antique Style Hercules Statue (verso), Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk; some black chalk — Figure Studies; Landscape (recto); Copy after Antique Style Hercules Statue (verso)
Anonymous, Italian, Florentine, second half of the 16th century
1580–1620

Design for a Chalice Surmounted by a Maltese Cross, Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk and leadpoint — Design for a Chalice Surmounted by a Maltese Cross
Anonymous, Italian, Florentine, second half of the 16th century
1580–1620

The Lamentation, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Lamentation
Master of the Codex of Saint George
ca. 1330–35

Terracotta volute-krater (bowl for mixing wine and water), Painter of the Woolly Satyrs (namepiece), Terracotta, Greek, Attic — Terracotta volute-krater (bowl for mixing wine and water)
Painter of the Woolly Satyrs
ca. 450 BCE

Close Helmet for Foot Combat, the Master of the Castle Mark Italian, Steel, gold, leather, Italian, Milan — Close Helmet for Foot Combat
the Master of the Castle Mark
ca. 1600–1610

Madonna and Child, Italian [Tuscan] Painter, first quarter of 14th century Italian, Tempera on panel, Italian, Tuscany — Madonna and Child
Italian [Tuscan] Painter, first quarter of 14th century
first quarter 14th century

Pietà, Italian [Tuscan] Painter, first quarter of 14th century Italian, Tempera on panel, Italian, Tuscany — Pietà
Italian [Tuscan] Painter, first quarter of 14th century
first quarter 14th century

Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence — Cassone (one of a pair)
Italian (Florentine?) Painter
second quarter 15th century

Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence — Cassone (one of a pair)
Italian (Florentine?) Painter
second quarter 15th century

Manuscript Leaf with Saint John the Evangelist and Saint John the Baptist in an Initial M, from an Antiphonary, Master of the Riccardiana Lactantius, Tempera, ink, and gold on parchment, Italian — Manuscript Leaf with Saint John the Evangelist and Saint John the Baptist in an Initial M, from an Antiphonary
Master of the Riccardiana Lactantius
second half 15th century

Manuscript Leaf with the Trinity in an Initial T, from an Antiphonary, Master of the Riccardiana Lactantius, Tempera, ink, and gold on parchment, Italian — Manuscript Leaf with the Trinity in an Initial T, from an Antiphonary
Master of the Riccardiana Lactantius
second half 15th century

Tester bed, Italian (Florentine) Painter Italian, Walnut, partly painted and gilded, paintings on canvas, Italian, Tuscany and Florence — Tester bed
Italian (Florentine) Painter
late 16th–second quarter 17th century

Studies of Putti, Anonymous, Italian, Paduan, second half of the 15th century Italian, Pen and brown ink — Studies of Putti
Anonymous, Italian, Paduan, second half of the 15th century
1450–99

Madonna and Child Enthroned, Italian (Florentine) Painter Italian, Tempera on wood, gold ground — Madonna and Child Enthroned
Italian (Florentine) Painter

Madonna and Child Enthroned with Saint John the Baptist and Another Saint, Italian (Florentine) Painter Italian, Tempera and gold on wood — Madonna and Child Enthroned with Saint John the Baptist and Another Saint
Italian (Florentine) Painter

Madonna and Child with Angels, Italian (Florentine) Painter Italian, Oil on wood — Madonna and Child with Angels
Italian (Florentine) Painter

Madonna and Child with the Young Saint John the Baptist, Italian (Florentine) Painter Italian, Oil on wood — Madonna and Child with the Young Saint John the Baptist
Italian (Florentine) Painter

Saints Bartholomew and Simon, Master of Saint Francis Italian, Tempera and gold on wood, Italian, Umbria — Saints Bartholomew and Simon
Master of Saint Francis
1266–75

Elijah in the Fiery Chariot, Master of the Barbarigo Reliefs, Bronze, partially oil-gilt, Italian, Venice — Elijah in the Fiery Chariot
Master of the Barbarigo Reliefs
ca. 1520

Seated Man of Sorrows (Schr. 910), Anonymous, German, 15th century German, Woodcut, hand-colored — Seated Man of Sorrows (Schr. 910)
Anonymous, German, 15th century
15th century

Head of Saint John the Baptist (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enemaled glass, French, possibly Rouen — Head of Saint John the Baptist (one of a pair)
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510

Head of Christ (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enameled glass, French, possibly Rouen — Head of Christ (one of a pair)
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510

Design for a Frame with Putti and Sirens, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash, over black chalk; selectively pricked for transfer — Design for a Frame with Putti and Sirens
Anonymous, Italian, second half of the 16th century
1550–1600

Flora, Anonymous, Italian, second half of the 16th century Italian, Engraving — Flora
Multiple artists/makers
ca. 1560–70

Standing Bearded Man Holding a Book, Anonymous, Italian, second half of the 16th century Italian, Red chalk, highlighted with white gouache, on blue-green paper — Standing Bearded Man Holding a Book
Anonymous, Italian, second half of the 16th century
1530–60