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1-42 of 40,670 results for Anonymous, Italian, Florentine, second half of the 16th century
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Figure Studies; Landscape (recto); Copy after Antique Style Hercules Statue (verso), Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk; some black chalk
Figure Studies; Landscape (recto); Copy after Antique Style Hercules Statue (verso)
Anonymous, Italian, Florentine, second half of the 16th century
1580–1620
Design for a Chalice Surmounted by a Maltese Cross, Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk and leadpoint
Design for a Chalice Surmounted by a Maltese Cross
Anonymous, Italian, Florentine, second half of the 16th century
1580–1620
State Baptism of a Child of Noble Blood, Anonymous, Italian, Florentine, second half of the 16th century Italian, Pen and brown ink, brush with brown and red wash, over red chalk and traces of black chalk; squared in black and red chalk
State Baptism of a Child of Noble Blood
Anonymous, Italian, Florentine, second half of the 16th century
ca. 1612
Drapery Study, Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk
Drapery Study
Anonymous, Italian, Florentine, second half of the 16th century
17th century
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian
The Crucifixion
Master of the Codex of Saint George
ca. 1330–35
Virgin and Child with Saint Joseph, Netherlandish Painter, second half of 16th century Netherlandish, Oil on oak panel
Virgin and Child with Saint Joseph
Netherlandish Painter, second half of 16th century
second half 16th century
Virgin and Child, Master of the Female Half-Lengths Netherlandish, Oil on wood, Netherlandish
Virgin and Child
Master of the Female Half-Lengths
ca. 1525–50
Design for a Wall Elevation with Grotesques, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash; some stylus ruling; highlighted with white gouache; on blue paper
Design for a Wall Elevation with Grotesques
Anonymous, Italian, second half of the 16th century
Pellegrino Tibaldi
ca. 1540–70
Frieze with Acanthus Rinceau with Grotesques, Anonymous, Italian, second half of the 16th century Italian, Pen and black ink with traces of metalpoint and red chalk
Frieze with Acanthus Rinceau with Grotesques
Anonymous, Italian, second half of the 16th century
16th century
Flora, Anonymous, Italian, second half of the 16th century Italian, Engraving
Flora
Multiple artists/makers
ca. 1560–70
Design for a Frieze with Central Cartouche Containing Medici Arms with Papal Tiara, Anonymous, Italian, second half of the 16th century Italian, Pen, brown ink and wash, highlighted with white, on blue paper
Design for a Frieze with Central Cartouche Containing Medici Arms with Papal Tiara
Anonymous, Italian, second half of the 16th century
1550–99
Design for a Frame with Putti and Sirens, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash, over black chalk; selectively pricked for transfer
Design for a Frame with Putti and Sirens
Anonymous, Italian, second half of the 16th century
1550–1600
Design for a Cartouche with the "IHS" Monogram of the Society of Jesus, Putti, Fantastick Creatures, at the Borders, a Central Scene of the Virgin and Child with a Monastic Figure, and the Family Arms of a Cardinal, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash, outlines partly pricked for transfer
Design for a Cartouche with the "IHS" Monogram of the Society of Jesus, Putti, Fantastick Creatures, at the Borders, a Central Scene of the Virgin and Child with a Monastic Figure, and the Family Arms of a Cardinal
Anonymous, Italian, second half of the 16th century
1550–1600
Standing Bearded Man Holding a Book, Anonymous, Italian, second half of the 16th century Italian, Red chalk, highlighted with white gouache, on blue-green paper
Standing Bearded Man Holding a Book
Anonymous, Italian, second half of the 16th century
1530–60
Two Male Figures in Half-Length Conversing, Anonymous, Italian, Bolognese, second half of the 16th century Italian, Red chalk
Two Male Figures in Half-Length Conversing
Anonymous, Italian, Bolognese, second half of the 16th century
late 16th century
Colonnade and Fountain with a Crowned Armorial Shield, Anonymous, Italian, second half of the 18th century Italian, Pen and dark brown ink with gray wash
Colonnade and Fountain with a Crowned Armorial Shield
Anonymous, Italian, second half of the 18th century
ca. 1750–1800
Tabernacle frame, Spruce. Gilt; orange bole., Florentine
Tabernacle frame
Florentine
ca. 1404
One of a pair of pilaster panels, Poplar, Florentine
One of a pair of pilaster panels
Florentine
1385
One of a pair of pilaster panels, A single piece of poplar. Gilt; red-brown bole., Florentine
One of a pair of pilaster panels
Florentine
1385
Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian
Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry, working late fourteenth-early fifteenth century, Ink, colors, and gold on vellum, French (Paris)
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty
Master of the Second Roman de la Rose of the Duke of Berry,
ca. 1400
Revolving Chair, United Society of Believers in Christ’s Second Appearing (“Shakers”) American, Maple, white oak, pine, birch, American, Shaker
Revolving Chair
United Society of Believers in Christ’s Second Appearing (“Shakers”)
1840–70
Studies of Putti, Anonymous, Italian, Paduan, second half of the 15th century Italian, Pen and brown ink
Studies of Putti
Anonymous, Italian, Paduan, second half of the 15th century
1450–99
The Lamentation, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian
The Lamentation
Master of the Codex of Saint George
ca. 1330–35
Drawing for a Standard with Christ in Glory Flanked by Putti, Anonymous, Italian, Florentine, 16th century Italian, Black chalk highlighted with white gouache, with some brown ink wash on blue paper, laid down
Drawing for a Standard with Christ in Glory Flanked by Putti
Anonymous, Italian, Florentine, 16th century
16th century
Studies for a Nude Woman Seen from the Front (recto); Four Standing Male Nudes, Venus, and Cupid (verso), Anonymous, Italian, Florentine, 16th century Italian, Pen and brown ink
Studies for a Nude Woman Seen from the Front (recto); Four Standing Male Nudes, Venus, and Cupid (verso)
Anonymous, Italian, Florentine, 16th century
16th century
Three Men, Anonymous, Italian, Florentine, 16th century Italian, Pen and brown ink on gray paper
Three Men
Anonymous, Italian, Florentine, 16th century
16th century
Rearing Horse in Rear Three-Quarter View, Anonymous, Italian, Florentine, 16th century Italian, Black and white chalk prepared with violet wash
Rearing Horse in Rear Three-Quarter View
Anonymous, Italian, Florentine, 16th century
16th century
Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso), Anonymous, Italian, Florentine, 16th century Italian, Pen and dark brown ink over black chalk (recto); pen and dark brown ink (verso). Later framing outline in pen and dark brown ink on recto
Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso)
Anonymous, Italian, Florentine, 16th century
16th century
Noli me tangere, Anonymous, Italian, Florentine, 16th century Italian, Black chalk, highlighted with white chalk, on blue paper
Noli me tangere
Anonymous, Italian, Florentine, 16th century
1580–1610
Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso), Anonymous, Italian, Florentine, 16th century (ca. 1530-1540) Italian, Red chalk, over a faint study of a hand in black chalk (recto); pen and brown ink (verso)
Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso)
Anonymous, Italian, Florentine, 16th century
1530–40
Head of a Young Woman in Three-quarter View Facing Right, with Lowered Eyes, Anonymous, Italian, Florentine, 16th century Italian, Black and red chalks with slight reworking by the artist in pen and brown ink on off-white paper
Head of a Young Woman in Three-quarter View Facing Right, with Lowered Eyes
Anonymous, Italian, Florentine, 16th century
1550–1600
Terracotta volute-krater (bowl for mixing wine and water), Painter of the Woolly Satyrs (namepiece), Terracotta, Greek, Attic
Terracotta volute-krater (bowl for mixing wine and water)
Painter of the Woolly Satyrs
ca. 450 BCE
Close Helmet for Foot Combat, the Master of the Castle Mark Italian, Steel, gold, leather, Italian, Milan
Close Helmet for Foot Combat
the Master of the Castle Mark
ca. 1600–1610
Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence
Cassone (one of a pair)
Italian (Florentine?) Painter
second quarter 15th century
Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence
Cassone (one of a pair)
Italian (Florentine?) Painter
second quarter 15th century
Manuscript Leaf with the Trinity in an Initial T, from an Antiphonary, Master of the Riccardiana Lactantius, Tempera, ink, and gold on parchment, Italian
Manuscript Leaf with the Trinity in an Initial T, from an Antiphonary
Master of the Riccardiana Lactantius
second half 15th century
Manuscript Leaf with Saint John the Evangelist and Saint John the Baptist in an Initial M, from an Antiphonary, Master of the Riccardiana Lactantius, Tempera, ink, and gold on parchment, Italian
Manuscript Leaf with Saint John the Evangelist and Saint John the Baptist in an Initial M, from an Antiphonary
Master of the Riccardiana Lactantius
second half 15th century
Tester bed, Italian (Florentine) Painter Italian, Walnut, partly painted and gilded, paintings on canvas, Italian, Tuscany and Florence
Tester bed
Italian (Florentine) Painter
late 16th–second quarter 17th century
Virgil
Anonymous, Italian, second half of the 16th century
Publius Virgilius Maro
1550–1600
Single Armorial Trophy marked by a Cuirass mounted on a Tree Trunk, plate 13 from "Libro de' Trofei"
Multiple artists/makers
ca. 1550–53