Results for "Anonymous, Italian, North or Central Italy, 16th century"

Design for the Elevation and Plan of a Reredos

ca. 1570

The Three Fates

Anonymous, Italian, North Italy, 16th century

1530–50

Saint John the Baptist

Anonymous, Italian, North Italy, 16th century

1550 (?)

Landscape with Saint Christopher and Male Monastic Saint (recto); Victory Crowning a Warrior, and Two Other Figures (verso)

Anonymous, Italian, North Italy, 16th century

16th century

Sketch of a Standing Male Saint

Anonymous, Italian, North Italy, 18th century

ca. 1800

Upper Panel for Painted Wall Decoration

Anonymous, Italian, North Italy, 18th century

18th century

Studies for Figural Groups and Ornament (recto); Design for a Baptismal Font (verso)

Anonymous, Italian, North Italy, 18th century

18th century

Study of a Woman in Bust-Length Three-Quarter View (recto); Summary Sketch of the Same (verso).

Anonymous, Italian, North Italy, 18th century

18th century

Designs for a Theatrum Sacrum

Anonymous, Italian, North Italy, 18th century

1735–60

Design for a Wall Decoration

Anonymous, Italian, North Italy, 18th century

1780–1800

Portrait of a pope, half-length

Anonymous, Central-Italian, 16th century

16th century

Design for the Base of a Candle Stick with a Seated Female(?) Figure

Anonymous, Central-Italian, 16th century

1500–50

Design for a Wall Tomb

Anonymous, Central-Italian, 16th century

ca. 1524

Head of a Young Woman, a Probable Finial for Fountain or other Type of Waterwork

16th century

Ornamental Design with Eagles and Mythological Figures

16th century

Design of Antique-Style Ornament ("Grotteschi")

Anonymous, Italian, 16th century

16th century

Designs for a Canopied Bed

Anonymous, Italian, North Italy, 18th century

18th century (first half)

The Virgin reading with the infant Christ; woman seated in profile facing left and reading with an arm around a child who looks out toward the viewer

Anonymous, Italian, 16th to early 17th century

ca. 1515–1600

Three cupids in front of a facade with pilasters, one holding a trident and another a large shell

Anonymous, Italian, 16th to early 17th century

ca. 1515–1600

Three Warriors after Raphael

Anonymous, Italian, 16th century

n.d.

Design for a Lectern with Saint John the Evangelist

Anonymous, Central-Italian, 16th century

1550–1600

Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right

Anonymous, Italian, 16th to early 17th century

ca. 1520–27

Three cupids in front of a facade with pilasters, one holding a trident and another a large shell

Anonymous, Italian, 16th to early 17th century

ca. 1515–1600

Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right

Anonymous, Italian, 16th to early 17th century

ca. 1520–40

Penelope and Odysseus

Anonymous, Italian, 16th century

ca. 1510–30

Penelope and Odysseus

Anonymous, Italian, 16th century

ca. 1510–30 (or later)

Discours dur les Arcs Triomphaux dressés en la Ville d'Aix a l'arrivée de le Duc de Bourgogne et le Duc de Berry

Anonymous, Central-Italian, 16th century

1701

Raphael and his mistress

Anonymous, Italian, 16th century

ca. 1510–30

Round Geometric Pattern (Islamic)

1450–1550

Rectangular Pattern (Islamic) with a Blank Circular Compartment Reserved for a Knot

1450–1550

Six Coats of Arms of which One with a Bend

1450–1550

Two Coats of Arms and Two Panel Designs.

1450–1550

Coat of Arms with Auxiliary Drawing Lines

1450–1550

Six Basic Shapes for Coats of Arms

1450–1550

Geometric Interlaced Pattern with Two Knots

1450–1550

Six Coats of Arms

1450–1550

Five Coats of Arms and a Horizontal Panel

1450–1550

Geometric Interlaced Pattern with Three Compartments and a Circle

1450–1550

Basic Constructive Mechanism for a Coat of Arms

1450–1550

Geometric Interlaced Pattern

1450–1550

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