Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Anonymous, Italian, Paduan, second half of the 15th century

Sort by:

Studies of Putti, Anonymous, Italian, Paduan, second half of the 15th century Italian, Pen and brown ink — Studies of Putti
Anonymous, Italian, Paduan, second half of the 15th century
1450–99

The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Crucifixion
Master of the Codex of Saint George
ca. 1330–35

Virgin and Child, Master of the Female Half-Lengths Netherlandish, Oil on wood, Netherlandish — Virgin and Child
Master of the Female Half-Lengths
ca. 1525–50

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Virgin and Child with Saint Joseph, Netherlandish Painter, second half of 16th century Netherlandish, Oil on oak panel — Virgin and Child with Saint Joseph
Netherlandish Painter, second half of 16th century
second half 16th century

Design for a Frame with Putti and Sirens, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash, over black chalk; selectively pricked for transfer — Design for a Frame with Putti and Sirens
Anonymous, Italian, second half of the 16th century
1550–1600

Flora, Anonymous, Italian, second half of the 16th century Italian, Engraving — Flora
Multiple artists/makers
ca. 1560–70

Standing Bearded Man Holding a Book, Anonymous, Italian, second half of the 16th century Italian, Red chalk, highlighted with white gouache, on blue-green paper — Standing Bearded Man Holding a Book
Anonymous, Italian, second half of the 16th century
1530–60

Design for a Wall Elevation with Grotesques, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash; some stylus ruling; highlighted with white gouache; on blue paper — Design for a Wall Elevation with Grotesques
Anonymous, Italian, second half of the 16th century
Pellegrino Tibaldi
ca. 1540–70

Frieze with Acanthus Rinceau with Grotesques, Anonymous, Italian, second half of the 16th century Italian, Pen and black ink with traces of metalpoint and red chalk — Frieze with Acanthus Rinceau with Grotesques
Anonymous, Italian, second half of the 16th century
16th century

Colonnade and Fountain with a Crowned Armorial Shield, Anonymous, Italian, second half of the 18th century Italian, Pen and dark brown ink with gray wash — Colonnade and Fountain with a Crowned Armorial Shield
Anonymous, Italian, second half of the 18th century
ca. 1750–1800

Design for a Cartouche with the "IHS" Monogram of the Society of Jesus, Putti, Fantastick Creatures, at the Borders, a Central Scene of the Virgin and Child with a Monastic Figure, and the Family Arms of a Cardinal, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash, outlines partly pricked for transfer — Design for a Cartouche with the "IHS" Monogram of the Society of Jesus, Putti, Fantastick Creatures, at the Borders, a Central Scene of the Virgin and Child with a Monastic Figure, and the Family Arms of a Cardinal
Anonymous, Italian, second half of the 16th century
1550–1600

Design for a Frieze with Central Cartouche Containing Medici Arms with Papal Tiara, Anonymous, Italian, second half of the 16th century Italian, Pen, brown ink and wash, highlighted with white, on blue paper — Design for a Frieze with Central Cartouche Containing Medici Arms with Papal Tiara
Anonymous, Italian, second half of the 16th century
1550–99

Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian — Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century

A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry, working late fourteenth-early fifteenth century, Ink, colors, and gold on vellum, French (Paris) — A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty
Master of the Second Roman de la Rose of the Duke of Berry,
ca. 1400

Revolving Chair, United Society of Believers in Christ’s Second Appearing (“Shakers”) American, Maple, white oak, pine, birch, American, Shaker — Revolving Chair
United Society of Believers in Christ’s Second Appearing (“Shakers”)
1840–70

Drapery Study, Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk — Drapery Study
Anonymous, Italian, Florentine, second half of the 16th century
17th century

State Baptism of a Child of Noble Blood, Anonymous, Italian, Florentine, second half of the 16th century Italian, Pen and brown ink, brush with brown and red wash, over red chalk and traces of black chalk; squared in black and red chalk — State Baptism of a Child of Noble Blood
Anonymous, Italian, Florentine, second half of the 16th century
ca. 1612

Two Male Figures in Half-Length Conversing, Anonymous, Italian, Bolognese, second half of the 16th century Italian, Red chalk — Two Male Figures in Half-Length Conversing
Anonymous, Italian, Bolognese, second half of the 16th century
late 16th century

Figure Studies; Landscape (recto); Copy after Antique Style Hercules Statue (verso), Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk; some black chalk — Figure Studies; Landscape (recto); Copy after Antique Style Hercules Statue (verso)
Anonymous, Italian, Florentine, second half of the 16th century
1580–1620

Design for a Chalice Surmounted by a Maltese Cross, Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk and leadpoint — Design for a Chalice Surmounted by a Maltese Cross
Anonymous, Italian, Florentine, second half of the 16th century
1580–1620

The Lamentation, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Lamentation
Master of the Codex of Saint George
ca. 1330–35

Terracotta volute-krater (bowl for mixing wine and water), Painter of the Woolly Satyrs (namepiece), Terracotta, Greek, Attic — Terracotta volute-krater (bowl for mixing wine and water)
Painter of the Woolly Satyrs
ca. 450 BCE

Close Helmet for Foot Combat, the Master of the Castle Mark Italian, Steel, gold, leather, Italian, Milan — Close Helmet for Foot Combat
the Master of the Castle Mark
ca. 1600–1610

Manuscript Leaf with Saint John the Evangelist and Saint John the Baptist in an Initial M, from an Antiphonary, Master of the Riccardiana Lactantius, Tempera, ink, and gold on parchment, Italian — Manuscript Leaf with Saint John the Evangelist and Saint John the Baptist in an Initial M, from an Antiphonary
Master of the Riccardiana Lactantius
second half 15th century

Manuscript Leaf with the Trinity in an Initial T, from an Antiphonary, Master of the Riccardiana Lactantius, Tempera, ink, and gold on parchment, Italian — Manuscript Leaf with the Trinity in an Initial T, from an Antiphonary
Master of the Riccardiana Lactantius
second half 15th century

Saints Bartholomew and Simon, Master of Saint Francis Italian, Tempera and gold on wood, Italian, Umbria — Saints Bartholomew and Simon
Master of Saint Francis
1266–75

Elijah in the Fiery Chariot, Master of the Barbarigo Reliefs, Bronze, partially oil-gilt, Italian, Venice — Elijah in the Fiery Chariot
Master of the Barbarigo Reliefs
ca. 1520

Seated Man of Sorrows (Schr. 910), Anonymous, German, 15th century German, Woodcut, hand-colored — Seated Man of Sorrows (Schr. 910)
Anonymous, German, 15th century
15th century

Head of Saint John the Baptist (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enemaled glass, French, possibly Rouen — Head of Saint John the Baptist (one of a pair)
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510

Head of Christ (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enameled glass, French, possibly Rouen — Head of Christ (one of a pair)
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510

Saint Peter, Follower of Lippo Memmi (Italian, Sienese, active mid-14th century) Italian, Tempera on wood, gold ground, Italian, Siena — Saint Peter
Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)
Follower of Barna da Siena
mid-14th century

Single Armorial Trophy marked by a Cuirass mounted on a Tree Trunk, plate 13 from "Libro de' Trofei"

Multiple artists/makers

ca. 1550–53

Anonymous, Italian, second half of the 18th century

1756

Scenes from the life of Jupiter, from Galerie du Palais Royal

Anonymous, Italian, second half of the 18th century

18th century

Anonymous, Italian, second half of the 16th century

Publius Virgilius Maro

1550–1600

Fragment of a terrracotta volute-krater (bowl for mixing wine and water), Painter of the Dublin Situlae, Terracotta, Greek, South Italian, Apulian — Fragment of a terrracotta volute-krater (bowl for mixing wine and water)
Painter of the Dublin Situlae
mid-4th century BCE

Terracotta bell-krater (mixing bowl), Painter of the Long Overfalls, Terracotta, Greek, South Italian, Apulian — Terracotta bell-krater (mixing bowl)
Painter of the Long Overfalls
ca. 380–360 BCE

Fragment of a terracotta neck-amphora (jar), Painter of the Geneva Orestes, Terracotta, Greek, South Italian, Paestan — Fragment of a terracotta neck-amphora (jar)
Painter of the Geneva Orestes
ca. 360–350 BCE

Terracotta column-krater (mixing bowl), Painter of the Bari Orestes, Terracotta, Greek, South Italian, Apulian — Terracotta column-krater (mixing bowl)
Painter of the Bari Orestes
ca. 375–350 BCE