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1-42 of 40,514 results for Anonymous, Italian, second half of the 16th century
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Design for a Wall Elevation with Grotesques, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash; some stylus ruling; highlighted with white gouache; on blue paper
Design for a Wall Elevation with Grotesques
Anonymous, Italian, second half of the 16th century
Pellegrino Tibaldi
ca. 1540–70
Frieze with Acanthus Rinceau with Grotesques, Anonymous, Italian, second half of the 16th century Italian, Pen and black ink with traces of metalpoint and red chalk
Frieze with Acanthus Rinceau with Grotesques
Anonymous, Italian, second half of the 16th century
16th century
Flora, Anonymous, Italian, second half of the 16th century Italian, Engraving
Flora
Multiple artists/makers
ca. 1560–70
Design for a Frieze with Central Cartouche Containing Medici Arms with Papal Tiara, Anonymous, Italian, second half of the 16th century Italian, Pen, brown ink and wash, highlighted with white, on blue paper
Design for a Frieze with Central Cartouche Containing Medici Arms with Papal Tiara
Anonymous, Italian, second half of the 16th century
1550–99
Design for a Frame with Putti and Sirens, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash, over black chalk; selectively pricked for transfer
Design for a Frame with Putti and Sirens
Anonymous, Italian, second half of the 16th century
1550–1600
Design for a Cartouche with the "IHS" Monogram of the Society of Jesus, Putti, Fantastick Creatures, at the Borders, a Central Scene of the Virgin and Child with a Monastic Figure, and the Family Arms of a Cardinal, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash, outlines partly pricked for transfer
Design for a Cartouche with the "IHS" Monogram of the Society of Jesus, Putti, Fantastick Creatures, at the Borders, a Central Scene of the Virgin and Child with a Monastic Figure, and the Family Arms of a Cardinal
Anonymous, Italian, second half of the 16th century
1550–1600
Standing Bearded Man Holding a Book, Anonymous, Italian, second half of the 16th century Italian, Red chalk, highlighted with white gouache, on blue-green paper
Standing Bearded Man Holding a Book
Anonymous, Italian, second half of the 16th century
1530–60
Virgil
Anonymous, Italian, second half of the 16th century
Publius Virgilius Maro
1550–1600
Single Armorial Trophy marked by a Cuirass mounted on a Tree Trunk, plate 13 from "Libro de' Trofei"
Multiple artists/makers
ca. 1550–53
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian
The Crucifixion
Master of the Codex of Saint George
ca. 1330–35
Virgin and Child with Saint Joseph, Netherlandish Painter, second half of 16th century Netherlandish, Oil on oak panel
Virgin and Child with Saint Joseph
Netherlandish Painter, second half of 16th century
second half 16th century
Virgin and Child, Master of the Female Half-Lengths Netherlandish, Oil on wood, Netherlandish
Virgin and Child
Master of the Female Half-Lengths
ca. 1525–50
Figure Studies; Landscape (recto); Copy after Antique Style Hercules Statue (verso), Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk; some black chalk
Figure Studies; Landscape (recto); Copy after Antique Style Hercules Statue (verso)
Anonymous, Italian, Florentine, second half of the 16th century
1580–1620
Design for a Chalice Surmounted by a Maltese Cross, Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk and leadpoint
Design for a Chalice Surmounted by a Maltese Cross
Anonymous, Italian, Florentine, second half of the 16th century
1580–1620
State Baptism of a Child of Noble Blood, Anonymous, Italian, Florentine, second half of the 16th century Italian, Pen and brown ink, brush with brown and red wash, over red chalk and traces of black chalk; squared in black and red chalk
State Baptism of a Child of Noble Blood
Anonymous, Italian, Florentine, second half of the 16th century
ca. 1612
Drapery Study, Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk
Drapery Study
Anonymous, Italian, Florentine, second half of the 16th century
17th century
Two Male Figures in Half-Length Conversing, Anonymous, Italian, Bolognese, second half of the 16th century Italian, Red chalk
Two Male Figures in Half-Length Conversing
Anonymous, Italian, Bolognese, second half of the 16th century
late 16th century
Colonnade and Fountain with a Crowned Armorial Shield, Anonymous, Italian, second half of the 18th century Italian, Pen and dark brown ink with gray wash
Colonnade and Fountain with a Crowned Armorial Shield
Anonymous, Italian, second half of the 18th century
ca. 1750–1800
Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian
Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry, working late fourteenth-early fifteenth century, Ink, colors, and gold on vellum, French (Paris)
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty
Master of the Second Roman de la Rose of the Duke of Berry,
ca. 1400
Revolving Chair, United Society of Believers in Christ’s Second Appearing (“Shakers”) American, Maple, white oak, pine, birch, American, Shaker
Revolving Chair
United Society of Believers in Christ’s Second Appearing (“Shakers”)
1840–70
Studies of Putti, Anonymous, Italian, Paduan, second half of the 15th century Italian, Pen and brown ink
Studies of Putti
Anonymous, Italian, Paduan, second half of the 15th century
1450–99
The Lamentation, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian
The Lamentation
Master of the Codex of Saint George
ca. 1330–35
Terracotta volute-krater (bowl for mixing wine and water), Painter of the Woolly Satyrs (namepiece), Terracotta, Greek, Attic
Terracotta volute-krater (bowl for mixing wine and water)
Painter of the Woolly Satyrs
ca. 450 BCE
Close Helmet for Foot Combat, the Master of the Castle Mark Italian, Steel, gold, leather, Italian, Milan
Close Helmet for Foot Combat
the Master of the Castle Mark
ca. 1600–1610
Manuscript Leaf with the Trinity in an Initial T, from an Antiphonary, Master of the Riccardiana Lactantius, Tempera, ink, and gold on parchment, Italian
Manuscript Leaf with the Trinity in an Initial T, from an Antiphonary
Master of the Riccardiana Lactantius
second half 15th century
Manuscript Leaf with Saint John the Evangelist and Saint John the Baptist in an Initial M, from an Antiphonary, Master of the Riccardiana Lactantius, Tempera, ink, and gold on parchment, Italian
Manuscript Leaf with Saint John the Evangelist and Saint John the Baptist in an Initial M, from an Antiphonary
Master of the Riccardiana Lactantius
second half 15th century
Elijah in the Fiery Chariot, Master of the Barbarigo Reliefs, Bronze, partially oil-gilt, Italian, Venice
Elijah in the Fiery Chariot
Master of the Barbarigo Reliefs
ca. 1520
Mishneh Torah, Master of the Barbo Missal Italian, Tempera and gold leaf on parchment; leather binding, North Italian
Mishneh Torah
Multiple artists/makers
ca. 1457
Head of Saint John the Baptist (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enemaled glass, French, possibly Rouen
Head of Saint John the Baptist (one of a pair)
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510
Head of Christ (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enameled glass, French, possibly Rouen
Head of Christ (one of a pair)
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring
Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80
Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk
Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century
Saint Bruno
Anonymous, Italian, second half of the 18th century
1756

Scenes from the life of Jupiter, from Galerie du Palais Royal

Anonymous, Italian, second half of the 18th century
18th century
Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink
Allegory of Peace
Multiple artists/makers
ca. 1520
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60
Fragment of a terracotta volute-krater (bowl for mixing wine and water), Painter of the Dublin Situlae, Terracotta, Greek, South Italian, Apulian
Fragment of a terracotta volute-krater (bowl for mixing wine and water)
Painter of the Dublin Situlae
mid-4th century BCE
Fragment of a terracotta neck-amphora (jar), Painter of the Geneva Orestes, Terracotta, Greek, South Italian, Paestan
Fragment of a terracotta neck-amphora (jar)
Painter of the Geneva Orestes
ca. 360–350 BCE
Fragment of a terrracotta volute-krater (bowl for mixing wine and water), Painter of the Dublin Situlae, Terracotta, Greek, South Italian, Apulian
Fragment of a terrracotta volute-krater (bowl for mixing wine and water)
Painter of the Dublin Situlae
mid-4th century BCE
Fragment of a terracotta volute-krater (bowl for mixing wine and water), Painter of the Dublin Situlae, Terracotta, Greek, South Italian, Apulian
Fragment of a terracotta volute-krater (bowl for mixing wine and water)
Painter of the Dublin Situlae
mid-4th century BCE