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More than 10,000 results for Anonymous, Italian or Spanish, 16th century

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Ornamental Design with Eagles and Mythological Figures, Anonymous, Italian or Spanish, 16th century Italian or Spanish, Pen and brown ink, brush and brown wash, over leadpoint — Ornamental Design with Eagles and Mythological Figures
Anonymous, Italian or Spanish, 16th century
16th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Chair Seat Cushion, Italian or Spanish Italian or Spanish, 17th century, Leather, tooled and painted, Italian or Spanish — Chair Seat Cushion
Italian or Spanish
17th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk — Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century Italian, Pen and brown ink — Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
Anonymous, Italian, 16th century
Anonymous, Italian, Venetian, 18th century
ca. 1730–60

Bowl with a Horseman Spearing a Serpent, Tin-glazed earthenware, Spanish — Bowl with a Horseman Spearing a Serpent
Spanish
late 1300s or early 1400s

Guitar, Manuel Ramírez Spanish, Spruce, rosewood, cedar, ebony, ivory or bone, Spanish — Guitar
Manuel Ramírez
Santos Hernández
1912

Processional Cross, Silver, partially gilt on wood core, carved gems, jewels, Spanish — Processional Cross
Spanish
ca. 1150–75

Crucifix, White oak with paint, gold leaf, and tin leaf (corpus); softwood with paint and tin leaf (cross), Spanish — Crucifix
Spanish
ca. 1150–1200

Lion, Fresco, mounted on canvas, Spanish — Lion
Spanish
after 1200

Plaque with the Journey to Emmaus and Noli Me Tangere, Elephant ivory with traces of gilding, Spanish — Plaque with the Journey to Emmaus and Noli Me Tangere
Spanish
ca. 1115–20

Saint James the Greater, Gil de Siloe Spanish, Alabaster with paint and gilding, Spanish — Saint James the Greater
Gil de Siloe
1489–93

Design of Antique-Style Ornament ("Grotteschi"), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush with gray and brown wash — Design of Antique-Style Ornament ("Grotteschi")
Anonymous, Italian, 16th century
Raphael (Raffaello Sanzio or Santi)
16th century

Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink — Palazzo Nerone
Multiple artists/makers
16th century

Christ Kneeling, Carrying the Cross, Anonymous, Spanish, 16th century Spanish, Pen and dark brown ink, with brush and brown wash. Inscription in same brown ink, crossed out with pen and black ink. Laid down on secondary sheet of paper — Christ Kneeling, Carrying the Cross
Anonymous, Spanish, 16th century
16th century

Design for a Monument with Minerva?, Anonymous, Spanish, 16th century ? Spanish, Pen and black ink, brush and gray wash — Design for a Monument with Minerva?
Anonymous, Spanish, 16th century
Patrizio Cajés
16th century

Panel of velvet, Silk and metal thread, Italian or Spanish — Panel of velvet
Italian or Spanish
second half 16th century

Messenger Badge, Copper, gold, enamel, Italian or Spanish — Messenger Badge
Italian or Spanish
ca. 1300

Three Warriors after Raphael, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over black and red chalk, light brown and gray oil paint — Three Warriors after Raphael
Multiple artists/makers
n.d.

Allegory of Peace, Anonymous, German, 16th century ? German, Pen and brown ink — Allegory of Peace
Multiple artists/makers
ca. 1520

Allegorical Scene, Anonymous, German, 16th century German, Pen and brown ink, brush and brown wash. Pasted down on blue paper. — Allegorical Scene
Anonymous, German, 16th century
Anonymous, Netherlandish, 16th century
16th century

The King's Sons Shooting at Their Father's Corpse, Anonymous, German, 16th century ? German, Pen and black ink — The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Anonymous, Swiss, 16th Century
16th century

Rowel Spur, Copper alloy, enamel, gold, French or Spanish, Catalonia — Rowel Spur
French or Spanish, Catalonia
ca. 1400

The World, Cage of Fools, Anonymous, Italian, 16th century Italian, Engraving — The World, Cage of Fools
Anonymous, Italian, 16th century
16th century

Relief with Mithras kneeling upon a bull and driving a sword into its shoulder, at left two smaller standing figures, one holding a sheathed sword and one holding a sword, a frieze with chariots and serpents coiled around figures above, Anonymous, Italian, 16th century Italian, Engraving — Relief with Mithras kneeling upon a bull and driving a sword into its shoulder, at left two smaller standing figures, one holding a sheathed sword and one holding a sword, a frieze with chariots and serpents coiled around figures above
Anonymous, Italian, 16th century
Antonio Lafreri
1564

Winding Column from Saint Peter's, Rome, Anonymous, Italian, 16th century Italian, Engraving — Winding Column from Saint Peter's, Rome
Anonymous, Italian, 16th century
Antonio Lafreri

Various Animals, Anonymous, Italian, 16th century Italian, Engraving — Various Animals
Anonymous, Italian, 16th century
Antonio Lafreri

Angel (recto); Fragmentary Sketches of Same Subject (verso), Anonymous, Italian, 16th century Italian, Red chalk — Angel (recto); Fragmentary Sketches of Same Subject (verso)
Anonymous, Italian, 16th century
16th century

Massacre of the Innocents, Anonymous, Italian, 16th century Italian, Pen and brown ink over red chalk on cream paper — Massacre of the Innocents
Anonymous, Italian, 16th century
16th century

Adoration of the Shepherds(?), Anonymous, Italian, 16th century Italian, Brush and brown wash, highlighted with brush and white gouache, over traces of charcoal underdrawings, on light brown laid paper — Adoration of the Shepherds(?)
Anonymous, Italian, 16th century
16th century

Studies for the Standing Figure of a Bearded Man, Anonymous, Italian, 16th century Italian, Pen and brown ink, over traces of black chalk or leadpoint — Studies for the Standing Figure of a Bearded Man
Anonymous, Italian, 16th century
1530–50

Juno, from "The Muses and the Three Great Goddesses", Anonymous, Italian, 16th century Italian, Engraving — Juno, from "The Muses and the Three Great Goddesses"
Multiple artists/makers
1540–56

Bust of a Man, His Gaze Directed Toward the Spectator, Anonymous, Italian, 16th century , ca. 1500 Italian, Black chalk, stumped, on cream-colored paper. Traces of pen and brown ink. Paper extensively rubbed with black chalk or charcoal — Bust of a Man, His Gaze Directed Toward the Spectator
Anonymous, Italian, 16th century
ca. 1500 (?)

Athena, from "The Muses and the Three Goddesses", Anonymous, Italian, 16th century Italian, Engraving — Athena, from "The Muses and the Three Goddesses"
Multiple artists/makers
ca. 1540–45

Polyhymnia, from "The Muses and the Three Great Goddesses", Anonymous, Italian, 16th century Italian, Engraving — Polyhymnia, from "The Muses and the Three Great Goddesses"
Multiple artists/makers
ca. 1540–45

Thalia, from "The Muses and the Three Great Goddesses", Anonymous, Italian, 16th century Italian, Engraving — Thalia, from "The Muses and the Three Great Goddesses"
Multiple artists/makers
ca. 1540–45

Design for an Altar with a Celestial Subject Above, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over leadpoint — Design for an Altar with a Celestial Subject Above
Anonymous, Italian, 16th century
16th century

Design for a Cartouche (recto); Fragments of the Plan of a Building (Church?) (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over leadpoint — Design for a Cartouche (recto); Fragments of the Plan of a Building (Church?) (verso)
Anonymous, Italian, 16th century
Niccolò dell' Abate
16th century