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The American Rattlesnake Presenting Monsieur his Ally a Dish of Frogs, Anonymous, British, 18th century British, Etching with watercolor
The American Rattlesnake Presenting Monsieur his Ally a Dish of Frogs
Anonymous, British, 18th century
Publisher J. Barrow
November 8, 1782
The Able Doctor, or America Swallowing the Bitter Draught, from The London Magazine, Anonymous, British, 18th century British, Engraving
The Able Doctor, or America Swallowing the Bitter Draught, from The London Magazine
Multiple artists/makers
May 1, 1774
Two shillings and six pence revenue stamp, Anonymous, British, 18th century British, Embossed stamp on blue-gray paper with metal staple on vellum (recto); engraved cypher (verso)
Two shillings and six pence revenue stamp
Engraver Anonymous, British, 18th century
1765–66
The Tithe Pig, Anonymous, British British, Hand-colored etching
The Tithe Pig
Anonymous, British
After Thomas Rowlandson
undated
Magna Britannia: Her Colonies Reduced, Benjamin Franklin American, Etching and engraving
Magna Britannia: Her Colonies Reduced
Designer Benjamin Franklin
Engraver Anonymous, British, 19th century
1833 [based on 1766 print]
The Annunciation, Adoration of the Shepherds, and Adoration of the Kings, Anonymous Workshop, British , London British, Silk, wool, silver-gilt thread (18-22 warps per inch, 7-8 per cm.), British, probably London
The Annunciation, Adoration of the Shepherds, and Adoration of the Kings
Attributed to an Anonymous Workshop, British
early 17th century
"The Prodigal Son Driven Out by Harlots" from a set of six of The Parable of the Prodigal Son, Anonymous Workshop, British , London British, Silk, wool (22 warps per inch, 10 per cm.), British, probably London
"The Prodigal Son Driven Out by Harlots" from a set of six of The Parable of the Prodigal Son
Attributed to an Anonymous Workshop, British
early 17th century
"The Repentance of the Prodigal Son" from a set of six of The Parable of the Prodigal Son, Anonymous Workshop, British , London British, Silk, wool (22 warps per inch, 10 per cm.), British, probably London
"The Repentance of the Prodigal Son" from a set of six of The Parable of the Prodigal Son
Attributed to an Anonymous Workshop, British
early 17th century
The Circumcision, Anonymous Workshop, British , London British, Wool, silk, silver and silver-gilt thread (20-21 warps per inch, 8 per cm.), British, probably London
The Circumcision
Attributed to an Anonymous Workshop, British
early 17th century
Advertisement for John Swain & Son, Photo Process Engravers in "The British Printer", Anonymous, British, 19th century British, Commercial lithograph
Advertisement for John Swain & Son, Photo Process Engravers in "The British Printer"
Anonymous, British, 19th century
19th century
Le triomphe de la coquetterie, Anonymous, French, 18th century French, Etching and engraving
Le triomphe de la coquetterie
Anonymous, French, 18th century
Former Attribution Anonymous, British, 18th century
18th century
Design for a Settee, Anonymous, German, 18th century German, Graphite
Design for a Settee
Anonymous, German, 18th century
Former Attribution Anonymous, British, 18th century
18th century
Design for a candelabrum, Anonymous, British, 18th century British, Pen and ink, brush and wash
Design for a candelabrum
Attributed to Anonymous, British, 18th century
18th century (?)
Country house, Anonymous, British, 19th century British, Watercolor
Country house
Anonymous, British, 19th century
19th century
Ionic Entrance Hall, Anonymous, British, 19th century British, Pen and ink, brush and brown wash
Ionic Entrance Hall
Anonymous, British, 19th century
19th century
Design for Stained-Glass Window with Symbols of the Evangelists, Anonymous, British, 19th century British, Pen and ink and watercolor
Design for Stained-Glass Window with Symbols of the Evangelists
Anonymous, British, 19th century
Former Attribution Formerly attributed to Ernest Geldart
19th century
View of the Parthenon, Anonymous, British, 19th century British, Brush and brown wash
View of the Parthenon
Anonymous, British, 19th century
19th century
Rock Tombs at Telmissus, Anonymous, British, 19th century British, Pen and ink and watercolor
Rock Tombs at Telmissus
Anonymous, British, 19th century
19th century
Design for a Church in the Decorated Style, Perspective, Anonymous, British, 19th century British, Pen and ink and graphite
Design for a Church in the Decorated Style, Perspective
Anonymous, British, 19th century
19th century
Design for a Silver Centerpiece, Anonymous, British, 19th century British
Design for a Silver Centerpiece
Anonymous, British, 19th century
19th century
Elevation of a Pseudo-Romanesque Hall or Church, Anonymous, British, 19th century British, Pen and ink, brush and wash
Elevation of a Pseudo-Romanesque Hall or Church
Anonymous, British, 19th century
19th century
The Propylaea, Athens, Anonymous, British, 19th century British, Brush and white wash over graphite
The Propylaea, Athens
Anonymous, British, 19th century
ca. 1840
Dolphin Fountain Element, Anonymous, British, 18th century British, Pen and ink
Dolphin Fountain Element
Attributed to Anonymous, British, 18th century
18th century
Table Design with Bacchus and Boar's head, Anonymous, British, 19th century British, Graphite
Table Design with Bacchus and Boar's head
Anonymous, British, 19th century
19th century
Table Design with Bacchus and Boar's Head, and Alternate Design, Anonymous, British, 19th century British, Graphite
Table Design with Bacchus and Boar's Head, and Alternate Design
Anonymous, British, 19th century
19th century
Plan of the Operating Gear of a Mill, Anonymous, British, 18th century British, Pen and ink, brush and brown wash
Plan of the Operating Gear of a Mill
Attributed to Anonymous, British, 18th century
18th century
Study for ceiling decoration, Anonymous, British, 19th century British, Gouache and gold pigment
Study for ceiling decoration
Anonymous, British, 19th century
Former Attribution Formerly attributed to Sir Charles Barry
19th century
Paneled Music Room with a Door, Anonymous, British, 19th century British, Graphite
Paneled Music Room with a Door
Anonymous, British, 19th century
ca. 1850
Romanesque Style Font, Anonymous, British, 19th century British, Pen and ink, brush and wash, over graphite, on pale blue paper
Romanesque Style Font
Anonymous, British, 19th century
mid-19th century
One Font and Plan (recto); Two Romanesque Style Fonts (verso), Anonymous, British, 19th century British, Recto: pen and ink, brush and wash, over graphite, on pale blue paper<br/>Verso: graphite
One Font and Plan (recto); Two Romanesque Style Fonts (verso)
Anonymous, British, 19th century
mid-19th century
Romanesque Style Font and Plan (recto); One Font (verso), Anonymous, British, 19th century British, Pen and ink, brush and wash, over graphite, on pale blue paper
Romanesque Style Font and Plan (recto); One Font (verso)
Anonymous, British, 19th century
mid-19th century
Romanesque Style Font and Plan, Anonymous, British, 19th century British, Pen and ink, brush and wash, over graphite, on pale blue paper
Romanesque Style Font and Plan
Anonymous, British, 19th century
mid-19th century
Landscape Sketch, Anonymous, British, 19th century British, Graphite
Landscape Sketch
Anonymous, British, 19th century
after 1824
Studies of the Pavilion at Fonthill, Wiltshire and Plans of the Ground and First Floors (recto); Studies for the Pavilion in Tudor-Gothic Style (verso), Anonymous, British, 19th century British, Pen and ink, brush and wash, over graphite
Studies of the Pavilion at Fonthill, Wiltshire and Plans of the Ground and First Floors (recto); Studies for the Pavilion in Tudor-Gothic Style (verso)
Anonymous, British, 19th century
after 1824
View of Vevey on Lake Geneva, Anonymous, British, 19th century British, Watercolor
View of Vevey on Lake Geneva
Anonymous, British, 19th century
19th century
View of Florence from the Basilica di San Miniato al Monte, Anonymous, British, 19th century British, Watercolor
View of Florence from the Basilica di San Miniato al Monte
Anonymous, British, 19th century
possibly 1850–60
The Fountain of the Académie de France in Rome (recto); The Gate of San Giovanni in Rome and a lakeside village (verso), Anonymous, British, 19th century British, Recto: watercolor over pen and ink<br/>Verso: watercolor and graphite
The Fountain of the Académie de France in Rome (recto); The Gate of San Giovanni in Rome and a lakeside village (verso)
Anonymous, British, 19th century
19th century
Design for a Ceiling for Thomas Wells, Anonymous, British, 19th century British, Graphite
Design for a Ceiling for Thomas Wells
Attributed to Anonymous, British, 19th century
19th century
Designs for Trophies Containing Medallion and Urn, Anonymous, British, 19th century British, Pen and ink and watercolor
Designs for Trophies Containing Medallion and Urn
Anonymous, British, 19th century
19th century
Design with Dancers in a Cartouche, Anonymous, British, 19th century British, Pen and ink, brush and wash
Design with Dancers in a Cartouche
Anonymous, British, 19th century
19th century
Design for Wall including Chimney and Red Banquette, Anonymous, British, 19th century British, Pen and ink and watercolor
Design for Wall including Chimney and Red Banquette
Anonymous, British, 19th century
19th century
Design for Paneled Ceiling, Anonymous, British, 19th century British, Graphite and pen
Design for Paneled Ceiling
Anonymous, British, 19th century
19th century

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