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More than 10,000 results for Anonymous, Italian, Piedmontese, 18th century

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Two alternate designs for stucco for an Italian ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and dark brown ink, brush and gray an red chalk wash over leadpoint or graphite, with ruled and compass construction; scale at bottom of drawing in pen and brown ink over leadpoint or graphite — Two alternate designs for stucco for an Italian ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–80

Two Alternate Designs for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown, gray, yellow, and red wash, over leadpoint or graphite — Two Alternate Designs for a Doorway
Anonymous, Italian, Piedmontese, 18th century
ca. 1730–60

Design for the Decorative Scheme of a Wall, Anonymous, Italian, Piedmontese, 18th century Italian, Red chalk, brush and red wash over red chalk; ruled construction in leadpoint — Design for the Decorative Scheme of a Wall
Anonymous, Italian, Piedmontese, 18th century
ca. 1700–40

Design for One Eighth of an Illusionistic Ceiling of a Dome, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and watercolor, over graphite, with ruled construction — Design for One Eighth of an Illusionistic Ceiling of a Dome
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Curved Ornamental Cove to Support a Dome (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint, with ruled construction; construction outline numbered ("1, 2, 3, 4, 5, 6) in lead point and pen and brown ink — Design for a Curved Ornamental Cove to Support a Dome (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Two Variant Half Designs for a Cartouche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over lead point or graphite; framing lines in pen and brown ink — Two Variant Half Designs for a Cartouche
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for the Corner of a Cove, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and light brown ink, brush and gray, light brown wash and watercolor, over leadpoint, with ruled and compass construction — Design for the Corner of a Cove
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for One Half of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over black chalk, with ruled and compass construction — Design for One Half of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
18th century

1/4 Design for a Painted Ceiling, with the Arms of a Cardinal in the Corner, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint, with ruled and compass construction — 1/4 Design for a Painted Ceiling, with the Arms of a Cardinal in the Corner
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Painted Perspective Wall Decoration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray and yellow wash, over black chalk, with ruled construction; measuring scale in pen and brown ink — Design for a Painted Perspective Wall Decoration
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Partial View of an Architectural Interior (recto); Undecipherable Sketches (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, heightened with dark brown ink over traces of graphite; framing outlines in brush and gray wash (recto); black chalk sketches (verso) — Partial View of an Architectural Interior (recto); Undecipherable Sketches (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Three Designs for the Ornamentation of Vaults, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and brown wash, over leadpoint or graphite, with ruled and compass construction; scales at bottom in pen and brown ink — Three Designs for the Ornamentation of Vaults
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for the Elevation of a Palace Interior, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash on dark tan paper; ruled and compass construction in pen and gray ink — Design for the Elevation of a Palace Interior
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for an Elaborate Cornice with a Cartouche and Figures Supporting a Ceiling, with Two Arched Openings, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash over traces of leadpoint or graphite; scales at bottom in pen and brown ink; construction lines in stylus-incised (rule and compass) — Design for an Elaborate Cornice with a Cartouche and Figures Supporting a Ceiling, with Two Arched Openings
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Pedentive Decoration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint — Design for a Pedentive Decoration
Anonymous, Italian, Piedmontese, 18th century
18th century

Design for a corner of a Painted Ceiling, Architectural "Cove" with a Seated Figure at the Bottom, and a Putto at the Side, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray and brown wash, over graphite or leadpoint; framing lines in pen and brown ink at left and lower borders; detail sketches in graphite or leadpoint (verso) — Design for a corner of a Painted Ceiling, Architectural "Cove" with a Seated Figure at the Bottom, and a Putto at the Side
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for one half of an Altar with a Pilastered Wall at the Right, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over graphite, with ruled and compass construction. Scales at bottom in pen and brown ink; framing lines in pen and brown ink — Design for one half of an Altar with a Pilastered Wall at the Right
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Halved Variant Designs for an Altar with the Virgin of the Immaculate Conception in the Central Cartouche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash over graphite; ruled and compass constructions in stylus-incised; partly reworked in pen and black ink — Halved Variant Designs for an Altar with the Virgin of the Immaculate Conception in the Central Cartouche
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Part of a Painted Vaulted Ceiling with a Coat of Arms in Form of a Cross, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray, brown and red chalk wash, over graphite or leadpoint, with compass and ruled construction; stylus-incised construction outlines — Design for a Part of a Painted Vaulted Ceiling with a Coat of Arms in Form of a Cross
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Two halved variants for a Chapel, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, with ruled and compass construction in pen and brown ink on cream laid paper covered with brown wash. Scale at bottom of drawing in pen and and brown ink — Two halved variants for a Chapel
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for an Altar: Two Halved Variants, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray, red chalk and yellow wash, over leadpoint or graphite, with ruled and compass construction. Scale at bottom of drawing in pen and brown ink — Design for an Altar: Two Halved Variants
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Blown-up Detail of Design in Elevation for Colonnade in the Doric or Tuscan Order (recto); Blown-up Detail of Column on Podium in Elevation, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint; constructed with ruler or compass — Blown-up Detail of Design in Elevation for Colonnade in the Doric or Tuscan Order (recto); Blown-up Detail of Column on Podium in Elevation
Anonymous, Italian, Piedmontese, 18th century
18th century

Design for One Half a Chapel with the Dove of the Holy Ghost above the Main Altar, and a Statue of an Evangelist at right, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and light red chalk wash, over black chalk, with ruled construction — Design for One Half a Chapel with the Dove of the Holy Ghost above the Main Altar, and a Statue of an Evangelist at right
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Coat of Arms with Two Dragons and Initials [?] in center (recto); Three Constructed Circles with Inscriptions (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint on brown washed cream laid paper (still partly visible; recto and verso) — Design for a Coat of Arms with Two Dragons and Initials [?] in center (recto); Three Constructed Circles with Inscriptions (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Ceiling with Cove Showing, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and gray wash, over black chalk; framing lines in leadpoint — Design for a Ceiling with Cove Showing
Anonymous, Italian, Piedmontese, 18th century
1700–80

Design for One Half of the Apsidal Space Enclosing an Organ, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint — Design for One Half of the Apsidal Space Enclosing an Organ
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for 1/4 of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash, over black chalk; framing lines in pen and gray ink — Design for 1/4 of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Designs for One Half of a Cartouche in the Rococo style, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and green and gray wash, over leadpoint or graphite; framing outlines in pen and brown ink — Designs for One Half of a Cartouche in the Rococo style
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for the Corner of a Cove, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over ruled construction in leadpoint or graphite, some dotted framing outlines — Design for the Corner of a Cove
Anonymous, Italian, Piedmontese, 18th century
1700–1780

One Half of a Design for an Overdoor (?) (recto); Two Designs for Altars, one for a Capital (?) (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over ruled construction in leadpoint or graphite (recto); leadpoint or graphite (verso); some framing outlines — One Half of a Design for an Overdoor (?) (recto); Two Designs for Altars, one for a Capital (?) (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Designs for a Capital, and for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction — Designs for a Capital, and for a Doorway
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Designs for One Half of an Overdoor, and One Half of a Pedestal (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over traces of leadpoint or construction in leadpoint or graphite; framing outlines in pen and brown ink — Designs for One Half of an Overdoor, and One Half of a Pedestal (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Designs for Parts of Frames and an Amphora, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction in leadpoint or graphite; dotted framing outline in pen and brown ink — Designs for Parts of Frames and an Amphora
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Sarcophagus or an Urn in a Niche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction; dotted framing outlines in pen and brown ink — Design for a Sarcophagus or an Urn in a Niche
Anonymous, Italian, Piedmontese, 18th century
1700–1780

One Quarter of a Design for a Painted Ceiling (recto); Frieze with Putto, Vases, and Other Decorations (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash and watercolor, over leadpoint or graphite, with ruled and compass construction; framing lines in pen and brown ink (recto); pen and brown ink over leadpoint or graphite with ruled construction (verso) — One Quarter of a Design for a Painted Ceiling (recto); Frieze with Putto, Vases, and Other Decorations (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for One Half of a Lunette with a Window and Putto at Left, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and red wash, over leadpoint or graphite; ruled lines in graphite or leadpoint — Design for One Half of a Lunette with a Window and Putto at Left
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Design for a Portion of Cornice and Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with red wash, over leadpoint or graphite; ruled lines in leadpoint or graphite — Design for a Portion of Cornice and Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780

Various Sketches for Cartouches, with Satyr Heads, Putti, etc., Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, over leadpoint — Various Sketches for Cartouches, with Satyr Heads, Putti, etc.
Anonymous, Italian, Piedmontese, 18th century
1700–1780

One Quarter of a Design for a Painted Ceiling (recto); Ornaments (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint, with ruled and compass construction (recto); architectural drawing in leadpoint (verso) — One Quarter of a Design for a Painted Ceiling (recto); Ornaments (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780

1/4 Design for a Painted Ceiling, architectural perspective, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and gray wash over leadpoint or graphite, with ruled and compass construction; scale at bottom of drawing in pen and gray ink over leadpoint — 1/4 Design for a Painted Ceiling, architectural perspective
Anonymous, Italian, Piedmontese, 18th century
1700–1780