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Showing 8,727 results for Antonio Tempesta

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Atalanta and Meleager with Fountains of Versailles, Antonio Tempesta Italian, Wool and silk on canvas (Center: 484-576 tent stitches per sq. inch, 90 per sq. cm. Border: 169 cross-stitches per sq. inch, 25 per sq. cm.), French — Atalanta and Meleager with Fountains of Versailles
Antonio Tempesta
Perelle
late 17th century

Hunt of the Caledonian Boar, Auguste Bretoneau, Gold, painted enamel, French, Paris or Blois — Hunt of the Caledonian Boar
Auguste Bretoneau
Antonio Tempesta
ca. 1645–50

Plan of the City of Rome

Antonio Tempesta

1645

Plan of the City of Rome. Part 12 with the Southwestern Border of the City and a Large Cartouche with Signature by Tempesta., Antonio Tempesta Italian, Etching with some engraving, undescribed state. — Plan of the City of Rome. Part 12 with the Southwestern Border of the City and a Large Cartouche with Signature by Tempesta.
Multiple artists/makers
1645

Monte Pincio Palace and Gardens, from "Speculum Romanae Magnificentiae", Antonio Tempesta Italian, Etching — Monte Pincio Palace and Gardens, from "Speculum Romanae Magnificentiae"
Antonio Tempesta
mid to late 16th century

Hercules and the Oxen of Geryones: with a club raised by his right hand, Hercules confronts a group of galloping oxen, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and the Oxen of Geryones: with a club raised by his right hand, Hercules confronts a group of galloping oxen, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules and the Nemean Lion, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and the Nemean Lion, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules and the Hydra of Lerna, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and the Hydra of Lerna, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules and the Hind of Mount Cerynea, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and the Hind of Mount Cerynea, from "The Labors of Hercules"
Antonio Tempesta
1608

Title plate with the arms of Cardinal Francesco Maria de Monte, for "The Labors of Hercules", Antonio Tempesta Italian, Etching — Title plate with the arms of Cardinal Francesco Maria de Monte, for "The Labors of Hercules"
Antonio Tempesta
Nicolaus van Aelst
1608

The Flight into Egypt, Antonio Tempesta Italian, Etching — The Flight into Egypt
Antonio Tempesta

Plate 9: Apollo Killing Python (Python ab Apolline interficitur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 9: Apollo Killing Python (Python ab Apolline interficitur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Titlepage to Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Titlepage to Ovid's 'Metamorphoses'
Antonio Tempesta
Pieter de Jode I
1606

Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 12: The Death of Phaeton (Phaetonis casus.), from Ovid's Metamorphoses, Antonio Tempesta Italian, Etching — Plate 12: The Death of Phaeton (Phaetonis casus.), from Ovid's Metamorphoses
Antonio Tempesta
1606

Plate 1: The Creation of the World (Orbis fabrica), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 1: The Creation of the World (Orbis fabrica), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 2: The Creation of Man (Hominis creatio), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 2: The Creation of Man (Hominis creatio), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 3: The Age of Gold (Aetas aurea), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 3: The Age of Gold (Aetas aurea), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 7: The Flood (Diluvium.), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 7: The Flood (Diluvium.), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 8: The Rebirth of Mankind (Reparatio generis humani), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 8: The Rebirth of Mankind (Reparatio generis humani), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 124: Hecuba and the Trojan Women Murdering Polymestor (Hecuba Polymnestori oculos ervit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 124: Hecuba and the Trojan Women Murdering Polymestor (Hecuba Polymnestori oculos ervit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 125: Aurora Asking Jupiter to Honor Memnon (Aurora a Iove Memnoni, mortis honorem petit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 125: Aurora Asking Jupiter to Honor Memnon (Aurora a Iove Memnoni, mortis honorem petit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 126: Aeneas and Anchises (AEnea in perentem pietas), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 126: Aeneas and Anchises (AEnea in perentem pietas), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 127: Anius's Daugthers Changing into Birds (Maeonides Pyrenei vim effugientes in aves), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 127: Anius's Daugthers Changing into Birds (Maeonides Pyrenei vim effugientes in aves), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 128: Galatea and Acis Embracing, while Polyphemus Sings for Galatea (Acidis, Galateaeq, furtivi concubitus), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 128: Galatea and Acis Embracing, while Polyphemus Sings for Galatea (Acidis, Galateaeq, furtivi concubitus), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 129: Acis Killed by Polyphemus (Acidem Scolpulo orbruit Polyphemus), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 129: Acis Killed by Polyphemus (Acidem Scolpulo orbruit Polyphemus), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 130: Scylla and Glaucus (Deus marinus effectus Glaucus Scyllae nuptias ambit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 130: Scylla and Glaucus (Deus marinus effectus Glaucus Scyllae nuptias ambit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 131: Scylla Changed by Circe's Spell (Scylla Circes veneficÿs in monstrum marinum), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 131: Scylla Changed by Circe's Spell (Scylla Circes veneficÿs in monstrum marinum), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 132: Jupiter Changing the Cercopians into Monkeys (Cercopes bonorum insidiatores in Simias Iupiter transformat), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 132: Jupiter Changing the Cercopians into Monkeys (Cercopes bonorum insidiatores in Simias Iupiter transformat), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate119: The Death of Ajax (Aiax moretm Sibi consciscens, in florem abit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate119: The Death of Ajax (Aiax moretm Sibi consciscens, in florem abit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 109: Iris Giving Sleep Juno's Command (Iris Somno Iunonis mandata exponit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 109: Iris Giving Sleep Juno's Command (Iris Somno Iunonis mandata exponit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 110: Morpheus, as Ceyx, Appearing to Alcyone (Morpheus Ceycis corpus Halcyoni representat), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 110: Morpheus, as Ceyx, Appearing to Alcyone (Morpheus Ceycis corpus Halcyoni representat), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 111: Aesacus and Hespeia (Aesacus Eperies mortem dolens ex scopulo se praecipitans abit in mergum), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 111: Aesacus and Hespeia (Aesacus Eperies mortem dolens ex scopulo se praecipitans abit in mergum), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 112: Agamemnon Sacrificing Iphigenia (Iphigenia Agamemnoni immolanda, à Diana (cerva eius in locum substituta) surripitur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 112: Agamemnon Sacrificing Iphigenia (Iphigenia Agamemnoni immolanda, à Diana (cerva eius in locum substituta) surripitur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 113: The Greeks Battling the Trojans (Graecorum Troianorumque concursus), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 113: The Greeks Battling the Trojans (Graecorum Troianorumque concursus), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 114: Achilles Battling Cygnus (Cygnus ab Achille interficitur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 114: Achilles Battling Cygnus (Cygnus ab Achille interficitur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 115: The Rape of Caenis (Caenis in virginitatis amißae solatium in virum fortiß.m a Neptuno transformatur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 115: The Rape of Caenis (Caenis in virginitatis amißae solatium in virum fortiß.m a Neptuno transformatur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 116: The Battle of the Lapithae and the Centaurs (Caeneus in Perithoi nuptijs a Centauris interficitur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 116: The Battle of the Lapithae and the Centaurs (Caeneus in Perithoi nuptijs a Centauris interficitur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606