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Showing 9,700 results for Antonio Vanegas Arroyo

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The skeleton of the people’s editor (Antonio Vanegas Arroyo), José Guadalupe Posada Mexican, Zincograph and letterpress (letterpress on both sides of sheet) — The skeleton of the people’s editor (Antonio Vanegas Arroyo)
José Guadalupe Posada
Antonio Vanegas Arroyo
1902

A couple sitting in an automobile, illustration for ' El Automóvil,' publisbed by Antonio Vanegas Arroyo, José Guadalupe Posada Mexican, Type-metal engraving — A couple sitting in an automobile, illustration for ' El Automóvil,' publisbed by Antonio Vanegas Arroyo
José Guadalupe Posada
José Sanchez
ca. 1908 (a later impression)

Two elegantly dressed skeletons walking, from a broadside entitled, 'El Gran Panteon Amoroso,' published by Antonio Vanegas Arroyo., José Guadalupe Posada Mexican, Type-metal engraving — Two elegantly dressed skeletons walking, from a broadside entitled, 'El Gran Panteon Amoroso,' published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1894

Two elegantly dressed skeletons walking, from a broadside entitled, 'El Gran Panteon Amoroso,' published by Antonio Vanegas Arroyo., José Guadalupe Posada Mexican, Etching on zinc — Two elegantly dressed skeletons walking, from a broadside entitled, 'El Gran Panteon Amoroso,' published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1894

In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), José Guadalupe Posada Mexican, Type-metal engraving and letterpress — In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)
Multiple artists/makers
ca. 1890–96

Profile of a woman sitting in a chair with her head back and holding a flower, illustration for 'Morir Soñando,' published by Antonio Vanegas Arroyo

Multiple artists/makers

ca. 1895 (a later impression)

A demon breathing fire and people running around in the foreground, illustration for 'El Testerazo del Diablo,' published by Antonio Vanegas Arroyo, José Guadalupe Posada Mexican, Type-metal engraving — A demon breathing fire and people running around in the foreground, illustration for 'El Testerazo del Diablo,' published by Antonio Vanegas Arroyo
José Guadalupe Posada
José Sanchez
ca. 1898 (a later impression)

Profile of a female skeleton with a fur vest, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo.

José Guadalupe Posada

ca. 1892

A male skeleton leading a female skeleton to the left, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo., José Guadalupe Posada Mexican, Type-metal engraving — A male skeleton leading a female skeleton to the left, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1892

The grand electric skeleton, a large skeleton is hypnotizing a group of skulls and a sitting skeleton, an electric street car in the background, José Guadalupe Posada Mexican, Zincograph, type-metal engraving and letterpress on green paper — The grand electric skeleton, a large skeleton is hypnotizing a group of skulls and a sitting skeleton, an electric street car in the background
José Guadalupe Posada
Antonio Vanegas Arroyo
1900

Cupid's Skeleton, José Guadalupe Posada Mexican, Type-metal engraving and letterpress on buff paper — Cupid's Skeleton
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1892

Cover for 'El Clown Mexicano: Cuaderno No. 6', a clown tugging at his pants, José Guadalupe Posada Mexican, Type-metal engraving and letterpress in orange and black ink on tan paper — Cover for 'El Clown Mexicano: Cuaderno No. 6', a clown tugging at his pants
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1894

Cover for 'Cantares Oaxaqueños: Nueva Coleccion de Canciones Modernas para 1898', couples walking arm in arm on the outskirts of a town, José Guadalupe Posada Mexican, Chiaroscuro engraving and letterpress in red and black ink on yellow paper — Cover for 'Cantares Oaxaqueños: Nueva Coleccion de Canciones Modernas para 1898', couples walking arm in arm on the outskirts of a town
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1898

Front and back covers printed on the same sheet for a collection of love letters / stories (number 12), José Guadalupe Posada Mexican, Zincograph and letterpress — Front and back covers printed on the same sheet for a collection of love letters / stories (number 12)
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1898

Cover for 'La Verbena de Belen o Una Fiesta Pastoril", people having a picnic in a field, José Guadalupe Posada Mexican, Type-metal engraving and letterpress on tan paper — Cover for 'La Verbena de Belen o Una Fiesta Pastoril", people having a picnic in a field
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1891

Cover for 'Las Torres Blancas', a group of people walking and looking up at two white towers, José Guadalupe Posada Mexican, Type-metal engraving and letterpress in red and black ink on tan paper — Cover for 'Las Torres Blancas', a group of people walking and looking up at two white towers
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1900

Broadsheet relating to the death of a torero named Ponciano Diaz who is portrayed, José Guadalupe Posada Mexican, Type-metal engraving and letterpress on tan paper — Broadsheet relating to the death of a torero named Ponciano Diaz who is portrayed
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1890

Cover for 'La Aurora del Nuevo Dia en los Campos de Belen', villagers holding shepherd's hooks and walking in the countryside, José Guadalupe Posada Mexican, Type-metal engraving and letterpress in red and black ink on tan paper — Cover for 'La Aurora del Nuevo Dia en los Campos de Belen', villagers holding shepherd's hooks and walking in the countryside
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1891

Cover for "Los Chascos de Bato y Bras o una Eccena Divertida", José Guadalupe Posada Mexican, Type-metal engraving and letterpress printed on orange paper — Cover for "Los Chascos de Bato y Bras o una Eccena Divertida"
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1891

The brave cinematographer skeleton, José Guadalupe Posada Mexican, Zincograph and letterpress on orange paper (printed off-centre on sheet) — The brave cinematographer skeleton
José Guadalupe Posada
Antonio Vanegas Arroyo
1906

An old female vendor talking to a group of gentlemen, illustration for 'Los Cendarmes,' edited by Antonio Vanegas Arroyo, José Guadalupe Posada Mexican, Type-metal engraving — An old female vendor talking to a group of gentlemen, illustration for 'Los Cendarmes,' edited by Antonio Vanegas Arroyo
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

Broadsheet relating to the execution of Florencio Morales and Bernardo Mora who assassinated ex-President Barillas of Guatemala, a description in the bottom section, José Guadalupe Posada Mexican, Photorelief and letterpress on tan paper — Broadsheet relating to the execution of Florencio Morales and Bernardo Mora who assassinated ex-President Barillas of Guatemala, a description in the bottom section
José Guadalupe Posada
Antonio Vanegas Arroyo
1902

Front and back covers of a phamplet relating to the story 'The thieves and the National Valley' with illustration of Indigenous men and women being herded by men in military uniforms towards a train, on the verso 'Dance of the Snake' and a corrido, José Guadalupe Posada Mexican, Zincograph and letterpress on green paper — Front and back covers of a phamplet relating to the story 'The thieves and the National Valley' with illustration of Indigenous men and women being herded by men in military uniforms towards a train, on the verso 'Dance of the Snake' and a corrido
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1899

A skeleton with her back turned wearing a coat and hat, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo., José Guadalupe Posada Mexican, Type-metal engraving (reproduction) — A skeleton with her back turned wearing a coat and hat, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1892

A skeleton in a torero costume turning away from a kneeling skeleton in a shawl and dress, from the broadside "El gran panteón amoroso", José Guadalupe Posada Mexican, Type-metal engraving — A skeleton in a torero costume turning away from a kneeling skeleton in a shawl and dress, from the broadside "El gran panteón amoroso"
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1894

Broadsheet relating to the new clock installed in the cathedral in Mexico City in June 1905, José Guadalupe Posada Mexican, Zincograph and letterpress on tan paper — Broadsheet relating to the new clock installed in the cathedral in Mexico City in June 1905
José Guadalupe Posada
Antonio Vanegas Arroyo
1905

Broadside with a song honoring General Zaragoza and soldiers who died during a battle on May 5, portrait of the general, José Guadalupe Posada Mexican, Type-metal engraving, Zincograph and letterpress on tan paper — Broadside with a song honoring General Zaragoza and soldiers who died during a battle on May 5, portrait of the general
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1900–1913

Skeletons (calaveras) dancing and drinking, relating to the coquettish waitress, corrido in bottom section, José Guadalupe Posada Mexican, Type-metal engraving, zincograph and letterpress on tan paper — Skeletons (calaveras) dancing and drinking, relating to the coquettish waitress, corrido in bottom section
José Guadalupe Posada
Antonio Vanegas Arroyo
Ca. 1892

Broadsheet relating to the sensational story of a jealous man named Ramón Palma, who required extreme measures from his female lovers to demonstrate their loyalty to him, José Guadalupe Posada Mexican, Type-metal engraving and letterpress on tan paper — Broadsheet relating to the sensational story of a jealous man named Ramón Palma, who required extreme measures from his female lovers to demonstrate their loyalty to him
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1891

Broadsheet relating to the sensational story of a woman who was worse than wild animals, and a girl with clothing sewn to her body, José Guadalupe Posada Mexican, Zincograph and letterpress on tan paper — Broadsheet relating to the sensational story of a woman who was worse than wild animals, and a girl with clothing sewn to her body
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1902

A print shop with a printer handing something to a gentleman, from the broadside 'Imprenta de A. Vanegas Arroyo', José Guadalupe Posada Mexican, Zincograph — A print shop with a printer handing something to a gentleman, from the broadside 'Imprenta de A. Vanegas Arroyo'
Multiple artists/makers
ca. 1898 (a later impression)

A profile of a skeleton with a tophat, a coat, and glasses, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo.

José Guadalupe Posada

ca. 1892

A skeleton in farming clothes speaking to a skeleton in a dress, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo., José Guadalupe Posada Mexican, Type-metal engraving — A skeleton in farming clothes speaking to a skeleton in a dress, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1892

Broadsheet relating to the American Mosquito, José Guadalupe Posada Mexican, Type-metal engraving and letterpress on tan paper — Broadsheet relating to the American Mosquito
José Guadalupe Posada
Antonio Vanegas Arroyo
1903

A couple dancing while a band plays music in the background, illustration for 'La Tipica,' published by Antonio Vanegas Arroyo, José Guadalupe Posada Mexican, Type-metal engraving — A couple dancing while a band plays music in the background, illustration for 'La Tipica,' published by Antonio Vanegas Arroyo
José Guadalupe Posada
José Sanchez
1894 (a later impression)

Broadsheet relating to the elegant and pretentious skeletons that become decayed and fetid, J. Cortés Mexican, Zincograph and letterpress on purple paper — Broadsheet relating to the elegant and pretentious skeletons that become decayed and fetid
J. Cortés
Antonio Vanegas Arroyo
ca. 1900–1910

Two advertisments printed on the same sheet for materials published by Vanegas Arroyo, the one at left has verses to accompany breaking a piñata and at right, concerning religious pilgrims with an image of the Nativity, José Guadalupe Posada Mexican, Zincograph and letterpress on tan paper — Two advertisments printed on the same sheet for materials published by Vanegas Arroyo, the one at left has verses to accompany breaking a piñata and at right, concerning religious pilgrims with an image of the Nativity
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1900–1910

Two advertisments printed on the same sheet for materials published by Vanegas Arroyo, the one at left has verses to accompany breaking a piñata and at right, concerning religious pilgrims with an image of the Holy Family on the Flight into Egypt, José Guadalupe Posada Mexican, Zincograph and letterpress on blue paper — Two advertisments printed on the same sheet for materials published by Vanegas Arroyo, the one at left has verses to accompany breaking a piñata and at right, concerning religious pilgrims with an image of the Holy Family on the Flight into Egypt
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1900–10

Broadsheet relating to a young girl who was beheaded in April 16, 1902, José Guadalupe Posada Mexican, Zincography and letterpress on tan paper — Broadsheet relating to a young girl who was beheaded in April 16, 1902
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1902

Broadsheet relating to the triumphal march of Francisco Madero, José Guadalupe Posada Mexican, Zincograph and letterpress — Broadsheet relating to the triumphal march of Francisco Madero
José Guadalupe Posada
Antonio Vanegas Arroyo
ca. 1911