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20 results for Antonio Pollaiuolo
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Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo  Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Antonio Pollaiuolo
early to mid 1480s
Saint John the Baptist, Antonio Pollaiuolo  Italian, Partly enameled gold set with diamonds and pearls, Italian, Florence
Possibly Antonio Pollaiuolo
probably ca. 1460–80
Runner, Antonio Pollaiuolo  Italian, Embroidered net, Italian
Designer Adapted from a design by Antonio Pollaiuolo
19th century
Hercules (?), Antonio Pollaiuolo  Italian, Bronze, Italian, Florence
School of Antonio Pollaiuolo
last quarter 15th century
Battle of the Nude Men, Antonio Pollaiuolo  Italian, Engraving
Antonio Pollaiuolo
ca. 1470–90
Antonio Pollaiuolo
15th century
Battle of Hercules and the Giants, Anonymous, Italian, 15th century  Italian, Engraving; first state
Anonymous, Italian, 15th century
After Antonio Pollaiuolo
15th century
Anonymous, Italian, Florentine, 15th century
After Antonio Pollaiuolo
ca. 1480
A Seated Saint Reading from a Book, Francesco Botticini (Francesco di Giovanni)  Italian, Brush and brown ink, brown wash, heightened with white (partly oxidized); horizontal lines in black chalk (?); pricked for transfer; outlines reinforced in brown ink, perhaps in the 15th or early 16th century.
Attributed to Francesco Botticini (Francesco di Giovanni)
late 15th century
Portrait of a Woman, Piero del Pollaiuolo (Piero di Jacopo Benci)  Italian, Tempera on wood
Piero del Pollaiuolo (Piero di Jacopo Benci)
ca. 1480
The Martyrdom of Saint Sebastian, with three archers, Anonymous, Italian, Florentine, 15th century  Italian, Engraving
Anonymous, Italian, Florentine, 15th century
ca. 1480–90
Engraver Samuel Arlent Edwards
After Antonio Pollaiuolo
Formerly said to be after Piero della Francesca
1908 (?)
Angel (one of a pair), Bronze, fire-gilt, Italian, probably Florence
Italian, probably Florence
late 15th century
Angel (one of a pair), Bronze, fire-gilt, Italian, probably Florence
Italian, probably Florence
late 15th century
Hercules and Antaeus, Bronze, Northern Italian
Northern Italian
composition 17th century or later
Design for a Freestanding Tomb Seen in Elevation and Plan, Antonio da Sangallo, the Younger  Italian, Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements
Antonio da Sangallo, the Younger
1530–35