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1-42 of 286 results for Antonio da Sancha
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Arte Nueva de Escribir
Author Written and designed by Francisco Javier de Santiago y Palomares
Publisher Published by Antonio da Sancha
Engraver Engraved by Francisco Asensio y Mejorada
1776
Knife (one of a set), Antonio Gentili (Antonio da Faenza) Italian, Silver, gold, Italian, Rome
Knife (one of a set)
Antonio Gentili (Antonio da Faenza)
late 16th century
Spoon (one of a set), Antonio Gentili (Antonio da Faenza) Italian, Silver, Italian, Rome
Spoon (one of a set)
Attributed to Antonio Gentili (Antonio da Faenza)
late 16th century
Fork (one of a set), Antonio Gentili (Antonio da Faenza) Italian, Silver, Unknown
Fork (one of a set)
Style of Antonio Gentili (Antonio da Faenza)
probably 19th or early 20th century
Drawing (design for fork and spoon), Antonio Gentili (Antonio da Faenza) Italian, Ink on paper, Italian, Rome
Drawing (design for fork and spoon)
Antonio Gentili (Antonio da Faenza)
Stefano della Bella
ca. 1580
Simone Michieli, Canon of Verona (1498–1535), Fra Antonio da Brescia, Bronze, olive-brown patina, cast, Northern Italian
Simone Michieli, Canon of Verona (1498–1535)
Medalist: Fra Antonio da Brescia
probably ca. 1515–25
Hercules I (d'Este), Second Duke of Ferrara (1431–1505), Giovanni Antonio da Foligno Italian, Bronze, Italian
Hercules I (d'Este), Second Duke of Ferrara (1431–1505)
Giovanni Antonio da Foligno
late 15th century
Portrait medal of Niccolò Michiel (obverse); Alidea Contarini (reverse), Fra Antonio da Brescia, Gilt bronze, Italian, Venice
Portrait medal of Niccolò Michiel (obverse); Alidea Contarini (reverse)
Fra Antonio da Brescia
ca. 1500
Medal: Girolamo Savorgnan or Savorniano, Fra Antonio da Brescia, Bronze, Italian, Venice
Medal: Girolamo Savorgnan or Savorniano
Fra Antonio da Brescia
model before 1514 (cast 19th century)
Banquet of the Gods, Guglielmo della Porta Italian, Gold, lapis lazuli, carnelian, Italian, Rome
Banquet of the Gods
Designer Guglielmo della Porta
Probably cast by Antonio Gentili (Antonio da Faenza)
after 1585
Design for the Basilica of St. Peter's in the Vatican, from "Speculum Romanae Magnificentiae", Antonio da Labacco Italian, Engraving
Design for the Basilica of St. Peter's in the Vatican, from "Speculum Romanae Magnificentiae"
After Antonio da Labacco
After Antonio da Sangallo, the Younger
Publisher Antonio Salamanca
16th century
Design for the Basilica of St. Peter's in the Vatican, from "Speculum Romanae Magnificentiae", Antonio da Labacco Italian, Engraving
Design for the Basilica of St. Peter's in the Vatican, from "Speculum Romanae Magnificentiae"
After Antonio da Labacco
After Antonio da Sangallo, the Younger
Publisher Antonio Salamanca
1514
Antonio da Sangallo's project for St. Peters, plan of the façade extended to the left with a tower, Antonio da Labacco Italian, Engraving
Antonio da Sangallo's project for St. Peters, plan of the façade extended to the left with a tower
After Antonio da Labacco
Publisher Antonio Salamanca
1540–49
Sleeping Amor, Pseudo Francesco Antonio da Brescia, Bronze, Northern Italian
Sleeping Amor
Pseudo Francesco Antonio da Brescia
ca. 1500
Apollo and the Serpent Python, Pseudo Francesco Antonio da Brescia, Bronze, Italian, Brescia
Apollo and the Serpent Python
Pseudo Francesco Antonio da Brescia
16th century
Santa Francesca Romana Clothed by the Virgin, Antonio da Viterbo the Elder Italian, Tempera on wood, gold ground
Santa Francesca Romana Clothed by the Virgin
Attributed to Antonio da Viterbo the Elder
ca. 1445
Santa Francesca Romana Holding the Christ Child, Antonio da Viterbo the Elder Italian, Tempera on wood, gold ground, inscriptions on parchment laid down on wood
Santa Francesca Romana Holding the Christ Child
Attributed to Antonio da Viterbo the Elder
ca. 1445
St. Peter's, from "Speculum Romanae Magnificentiae", Antonio da Sangallo, the Younger Italian, Engraving
St. Peter's, from "Speculum Romanae Magnificentiae"
After Antonio da Sangallo, the Younger
After Antonio da Labacco
Publisher Antonio Salamanca
1547
Plan of St. Peter's, from "Speculum Romanae Magnificentiae", Antonio da Sangallo, the Younger Italian, Engraving
Plan of St. Peter's, from "Speculum Romanae Magnificentiae"
After Antonio da Sangallo, the Younger
After Antonio da Labacco
Publisher Antonio Salamanca
1549
A Satyr Holding a Violin, from Twelve Ornamental Panels, Giovanni Antonio da Brescia Italian, Engraving
A Satyr Holding a Violin, from Twelve Ornamental Panels
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
A Nereid and Two Children Playing Musical Instruments, from Twelve Ornamental Panels, Giovanni Antonio da Brescia Italian, Engraving
A Nereid and Two Children Playing Musical Instruments, from Twelve Ornamental Panels
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
A Triton and Two Infant Satyrs, from Twelve Ornamental Panels, Giovanni Antonio da Brescia Italian, Engraving
A Triton and Two Infant Satyrs, from Twelve Ornamental Panels
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grostesque with two children wearing helmets, from a series of twelve candelabra grotesques, Giovanni Antonio da Brescia Italian, Engraving
Candelabra grostesque with two children wearing helmets, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grotesque with four children with a cat and a dog, from a series of twelve candelabra grotesques, Giovanni Antonio da Brescia Italian, Engraving
Candelabra grotesque with four children with a cat and a dog, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grotesque with four children playing, from a series of twelve candelabra grotesques, Giovanni Antonio da Brescia Italian, Engraving
Candelabra grotesque with four children playing, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Head of an old man, Giovanni Antonio da Brescia Italian, Engraving
Head of an old man
Giovanni Antonio da Brescia
After Leonardo da Vinci
Formerly attributed to Andrea Mantegna
ca. 1490–1525
Man seated viewed from behind (Narcissus), Antonio da Trento Italian, Chiaroscuro woodcut printed from two blocks in brown
Man seated viewed from behind (Narcissus)
Antonio da Trento
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30
A seated man viewed from behind (Narcissus), Antonio da Trento Italian, Chiaroscuro woodcut from two blocks in dark green
A seated man viewed from behind (Narcissus)
Antonio da Trento
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30
Young Saint John the Baptist in the desert, a lamb at his side, Antonio da Trento Italian, Chiaroscuro woodcut printed from two blocks in brown ink; third state of three
Young Saint John the Baptist in the desert, a lamb at his side
Antonio da Trento
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30
Saint Andrew standing in profile holding a large cross, from "Twelve Apostles", Antonio da Trento Italian, Chiaroscuro woodcut from two blocks in brown
Saint Andrew standing in profile holding a large cross, from "Twelve Apostles"
Attributed to Antonio da Trento
or Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–50
Saint John the Baptist in the desert, a lamb by his side, Antonio da Trento Italian, Chiaroscuro woodcut from two blocks in green; third state of three
Saint John the Baptist in the desert, a lamb by his side
Antonio da Trento
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30
Left Third of a Martyrdom of Saint Peter and Saint Paul, Antonio da Trento Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of chalk
Left Third of a Martyrdom of Saint Peter and Saint Paul
After Antonio da Trento
After Parmigianino (Girolamo Francesco Maria Mazzola)
1508–ca. 1550
Libro d'Antonio Labacco appartenente a l'architettura nel qual si figurarano alcune notabili antiquita di Roma ..., Antonio da Labacco Italian, Book of engraved plates, some typeset text with historiated woodcut initials.
Libro d'Antonio Labacco appartenente a l'architettura nel qual si figurarano alcune notabili antiquita di Roma ...
Author Antonio da Labacco
Illustrator Frontispiece designed by Francesco Salviati (Francesco de' Rossi)
1552 (1558?)
Still Life with Grapes and a Bird, Antonio Leonelli (Antonio da Crevalcore) Italian, Oil on canvas
On loan to The Met
Still Life with Grapes and a Bird
Antonio Leonelli (Antonio da Crevalcore)
ca. 1500–1510
Historia de la Conquista de Mexico...
Author Written by Antonio de Solis
Publisher Published by de Sancha
1783
Ignorance and Mercury (an allegory of Virtue and Vice), Mercury kneeling at right holding a staff and taking the hand of a man who emerges from a pile of naked bodies, at left a tree with the torso and head of a woman (Daphne), Giovanni Antonio da Brescia Italian, Engraving
Ignorance and Mercury (an allegory of Virtue and Vice), Mercury kneeling at right holding a staff and taking the hand of a man who emerges from a pile of naked bodies, at left a tree with the torso and head of a woman (Daphne)
Giovanni Antonio da Brescia
ca. 1490–1525
Joseph's cup found in Benjamin's sack from the biblical story of Joseph (Genesis 44); a scene with soldiers, mules and various figures, Giovanni Antonio da Brescia Italian, Engraving
Joseph's cup found in Benjamin's sack from the biblical story of Joseph (Genesis 44); a scene with soldiers, mules and various figures
Giovanni Antonio da Brescia
After Baldassarre Tommaso Peruzzi
ca. 1520–25
Two female figures seated in the clouds flanking an angel and another flying above carrying a banderole, Giovanni Antonio da Brescia Italian, Engraving
Two female figures seated in the clouds flanking an angel and another flying above carrying a banderole
Giovanni Antonio da Brescia
After Raphael (Raffaello Sanzio or Santi)
ca. 1510–25
The Flagellation of Christ who is tied to a column at center set within an arcade, Giovanni Antonio da Brescia Italian, Engraving
The Flagellation of Christ who is tied to a column at center set within an arcade
Giovanni Antonio da Brescia
1509
The Triumph of Caesar: the senators, Giovanni Antonio da Brescia Italian, Engraving
The Triumph of Caesar: the senators
Attributed by Bartsch to Giovanni Antonio da Brescia
After Andrea Mantegna
1470–1525
Cupid riding a goat accompanied by two satyrs, landscape in the background, Giovanni Pietro da Birago Italian, Engraving
Cupid riding a goat accompanied by two satyrs, landscape in the background
Circle of Giovanni Pietro da Birago
Possibly by Giovanni Antonio da Brescia
ca. 1500–1505
Crucifix, Tempera on wood, gold ground
Crucifix
Attributed to Giovanni Antonio da Pesaro
ca. 1450