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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
More than 10,000 results for Antonio de Torres
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Pintura Constructiva, Joaquín Torres-García  Uruguayan, Oil on canvas
Joaquín Torres-García
1931
Raison et nature : théorie, Joaquín Torres-García  Uruguayan
Joaquín Torres-García
1932
Removedor, Joaquín Torres-García  Uruguayan
Joaquín Torres-García
Guido Castillo
1944–53
Mask (Buk, Krar, or Kara), Turtle shell, wood, cassowary feathers, fiber, resin, shell, paint, Torres Strait Islander
Torres Strait Islander
mid to late 19th century
Assumption of the Virgin (La Asunción de la Virgen), Antonio de Torres  Mexican, Oil on canvas (Óleo sobre lienzo), Mexican
On loan to The Met
Antonio de Torres
1719
The Elevation of the Cross (Elevación de la cruz), Antonio de Torres  Mexican, Oil on canvas (Óleo sobre lienzo), Mexican
Antonio de Torres
1718
Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo  Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Antonio Pollaiuolo
early to mid 1480s
Perseus with the Head of Medusa, Antonio Canova  Italian, Marble, Italian, Rome
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6
Madonna and Child with Angels, Antonio Rossellino  Italian, Marble with gilt details on halo and dress, Italian, Florence
Antonio Rossellino
ca. 1455–60
"Antonius" Violin, Antonio Stradivari  Italian, Maple, spruce, ebony, Italian (Cremona)
Antonio Stradivari
1711
"Francesca" Violin, Antonio Stradivari  Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona)
Antonio Stradivari
1694
"Gould" Violin, Antonio Stradivari  Italian, Maple, spruce, ebony, Italian (Cremona)
Antonio Stradivari
1693
Partial Nude Resting on Green Drapery, Horacio Torres  Uruguayan, Oil on linen
Horacio Torres
1972
José, Rigoberto Torres  American, born Puerto Rico, Painted cast plaster and gems
Rigoberto Torres
1982–83
Briefs, Ruben Torres  American, Lycra, French
Ruben Torres
1967
Suit, Ruben Torres  American, wool, Lycra, French
Ruben Torres
1967
Piazza San Marco, Canaletto (Giovanni Antonio Canal)  Italian, Oil on canvas
Canaletto (Giovanni Antonio Canal)
late 1720s
Figure of a Man, Joaquín Torres-García  Uruguayan, Oil on wood
Joaquín Torres-García
1930
"Untitled" (Album), Felix Gonzalez-Torres  American, born Cuba, Blind stamped leather album with interleaved paper pages bound with ribbons, paper, paper envelopes with ink stamps, stamps and pen, chromogenic prints with ink inscriptions on verso, photo mechanical prints on paperboard, newspaper and commercially printed paper with ink
Felix Gonzalez-Torres
Edition Julie Sylvester
1992
[No Title], Felix Gonzalez-Torres  American, born Cuba, Instant diffusion transfer print (Polaroid)
Felix Gonzalez-Torres
1985
Constructivo con objectos, Joaquín Torres-García  Uruguayan, Oil on paperboard, mounted on plywood
Joaquín Torres-García
1936
Mask (Mawa), Wood, paint, shells, cloth, wool, fiber, Torres Strait Islander
Torres Strait Islander
mid-19th–early 20th century
Charles II of Spain on Horseback, Matías de Torres  Spanish, Pen and brown ink with brush and brown wash over slight traces of black chalk underdrawing.  Corners cut off, composition outlined in hexagonal form with pen and brown ink.  Contours of the seated figure and the saddle pricked. Lined
Matías de Torres
Claudio Coello
late 17th century
Bottle, Antonio Salviati  Italian, Colorless (slightly gray) and opaque white nonlead glass; pewter mount. Blown, "vetro a fili", trailed.
Antonio Salviati
late 19th century
Vase, Antonio Salviati  Italian, Opalescent bluish white and marbled multicolored brownish nonlead glass (strong brownish marbling on the exterior, faint bluish marbling on the interior). Blown, trailed.
Antonio Salviati
late 19th century
Covered sweetmeat dish, Antonio Salviati  Italian, Topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili".
Antonio Salviati
probably late 19th century
Cruet and Stopper, Antonio Salviati  Italian, Transparent topaz-tinted and dark amethyst nonlead glass. Blown, pattern molded, trailed, applied and impressed parts.
Antonio Salviati
late 19th century
Footed vessel (saltcellar?), Antonio Salviati  Italian, Topaz-tinted nonlead glass. Blown, pattern molded, applied and impressed parts, gilt.
Antonio Salviati
late 19th century
Vase, Antonio Salviati  Italian, Transparent topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili", trailed.
Antonio Salviati
probably late 19th century
Footed vase, Antonio Salviati  Italian, Colorless, opaque turquoise blue, copper flecked (goldstone or aventurine), and opalescent white nonlead glass. Blown, mold blown, trailed, "vetro a retorti", gilt.
Antonio Salviati
late 19th–early 20th century
Vase, Antonio Prieto  American, born Spain, Stoneware, American
Antonio Prieto
ca. 1950–55
Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808), Antonio Guisasola  Spanish, Steel, gold, silver, wood (walnut), Spanish, Eibar
Antonio Guisasola
Juan Navaro
dated 1796
Cupid and Psyche, Antonio Canova  Italian, Plaster, Italian, Rome
Antonio Canova
1794
Saint John the Baptist, Antonio Pollaiuolo  Italian, Partly enameled gold set with diamonds and pearls, Italian, Florence
Antonio Pollaiuolo
probably ca. 1460–80
Accellino di Meliaduce Salvago (ca. 1420–before 1506), Antonio Tamagnini  Italian, Marble, Italian, Genoa
Antonio Tamagnini
late 15th century
Reclining Naiad, Antonio Canova , and his studio Italian, Carrara marble, Italian, Rome
Antonio Canova
John Bligh, 4th Earl of Darnley
1819–24
Saint John, Antonio Susini  Italian, Bronze, Italian, Florence
Antonio Susini
Giambologna
1596
Saint Matthew, Antonio Susini  Italian, Bronze, Italian, Florence
Antonio Susini
Giambologna
1596
Madonna and Child with Angels, Antonio Rossellino  Italian, Painted and gilt stucco; wood frame (not original to relief), Italian, Florence
Antonio Rossellino
third quarter 15th century
The risen Christ, Antonio Susini  Italian, Bronze, Italian, Florence
Antonio Susini
Giambologna
1596