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    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 96 results for Aquilin Schad
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[Portrait in a White Dress], Pierre-Louis Pierson French, Salted paper print from glass negative with applied color
[Portrait in a White Dress]
Multiple artists/makers
1856–57, printed 1861–66
La Frayeur, Pierre-Louis Pierson French, Salted paper print from glass negative with applied color
La Frayeur
Multiple artists/makers
1861–64
Schadograph 27 (Jeudi IV), Christian Schad German, Gelatin silver print
Schadograph 27 (Jeudi IV)
Christian Schad
1919, printed 1919
Transmission Ischiatique, Christian Schad German, Gelatin silver print
Transmission Ischiatique
Christian Schad
1919, printed 1919
Kneeling Virgin, Paolo Aquilano (Sculptor of the Berlin Enthroned Virgin?) Italian, Willow with paint and gilding, Italian
Kneeling Virgin
Paolo Aquilano
ca. 1475–1500
Design for a landscape window
Rene de Quélin
1892–93
Designs for three leaded glass windows
Rene de Quélin
1905–10
Design for Palm Room, E.P. Bryan residence, Los Angeles, California
Rene de Quélin
1905–10
Design for proposed gold enameled bronze glass casket for remains of Cristopher Columbus
Multiple artists/makers
1926
Saint Francis of Assisi, Antoniazzo Romano (Antonio di Benedetto Aquilio) Italian, Tempera and gold on wood, transferred to wood
Saint Francis of Assisi
Antoniazzo Romano (Antonio di Benedetto Aquilio)
ca. 1480–81
Madonna and Child, Antoniazzo Romano (Antonio di Benedetto Aquilio) Italian, Tempera on wood, gold ground
Madonna and Child
Antoniazzo Romano (Antonio di Benedetto Aquilio)
The Nativity, Antoniazzo Romano (Antonio di Benedetto Aquilio) Italian, Tempera on wood
The Nativity
Antoniazzo Romano (Antonio di Benedetto Aquilio)
1480s
Small Flowers and Skipper: Page from The Mustard Seed Garden Manual of Painting (Jieziyuan huazhuan)
Wu Qiulin
1782, 2nd edition
Design for a private chapel, Long Island, New York
Multiple artists/makers
1894–1904
Annibale Carracci Introduces Painting to Apollo and Minerva, Pietro Aquila Italian, Etching and engraving
Annibale Carracci Introduces Painting to Apollo and Minerva
Multiple artists/makers
1674
The meeting of Diogenes of Sinope and Alexander the Great, Quirin Mark Austrian, Engraving; first state of two (undescribed)
The meeting of Diogenes of Sinope and Alexander the Great
Quirin Mark
Peter Paul Rubens
1784
Sleeping Venus with Cupid in her lap, Quirin Mark Austrian, Engraving
Sleeping Venus with Cupid in her lap
Quirin Mark
Marcantonio Franceschini
1783
The meeting of Diogenes of Sinope and Alexander the Great, Quirin Mark Austrian, Engraving
The meeting of Diogenes of Sinope and Alexander the Great
Quirin Mark
Peter Paul Rubens
1784
Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center, Pietro Aquila Italian, Etching
Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center
Multiple artists/makers
1675
Equestrian Statue of Constantine the Great, Francesco Faraone Aquila Italian, Etching
Equestrian Statue of Constantine the Great
Francesco Faraone Aquila
Gian Lorenzo Bernini
1690–1740
Portrait of Queen Christina of Sweden framed by a wreath, an elaborate cartouche below flanked by two lions, title page to "Images from the New Testament after Raphael" (Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis)
Pietro Aquila
Giovanni Giacomo De Rossi
1675
Stucco Work with Hercules on Funeral Pyre and Wrestling Serpent in Cradle
Pietro Aquila
Annibale Carracci
ca. 1670–73
Hercules at the Crossroads
Pietro Aquila
Annibale Carracci
ca. 1670–73
Battle scene depicting the victory of Alexander over Darius
Multiple artists/makers
ca. 1650–92
Plate 14: Four corner-pieces from the ceiling of the Farnese gallery depicting the struggles of Eros and Anteros; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Frontispiece: Dedication to Francesco Maria Phoebeo, Bishop of Tarsus; at center the personification of art painting a portrait of the patron, surrounded by classical gods; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Fictitious funeral monument of Annibale Carracci; portrait of Carracci on a plinth, surrounded by laurel leaves and trumpets; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 8: Detail of a wall from the Farnese gallery; at center, Venus reclining in bed with Cupid and Anchises; in a roundel at left, Salmacis and Hermaphroditus embracing; in roundel to the right, Pan wrestling with Cupid; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 5: Detail of a wall from the Farnese gallery; at center, Juno joining Zeus in bed, a peacock to the side; in a roundel to the left, Apollo slaying Marsyas; in a roundel to the right, Boreas kidnapping Areithya; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 1: Detail of a wall from the Farnese gallery; in central frame, Polyphemus seated on a rock playing the pipes, Galatea approaching at right, in a carriage carried by dolphins; above, a scene with Hyacinthus and Apollo; each scene surrounded by mythological figures and architectural elements; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 6: Galatea being carried off by a sea-creature, surrounded by other figures, putti and sea-monsters; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 3: Hercules bearing the globe of Atlas, flanked by two reclining astronomers; from Imagines Farnesiani Cubiculi Cum ipsarum monocromatibus et ornamentis
Multiple artists/makers
1670–92
Plate 4: Hercules resting, wrapped in the hide of the Nemean lion; to the left is the Erymanthian wild boar, the three-headed dog Cerberus, the hind of Ceryneia, and a harpy seated on a pedestal; from Imagines Farnesiani Cubiculi Cum ipsarum monocromatibus et ornamentis
Multiple artists/makers
1670–92
Plate 49: The adoration of the shepherds, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Multiple artists/makers
1675
Plate 2: Andromeda bound to a rock; Perseus flying above on Pegasus, holding the Gorgon's head; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 19: Detail of a wall of the Farnese gallery; classical statues of Bacchus and Mercury in a nich at lower left and right, above, a scene of Callisto turning into a bear at left and a classical bust of a man at right; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Title page to the series Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 10: Three mythological scenes set inside architectural framework; at left, Leander swimming across Hellespont to Hero; at center, Hercules playing a tambourine with Iole; at right, Pan pursuing Syrinx; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 9: Aurora abducting Cephalus; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 13: Pan offering a bundle of white wool to Diana; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674