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Showing 42 results for Aristotle
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Aristotle with a Bust of Homer, Rembrandt (Rembrandt van Rijn) Dutch, Oil on canvas
Aristotle with a Bust of Homer
Rembrandt (Rembrandt van Rijn)
1653
Aquamanile in the Form of Aristotle and Phyllis, Bronze; Quaternary copper alloy (approx. 72% copper, approx. 17% zinc,<br/>approx. 6% lead, approx. 3% tin)., South Netherlandish
Aquamanile in the Form of Aristotle and Phyllis
South Netherlandish
late 14th or early 15th century
Aristotle Contemplating the Bust of Homer, Albino Manca American, Bronze
Aristotle Contemplating the Bust of Homer
Albino Manca
1962
Aristotle and Phyllis, Hans Burgkmair German, Woodcut; first state of two (Hollstein)
Aristotle and Phyllis
Hans Burgkmair
Phyllis and Aristotle, Johann Sadeler I Netherlandish, Engraving
Phyllis and Aristotle
Johann Sadeler I
Bartholomeus Spranger
16th century
Sphinx Contemplating Aristotle Contemplating Homer
William Pons
ca. 1963
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry, working late fourteenth-early fifteenth century, Ink, colors, and gold on vellum, French (Paris)
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty
Master of the Second Roman de la Rose of the Duke of Berry,
ca. 1400
Box with Romance Scenes, Elephant ivory, French
Box with Romance Scenes
French
ca. 1310–30
Aristotle, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century Italian, Engraving
Aristotle, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553
Marble head of a philosopher, Marble, Pentelic, Roman
Marble head of a philosopher
Roman
1st or 2nd century CE
Cartoon based on Rembrandt's Aristotle
Jimmy Hatlo
King Features Syndicate
1963
Aquamanile in the Form of Samson and the Lion, Bronze; quaternary copper alloy (approx. 78% copper, approx. 10% zinc, approx. 6% tin, approx. 5% lead) with natural patina. Remnants of the iron armature are in the lion’s legs and the figure of Samson., Northern European (?), possibly German

Aquamanile in the Form of Samson and the Lion

Northern European (?), possibly German
ca. 1380–1400
An Evening School, Gerrit Dou Dutch, Oil on wood
An Evening School
Gerrit Dou
ca. 1655–57
Scholar with a Bust of Aristotle
Salomon Gessner
Head of a Bearded Elder, Augustin Pajou French, .1Terracotta on a bleu turquin marble socle, French, probably Paris
Head of a Bearded Elder
Augustin Pajou
1768
Portrait of Jean-Philotée Achillini: seated man playing guitar on hill near tree, landscape with small town in background, Marcantonio Raimondi Italian, Engraving; only state
Portrait of Jean-Philotée Achillini: seated man playing guitar on hill near tree, landscape with small town in background
Marcantonio Raimondi
Francesco Francia
ca. 1500–1534
Old Woman Praying, Matthias Stom Dutch, Oil on canvas
Old Woman Praying
Matthias Stom
late 1630s or early 1640s
I) Epistolarum Centuriae Duae, quarum prior innovata, altera nova
Multiple artists/makers
1591 and 1597
Plate with Wife Beating Husband, Copper alloy, wrought, Netherlandish
Plate with Wife Beating Husband
Netherlandish
ca. 1480
The Triumph of Fame over Death, Wool warp; wool and silk wefts, South Netherlandish
The Triumph of Fame over Death
South Netherlandish
ca. 1500–1530
Sterne and Death: "And When Death Himself Knocked at My Door", Thomas Patch British, Etching
Sterne and Death: "And When Death Himself Knocked at My Door"
Thomas Patch
Laurence Sterne
[1768]
Rothschild lamp, Andrea Briosco, called Riccio Italian, Bronze, on a later wood base, Italian, Padua
Rothschild lamp
Andrea Briosco, called Riccio
ca. 1510–20
The School of Athens: Plato and Aristotle in a classical architectural setting surrounded by a number of philosophers from antiquity. After the fresco in the Stanza della Segnatura in the Vatican Palace
Multiple artists/makers
1550
De humani corporis fabrica (Of the Structure of the Human Body), Andreas Vesalius Flemish, Woodcut
De humani corporis fabrica (Of the Structure of the Human Body)
Multiple artists/makers
1555
American Gothic, Benny Andrews American, Oil, cut and pasted burlap, canvas, and fabric on canvas
American Gothic
Benny Andrews
1971
Oil lamp in the form of a dwarf on a donkey’s head, Andrea Briosco, called Riccio Italian, Bronze, Northern Italian
Oil lamp in the form of a dwarf on a donkey’s head
Andrea Briosco, called Riccio
mid-16th century
Cupboard (Beeldenkast), Oak, Dutch, Amsterdam
Cupboard (Beeldenkast)
Dutch, Amsterdam
1622
Fragmentary marble grave stele of a hoplite (foot soldier), Aristokles, Marble, Greek, Attic
Fragmentary marble grave stele of a hoplite (foot soldier)
Aristokles
ca. 510 BCE
Seated satyr with silvered eyes, Andrea Briosco, called Riccio Italian, Bronze, silver inlay (eyes), Italian, Padua
Seated satyr with silvered eyes
Andrea Briosco, called Riccio
second quarter of the 16th century
Pope Paul II
Aristotile di Fioravanti
15th century
Marble stele (grave marker) of a woman, Marble, Greek, Attic
Marble stele (grave marker) of a woman
Greek, Attic
mid-4th century BCE
Portrait of Félix Ravaisson, Théodore Chassériau French, Graphite on white wove paper darkened to buff
Portrait of Félix Ravaisson
Théodore Chassériau
1846
Sambar Deer (Aristoteles Hert), Samuel Jessurun de Mesquita Dutch, Woodcut
Sambar Deer (Aristoteles Hert)
Samuel Jessurun de Mesquita
1928
Inscribed marble statue base, Marble, grey, Greek, Cypriot
Inscribed marble statue base
Greek, Cypriot
ca. 270–250 BCE
Aristoteles and Phyllis
Pieter de Jode I
Gillis Coignet
Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a Roman Basilica in Ruins (? the Basilica Giulia, inspired by Giuliano da Sangallo)., Sangallo family Italian, Pen and dark brown ink
Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a Roman Basilica in Ruins (? the Basilica Giulia, inspired by Giuliano da Sangallo).
Sangallo family
Marcus Pollio Vitruvius
1530–45
Imperial Double Eagle with the Coat of Arms of Ingolstadt, Freiburg, and Tübingen, from Joan. Eckii Theologi in summulas Petri Hispani extemporaria et succincta atque succosa explanatio p[ro] sup[er] ioris Germaniae scholasticis, Hans Burgkmair German, Woodcut
Imperial Double Eagle with the Coat of Arms of Ingolstadt, Freiburg, and Tübingen, from Joan. Eckii Theologi in summulas Petri Hispani extemporaria et succincta atque succosa explanatio p[ro] sup[er] ioris Germaniae scholasticis
Multiple artists/makers
1516
Recto: The Port City of Alexandria (? Allusion to Dinocrates's Building of Alexandria, Vitruvius, Book 2, introduction, no. 1); Verso: Fragmentary Writing ("Libro Primo...")., Sangallo family Italian, Pen and dark brown ink
Recto: The Port City of Alexandria (? Allusion to Dinocrates's Building of Alexandria, Vitruvius, Book 2, introduction, no. 1); Verso: Fragmentary Writing ("Libro Primo...").
Sangallo family
Marcus Pollio Vitruvius
1530–45
Apulegio volgare, diuiso in undeci libri, novamente stampato & in molti lochi aggiontoui che nella prima impressione gli manchaua, & de molte più figure adornato, Lucius Madaurensis Apuleius Algerian, Printed book with woodcut illustrations
Apulegio volgare, diuiso in undeci libri, novamente stampato & in molti lochi aggiontoui che nella prima impressione gli manchaua, & de molte più figure adornato
Multiple artists/makers
September 3, 1519
Recto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3); Verso: Temple Types: Peripteral (Vitruvius, Book 3, Chapter 2, no. 5)., Sangallo family Italian, Pen and dark brown ink
Recto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3); Verso: Temple Types: Peripteral (Vitruvius, Book 3, Chapter 2, no. 5).
Sangallo family
Marcus Pollio Vitruvius
1530–45