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Showing 2,238 results for Arturo García Bustos
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Plate 3: an indentured slave (peon acasillado) cutting maize, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut
Plate 3: an indentured slave (peon acasillado) cutting maize, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947
Plate 4: disgruntled campesinos being exectued by firing squad, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut
Plate 4: disgruntled campesinos being exectued by firing squad, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947
Plate 62: the result of a pastoral ministry, the Cristero uprising, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut
Plate 62: the result of a pastoral ministry, the Cristero uprising, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947
Plate 66: portrait of the agrarian reform leader José Guadalupe Rodríguez on a banner after his assasination, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut
Plate 66: portrait of the agrarian reform leader José Guadalupe Rodríguez on a banner after his assasination, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947
Plate 81: The synarchists, scene with soldiers relating to the National Synarchist Union, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut
Plate 81: The synarchists, scene with soldiers relating to the National Synarchist Union, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947
Plate 84: the industrialisation of Mexico, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut
Plate 84: the industrialisation of Mexico, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947
Jacinto Canek, Plate 5 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph
Jacinto Canek, Plate 5 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960
Discontended campesinos get their response (El descontento de los campesinos obtiene su respuesta), Plate 49 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph
Discontended campesinos get their response (El descontento de los campesinos obtiene su respuesta), Plate 49 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960
Death of the agrarian leader José Guadalupe Rodríguez (La muerte del agrarista José Guadalupe Rodríguez), Plate 104 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph
Death of the agrarian leader José Guadalupe Rodríguez (La muerte del agrarista José Guadalupe Rodríguez), Plate 104 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960
Sinarquism (El Sinarquismo), Plate 118 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph
Sinarquism (El Sinarquismo), Plate 118 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960
Industrialization of the country (La industrialización del país), Plate 120 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph
Industrialization of the country (La industrialización del país), Plate 120 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960
David Alfaro Siqueiros in Prison, Arturo García Bustos Mexican, Linocut
David Alfaro Siqueiros in Prison
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
ca. 1961
A raised fist supported by workers celebrating May Day, for the newspaper "La Voz de Mexico", Arturo García Bustos Mexican, Lithograph (offset)
A raised fist supported by workers celebrating May Day, for the newspaper "La Voz de Mexico"
Arturo García Bustos
May 1, 1949
Pintura Constructiva, Joaquín Torres-García Uruguayan, Oil on canvas
Pintura Constructiva
Joaquín Torres-García
1931
Removedor, Joaquín Torres-García Uruguayan
Removedor
Joaquín Torres-García
Guido Castillo
1944–53
Raison et nature : théorie, Joaquín Torres-García Uruguayan
Raison et nature : théorie
Joaquín Torres-García
1932
Portfolio of twenty prints published to celebrate the centenary of the birth of Emiliano Zapata
Multiple artists/makers
1979
Coloration of the Grand Canal, Venice, Nicolás García Uriburu Argentine, Chromogenic print
Coloration of the Grand Canal, Venice
Nicolás García Uriburu
1968/1980s
Portfolio (Manifesto), Nicolás García Uriburu Argentine, Six screenprints on paper
Portfolio (Manifesto)
Nicolás García Uriburu
1975
Figure of a Man, Joaquín Torres-García Uruguayan, Oil on wood
Figure of a Man
Joaquín Torres-García
1930
Constructivo con objectos, Joaquín Torres-García Uruguayan, Oil on paperboard, mounted on plywood
Constructivo con objectos
Joaquín Torres-García
1936
Pages 3, 4, 5 and 6 of an eight page broadsheet addressing political subjects taken from the newspaper 'Calaveras aftosas con medias naylon' (Hoof and Mouth Skeletons with Nylon Stockings), José Chávez Morado Mexican, Linocuts and letterpress on buff paper
Pages 3, 4, 5 and 6 of an eight page broadsheet addressing political subjects taken from the newspaper 'Calaveras aftosas con medias naylon' (Hoof and Mouth Skeletons with Nylon Stockings)
Multiple artists/makers
1947
Young Kafka, a Dalai Lama, Arturo Elizondo Mexican, Oil on canvas
Young Kafka, a Dalai Lama
Arturo Elizondo
1995
The World's Great Theater, Arturo Rodriguez American, Oil on canvas
The World's Great Theater
Arturo Rodriguez
1986
Coloration Uriburu
Nicolás García Uriburu
1968
[Mariano Fortuny y Marsal]
José García Ayola
before 1874
Pages 1, 2, 7 and 8 of an eight page broadsheet 'Calaveras aftosas con medias naylon' (Hoof and Mouth Skeletons with Nylon Stockings) addressing imperialism with images of 'calaveras' accompanied by 'corridos' (ballads); on the first page, a calavera cow with foot and mouth disease in nylon stockings refering to the contamination of milk
Multiple artists/makers
1947
Christ on the Cross, an angel below, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Juan Manuel García Mexican, Woodcut
Christ on the Cross, an angel below, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Juan Manuel García
ca. 1924
A man sitting in a doorway sheltered by an awning selling fruit from baskets, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Juan Manuel García Mexican, Woodcut
A man sitting in a doorway sheltered by an awning selling fruit from baskets, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Juan Manuel García
ca. 1924
Figures praying by a cemetary or roadside shrine, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Juan Manuel García Mexican, Woodcut
Figures praying by a cemetary or roadside shrine, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Juan Manuel García
ca. 1924
Studies of three skeleton, from the 'Principios para estudiar el Nobilísimo y Real arte de la Pintura' (Madrid 1693), José García Hidalgo Spanish, Etching
Studies of three skeleton, from the 'Principios para estudiar el Nobilísimo y Real arte de la Pintura' (Madrid 1693)
José García Hidalgo
ca. 1693
Study from behind of a naked man playing a cello, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura", José García Hidalgo Spanish, Etching
Study from behind of a naked man playing a cello, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura"
José García Hidalgo
ca. 1693
Study of a naked man playing a vihuela, a child holding a sheet of music at the left, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura", José García Hidalgo Spanish, Etching
Study of a naked man playing a vihuela, a child holding a sheet of music at the left, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura"
José García Hidalgo
ca. 1693
Reims: la cathédrale, Edouard-García Benito Spanish, Illustrations: line block (photomechanical relief print) and pochoir
Reims: la cathédrale
Multiple artists/makers
1918
Four Evils, Eric J. García American, Screenprint
Four Evils
Eric J. García
2018
Chicano Codices #1: Simplified Histories: The U.S. Invasion of Mexico 1846-1848, Eric J. García American, Offset lithograph
Chicano Codices #1: Simplified Histories: The U.S. Invasion of Mexico 1846-1848
Eric J. García
Salsedo Press
2015
Dress, Oscar de la Renta, LLC. American, silk, synthetic
Dress
Multiple artists/makers
fall/winter 2021–22
Conversation when our roads meet / conversación cuando nuestros caminos se encuentran
Multiple artists/makers
2014
[Francisco Domingo]
A. Garcia
1860s
450 años de lucha: Homenaje al pueblo mexicano (450 Years of Struggle: Homage to the Mexican People), Various , Mexican, Offset lithograph
450 años de lucha: Homenaje al pueblo mexicano (450 Years of Struggle: Homage to the Mexican People)
Multiple artists/makers
1960