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1-42 of 85 results for Ashmolean Museum
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Terracotta bridge-spouted jar, Terracotta, Minoan
Terracotta bridge-spouted jar
Minoan
ca. 1900–1600 BCE
Two fragments of a terracotta calyx-krater (bowl for mixing wine and water), Pioneer Group, Terracotta, Greek, Attic
Two fragments of a terracotta calyx-krater (bowl for mixing wine and water)
Attributed to the Pioneer Group
late 6th century BCE
Reproductions of tablets
Source Ashmolean Museum of Art and Archaeology, University of Oxford
Reproduction of a steatite libation table
Source Ashmolean Museum of Art and Archaeology, University of Oxford
Outer Coffin of Tabakenkhonsu, Wood, gesso, paint, stucco
Outer Coffin of Tabakenkhonsu
ca. 680–670 B.C.
The Death of General Wolfe at Quebec (September, 1759), Edward Penny British, Mezzotint, hand colored
The Death of General Wolfe at Quebec (September, 1759)
After Edward Penny
Publisher Robert Sayer and John Bennett
October 10, 1779
Combat of Nude Men, after Raphael, Eugène Delacroix French, Pen and brown ink on tracing paper laid down
Combat of Nude Men, after Raphael
Eugène Delacroix
After Raphael (Raffaello Sanzio or Santi)
ca. 1823
The Villa Loredan, near Treviso, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, touches of white gouache, over black chalk
The Villa Loredan, near Treviso
Francesco Guardi
ca. 1778
Battle Scene with a Prisoner Being Bound, after Raphael, Eugène Delacroix French, Graphite on tracing paper, laid down
Battle Scene with a Prisoner Being Bound, after Raphael
Eugène Delacroix
After Raphael (Raffaello Sanzio or Santi)
ca. 1823
Two Princes of the House of Este: Ernest VI and Francis II, Pirro Ligorio Italian, Pen and brown ink, brush and yellow-brown wash, over black chalk
Two Princes of the House of Este: Ernest VI and Francis II
Pirro Ligorio
1513–83
Calligraphic ‘Alam Finial in the Shape of a Dragon, Brass; cast
On loan to The Met
Calligraphic ‘Alam Finial in the Shape of a Dragon
ca. 1650-1750
Perspective view of the same candelabrum, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi), Giovanni Battista Piranesi Italian, Etching
Perspective view of the same candelabrum, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Giovanni Battista Piranesi
1778–80
Madonna and Child with the Infant Saint John the Baptist; upper left, Study for the Right Arm of the Infant Saint John; upper right, Study for Drapery (recto); Study of a Nude Male Figure (verso), Raphael (Raffaello Sanzio or Santi) Italian, Red chalk (recto); pen and brown ink (verso)
Madonna and Child with the Infant Saint John the Baptist; upper left, Study for the Right Arm of the Infant Saint John; upper right, Study for Drapery (recto); Study of a Nude Male Figure (verso)
Raphael (Raffaello Sanzio or Santi)
ca. 1506–7
Two Princesses, Nina de Garis Davies, Tempera on Paper
Two Princesses
Nina de Garis Davies
ca. 1353–1336 B.C.
Silver bracelets, Silver, Cycladic
On loan to The Met
Silver bracelets
Cycladic
ca. 2700–2400/2300 BCE
Marble vase with lug handles, Marble, Cycladic
On loan to The Met
Marble vase with lug handles
Cycladic
ca. 3200–2700 BCE
View on the Nile near Cairo, Thomas Seddon British, Watercolor over graphite with stopping out, heightened with gouache (bodycolor)
View on the Nile near Cairo
Thomas Seddon
ca. 1855
The Virgin and Child with Saint Anne, Polychromed terracotta, Italian, Florence
The Virgin and Child with Saint Anne
Italian, Florence
early 16th century
Design for a Candelabrum, Edgar George Papworth Sr. British, Pen and ink, brush and gray wash
Design for a Candelabrum
Edgar George Papworth Sr.
ca. 1826–37
The Raising of Lazarus, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
The Raising of Lazarus
Guercino (Giovanni Francesco Barbieri)
ca. 1619
Sketches of a Standing Infant (Study for the Christ Child in the Belle Jardinière) (recto), Sketches Including a Skeleton (verso), Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over leadpoint, on laid paper (recto); pen and brown ink over leadpoint, with red chalk (verso)
On loan to The Met
Sketches of a Standing Infant (Study for the Christ Child in the Belle Jardinière) (recto), Sketches Including a Skeleton (verso)
Raphael (Raffaello Sanzio or Santi)
ca. 1507
Prisoner, Bronze, later fire gilding, Possibly northern Europe
Prisoner
Possibly northern Europe
late 16th–early 17th century
The death of Saint Alexis Falconieri at Monte Senario, Bernardino Poccetti Italian, Pen and brown ink, brush and brown wash, highlighted with white, over red chalk and some charcoal
The death of Saint Alexis Falconieri at Monte Senario
Bernardino Poccetti
1548–1612
Standing Female Figure in Armor Drawing Her Sword (Minerva or Bellona), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, over traces of black chalk
Standing Female Figure in Armor Drawing Her Sword (Minerva or Bellona)
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1535–38
Bust of Christ, Bronze, Italian, Rome
Bust of Christ
Italian, Rome
late 16th century
Pair-case watch, Thomas Tompion British, Outer case: leather with gold studs; inner case and dial: gold with blued-steel hands; movement: gilded brass, partly blued steel, silver, British, London
Pair-case watch
Watchmaker: Thomas Tompion
Case maker: Nathanial Delander I
1682–83
Studies for Saint Catherine and Various Putti, Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over preliminary stylus underdrawing, possibly leadpoint and another metallic medium, on laid paper
On loan to The Met
Studies for Saint Catherine and Various Putti
Raphael (Raffaello Sanzio or Santi)
ca. 1507
Study of Four Standing Men in a Lamentatio (recto), Study of the Body of Christ in a Lamentation (verso), Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over preliminary leadpoint and stylus underdrawing, outlines pricked for transfer of the design, two horizontal axis lines in leadpoint, the lower one partly pricked; recto); pen and brown ink (verso), on paper
On loan to The Met
Study of Four Standing Men in a Lamentatio (recto), Study of the Body of Christ in a Lamentation (verso)
Raphael (Raffaello Sanzio or Santi)
ca. 1507
Figures Carrying the Body of Christ (Study for the Baglioni Altarpiece of the Entombment; The Borghese Entombment), Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over black chalk and stylus underdrawing, red chalk over stylus-incised compass and ruled construction, pricked horizontal and vertical axis lines,, stylus-incised construction, later framing lines in black ink, glued onto a secondary paper support
On loan to The Met
Figures Carrying the Body of Christ (Study for the Baglioni Altarpiece of the Entombment; The Borghese Entombment)
Raphael (Raffaello Sanzio or Santi)
ca. 1506-7
Figural Studies for Minerva and Other Niche Statues in the School of Athens, Stanza de la Segnatura, Raphael (Raffaello Sanzio or Santi) Italian, Metalpoint, highlightes with wuite gouache, pink paper prepared, laid down
On loan to The Met
Figural Studies for Minerva and Other Niche Statues in the School of Athens, Stanza de la Segnatura
Raphael (Raffaello Sanzio or Santi)
ca. 1508-10
Male Nude Figures and an Angel (Composition sketches for the Resurrection oin the Chigi Chapel, Santa Maria della Pace) (recto); A Geometrical Study (verso), Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink,over traces of stylus underdrawing; faint circle bleeding through from the verso (recto); pen and brown ink over geometric indications in compass (verso) on laid paper
On loan to The Met
Male Nude Figures and an Angel (Composition sketches for the Resurrection oin the Chigi Chapel, Santa Maria della Pace) (recto); A Geometrical Study (verso)
Raphael (Raffaello Sanzio or Santi)
ca. 1511-14
Reclining Male Nude with Shield and Sword (Study for a Soldier for the Resurrection, Chigi Chapel, Santa Maria della Pace), Raphael (Raffaello Sanzio or Santi) Italian, Black chalk, laid down
On loan to The Met
Reclining Male Nude with Shield and Sword (Study for a Soldier for the Resurrection, Chigi Chapel, Santa Maria della Pace)
Raphael (Raffaello Sanzio or Santi)
ca. 1511-1514
Mother and Child (Study for the Madonna della Seggiola), Raphael (Raffaello Sanzio or Santi) Italian, Metalpoint, highlighted in white gouache, on paper prepared gray; outlines stylus-incised by a later hand
On loan to The Met
Mother and Child (Study for the Madonna della Seggiola)
Raphael (Raffaello Sanzio or Santi)
ca. 1512-16
Drapery Study of a Standing Figure for the Disputa, Stanza della Segnatura (recto); Figure Studies and a Draft of a Petrarchan Sonnet (verso), Raphael (Raffaello Sanzio or Santi) Italian, Black chalk, charcoal, highlighted with white (recto); Black chalk, pen and black ink (verso)
On loan to The Met
Drapery Study of a Standing Figure for the Disputa, Stanza della Segnatura (recto); Figure Studies and a Draft of a Petrarchan Sonnet (verso)
Raphael (Raffaello Sanzio or Santi)
ca. 1509-11
Sketch for the Figure of Theology in the Vault of the Stanza della Segnatura (recto); Composition Sketches for the Assumption of the Virgin (verso), Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over leadpoint underdrawing; (recto); pen and brown ink (verso), on paper
On loan to The Met
Sketch for the Figure of Theology in the Vault of the Stanza della Segnatura (recto); Composition Sketches for the Assumption of the Virgin (verso)
Raphael (Raffaello Sanzio or Santi)
ca. 1510
The Head of a Horse (Cartoon Fragment for the Expulsion of Heliodorus from the Temple, Stanza di Eliodoro), Raphael (Raffaello Sanzio or Santi) Italian, Charcoal, black chalk, outlines pricked for transfer of the design, on light brown discolored paper (on six sheets glued with overlapping seams, original paper support); the cropping of the right border at top and bottom possibly conforms to the shape of a giornata; heavily restored, varnished, and numerous losses made up
On loan to The Met
The Head of a Horse (Cartoon Fragment for the Expulsion of Heliodorus from the Temple, Stanza di Eliodoro)
Raphael (Raffaello Sanzio or Santi)
ca. 1512
Seated Male Nudes (Studies for a Roman Soldier in the Resurrection, Chigi Chapel, Santa Maria della Pace) (recto), Composition Sketches for the Lower Portion of the Resurrection (verso), Raphael (Raffaello Sanzio or Santi) Italian, Black chalk, some stylus marks (recto); pen and brown ink, (verso), on off-white paper
On loan to The Met
Seated Male Nudes (Studies for a Roman Soldier in the Resurrection, Chigi Chapel, Santa Maria della Pace) (recto), Composition Sketches for the Lower Portion of the Resurrection (verso)
Raphael (Raffaello Sanzio or Santi)
ca. 1511-14
Heads and Hands of Two Apostles (“Auxiliary Cartoon” for the Transfiguration), Raphael (Raffaello Sanzio or Santi) Italian, Black chalk drawn freehand over pounce marks (spolvero underdrawing), traces of white gouache highlights, on laid paper
On loan to The Met
Heads and Hands of Two Apostles (“Auxiliary Cartoon” for the Transfiguration)
Raphael (Raffaello Sanzio or Santi)
ca. 1519-20
Two Male Nudes Drawn from the Same Model (Study the Battle of the Milvian Bridge, Sala di Costantino) (recto), Two Studies of an Elderly Man (verso; not by Raphael), Raphael (Raffaello Sanzio or Santi) Italian, Black chalk, highlighted with white gouache, over preliminary stylus underdrawing, with slight retouching of contours (recto); black chalk, some contours reinforced in pen and brown ink (verso)
On loan to The Met
Two Male Nudes Drawn from the Same Model (Study the Battle of the Milvian Bridge, Sala di Costantino) (recto), Two Studies of an Elderly Man (verso; not by Raphael)
Raphael (Raffaello Sanzio or Santi)
ca. 1519-20
Portrait of a Young Boy (Presumed to be a Self-Portrait), Raphael (Raffaello Sanzio or Santi) Italian, Grayish black chalk, highlighted with white (now lost), on laid paper
On loan to The Met
Portrait of a Young Boy (Presumed to be a Self-Portrait)
Raphael (Raffaello Sanzio or Santi)
ca. 1500
The Virgin and Child with a book in a Landscape; a Landscape (Sketches for the Norton Simon Madonna) (recto); Seated Infant Holding a Book (Sketch for the Christ Child in the Norton Simon Madonna) (verso), Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink, over preliminary stylus underdrawing (recto); pen and brown ink, over preliminary stylus underdrawing (verso), on paper
On loan to The Met
The Virgin and Child with a book in a Landscape; a Landscape (Sketches for the Norton Simon Madonna) (recto); Seated Infant Holding a Book (Sketch for the Christ Child in the Norton Simon Madonna) (verso)
Raphael (Raffaello Sanzio or Santi)
ca. 1502-3
The Virgin and Child with the Infant Saint John the Baptist (Studies for the Madonna of the Meadow) (recto), Raphael (Raffaello Sanzio or Santi) Italian, Brush and brown wash, highlighted with white gouache (partly oxidized), over preliminary stylus underdrawing, red chalk (sketch on upper left), possibly indented for transfer (selectively on the main group of the Virgin and Child) over a faint grid marked with compass or caliper points (recto), on paper
On loan to The Met
The Virgin and Child with the Infant Saint John the Baptist (Studies for the Madonna of the Meadow) (recto)
Raphael (Raffaello Sanzio or Santi)
ca. 1506