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1-42 of 104 results for Bakutu
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Horn, Bakutu West Coast Africa, Ivory, snakeskin, Mongo (Bakutu) people
Horn
Bakutu
late 19th century
Equestrian Portrait of a Noble, Bakhta Indian, Ink and opaque watercolor on paper., India (Rajasthan, Devgarh)
Equestrian Portrait of a Noble
Bakhta
ca. 1775
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912, Léon Bakst Russian, born present day Belarus, Watercolor and gold and silver paints over graphite
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912
Léon Bakst
1922
Tolo Tolo, Bamboo, wire, cord, Basuto Tribe
Tolo Tolo
Basuto Tribe
late 19th century
Costume, Léon Bakst Russian, born present day Belarus, silk, cotton, metallic thread, glass, plastic, American
Costume
Léon Bakst
1922–23
Fancy dress costume, Léon Bakst Russian, born present day Belarus, silk, glass, plastic, American
Fancy dress costume
Léon Bakst
Raoul Dufy
1919
Mme Ida Rubinstein, Léon Bakst Russian, born present day Belarus, Watercolor, opaque watercolor, and graphite on paper, mounted on canvas
Mme Ida Rubinstein
Léon Bakst
1917
Drum, Wood, hide, Bantu people?
Drum
Bantu people?
20th century
Birdmen
Kakulu Sagiatuk
1970
Vision at Nuwata
Kakulu Sagiatuk
1974
Soul of the Shaman, Kakulu Sagiatuk First Nations, Stonecut and stencil
Soul of the Shaman
Kakulu Sagiatuk
1996
Stage Design for Scheherazade
Léon Bakst
Messrs. M. Knoedler & Co. announce an exhibition of water colors, drawings and stage decorations by Leon Bakst : April 10th to April 24th, inclusive, 1920, Léon Bakst Russian, born present day Belarus
Messrs. M. Knoedler & Co. announce an exhibition of water colors, drawings and stage decorations by Leon Bakst : April 10th to April 24th, inclusive, 1920
Léon Bakst
M. Knoedler & Co.
1920
Pot, Makuzu Kōzan I (Miyagawa Toranosuke) Japanese, White porcelain decorated in red under the glaze (Kyoto ware, Makuzu type), Japan
Pot
Makuzu Kōzan I (Miyagawa Toranosuke)
1890
Vase, Makuzu Kōzan I (Miyagawa Toranosuke) Japanese, White porcelain covered with a mazarine blue glaze (Kyoto ware), Japan
Vase
Makuzu Kōzan I (Miyagawa Toranosuke)
19th century
Vase, Makuzu Kōzan I (Miyagawa Toranosuke) Japanese, Porcelain covered with a dark green glaze and design in white enamel (Kyoto ware), Japan
Vase
Makuzu Kōzan I (Miyagawa Toranosuke)
19th century
Ewer with Dragon, Makuzu Kōzan I (Miyagawa Toranosuke) Japanese, Porcelain with underglaze blue, Japan
Ewer with Dragon
Makuzu Kōzan I (Miyagawa Toranosuke)
late 19th century
Vase with Horse and Kirin on Geometric Sayagata (key fret) Pattern (one of a pair), Makuzu Kōzan I (Miyagawa Toranosuke) Japanese, Porcelain with incised design and underglaze red, Japan
Vase with Horse and Kirin on Geometric Sayagata (key fret) Pattern (one of a pair)
Makuzu Kōzan I (Miyagawa Toranosuke)
late 19th century
Vase with Horse and Kirin on Geometric Sayagata (key fret) Pattern (one of a pair), Makuzu Kōzan I (Miyagawa Toranosuke) Japanese, Porcelain with incised design and underglaze red, Japan
Vase with Horse and Kirin on Geometric Sayagata (key fret) Pattern (one of a pair)
Makuzu Kōzan I (Miyagawa Toranosuke)
late 19th century
Vase, Makuzu Kōzan I (Miyagawa Toranosuke) Japanese, Clay covered with high-fired glazes, Japan
Vase
Makuzu Kōzan I (Miyagawa Toranosuke)
19th century
Teabowl, Makuzu Kōzan I (Miyagawa Toranosuke) Japanese, Clay with flecks of crackle inside and out (Awata ware), Japan
Teabowl
Makuzu Kōzan I (Miyagawa Toranosuke)
ca. 1850
Vase with Carps in Waves, Makuzu Kōzan I (Miyagawa Toranosuke) Japanese, Porcelain with metal fittings, Japan
Vase with Carps in Waves
Makuzu Kōzan I (Miyagawa Toranosuke)
late 19th–early 20th century
Freshwater Jar (Mizusashi), Makuzu Kōzan I (Miyagawa Toranosuke) Japanese, Stoneware with polychrome overglaze enamels and gold, wood lid, ivory knob (Makuzu ware), Japan
Freshwater Jar (Mizusashi)
Makuzu Kōzan I (Miyagawa Toranosuke)
1870–80s
'Fantaisie sur le costume moderne': Two female haute couture figures, Léon Bakst Russian, born present day Belarus, Graphite, brush and watercolor and bodycolor
'Fantaisie sur le costume moderne': Two female haute couture figures
Léon Bakst
1910
Russian female dancer costume for "La Fée des Poupées", Léon Bakst Russian, born present day Belarus, Graphite on tracing paper; squared
Russian female dancer costume for "La Fée des Poupées"
Léon Bakst
1903
Russian male dancer costume, Léon Bakst Russian, born present day Belarus, Graphite on tracing paper
Russian male dancer costume
Léon Bakst
n.d.
Russian female costume, Léon Bakst Russian, born present day Belarus, Graphite on tracing paper
Russian female costume
Léon Bakst
n.d.
Woman wearing a yellow bonnet and polka-dot dress, Léon Bakst Russian, born present day Belarus, Graphite, brush and watercolor and bodycolor
Woman wearing a yellow bonnet and polka-dot dress
Léon Bakst
n.d.
Costume design for a Brigand Boy in the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912, Léon Bakst Russian, born present day Belarus, Watercolor and lead pencil
Costume design for a Brigand Boy in the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912
Léon Bakst
[1912]
Landscape with Shepherds, Set Design for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912, Léon Bakst Russian, born present day Belarus, Watercolor
Landscape with Shepherds, Set Design for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912
Léon Bakst
[1911]
A Russian Devotee, Léon Bakst Russian, born present day Belarus, Gouache and watercolor over graphite
A Russian Devotee
Léon Bakst
1922
Costume Design for Captain Faloppa in "The Good-Humored Ladies" (Le Donne de Buon Umore), premiered in Rome, April 12, 1917, Léon Bakst , and /or workshop Russian, born present day Belarus, Watercolor, graphite, touches of metallic powder paint
Costume Design for Captain Faloppa in "The Good-Humored Ladies" (Le Donne de Buon Umore), premiered in Rome, April 12, 1917
Léon Bakst
1917
Costume Design for a Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921, Léon Bakst Russian, born present day Belarus, Watercolor, graphite, gold paint
Costume Design for a Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921
Léon Bakst
ca. 1921
Costume Design for a Woman from the Village, for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912, Léon Bakst Russian, born present day Belarus, Watercolor and graphite
Costume Design for a Woman from the Village, for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912
Léon Bakst
[1912]
Costume Design for a Eunuch in Scheherazade, Léon Bakst Russian, born present day Belarus, Gouache and graphite, heightened with gold paint
Costume Design for a Eunuch in Scheherazade
Léon Bakst
1912
Costume Design for a Female Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921, Léon Bakst Russian, born present day Belarus, Watercolor and graphite
Costume Design for a Female Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921
Léon Bakst
ca. 1921
Design for a Daybed, used by Ida Rubinstein during the Rehearsals for Cleopatra, Léon Bakst Russian, born present day Belarus, Gouache, graphite, and gold paint
Design for a Daybed, used by Ida Rubinstein during the Rehearsals for Cleopatra
Léon Bakst
1909
Design for a Textile Pattern, possibly for Costumes in the Ballet 'Le Dieu Bleu' (1912), Léon Bakst Russian, born present day Belarus, Graphite, gold and silver paint
Design for a Textile Pattern, possibly for Costumes in the Ballet 'Le Dieu Bleu' (1912)
Léon Bakst
ca. 1910–24
Landscape, possibly a detail of the Set Design for the Ballet 'Narcisse', premiered at the Théâtre de Monte Carlo, 1911, Léon Bakst Russian, born present day Belarus, Gouache and graphite
Landscape, possibly a detail of the Set Design for the Ballet 'Narcisse', premiered at the Théâtre de Monte Carlo, 1911
Léon Bakst
[1911]
Costume Design for a Valet, likely for the Ballet 'Les Papillons', premiered at the Théâtre de Monte-Carlo, 1914, Léon Bakst Russian, born present day Belarus, Gouache and graphite
Costume Design for a Valet, likely for the Ballet 'Les Papillons', premiered at the Théâtre de Monte-Carlo, 1914
Léon Bakst
ca. 1914
Costume Design for the 'Sultan Samarkand' for the Ballet 'Schéhérazade', Léon Bakst Russian, born present day Belarus, Watercolor, graphite, and gold paint
Costume Design for the 'Sultan Samarkand' for the Ballet 'Schéhérazade'
Léon Bakst
1919
Design for a Stage Set for the Ballet 'Le Donne de Buon Umore’ (The Good Humored Ladies), premiered in Rome, April 12, 1917, Léon Bakst Russian, born present day Belarus, Watercolor and graphite
Design for a Stage Set for the Ballet 'Le Donne de Buon Umore’ (The Good Humored Ladies), premiered in Rome, April 12, 1917
Léon Bakst
1917