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Showing 646 results for Baldassare Tommaso Peruzzi

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Portrait of an Olivetan Monk, Baldassarre Tommaso Peruzzi Italian, Oil on canvas — Portrait of an Olivetan Monk
Baldassarre Tommaso Peruzzi

Broth bowl and cover (scodella and tagliere) from an accouchement set; Aeneas leaving Troy with his father and son (inside bowl); Pyramis and Thisbe (on cover), Baldassare Manara Italian, Maiolica (tin-glazed earthenware) — Broth bowl and cover (scodella and tagliere) from an accouchement set; Aeneas leaving Troy with his father and son (inside bowl); Pyramis and Thisbe (on cover)
Baldassare Manara
ca. 1530–40

Frescoes from the Villa Stati-Mattei, Baldassarre Tommaso Peruzzi Italian, Fresco, transferred to canvas — Frescoes from the Villa Stati-Mattei
Baldassarre Tommaso Peruzzi

Cabinet frontal with panels from two Embriachi caskets, Baldassare degli Embriachi (Workshop) Italian, Bone and Certosina (inlays of stained woods, bone and horn) with traces of gilding, Italian — Cabinet frontal with panels from two Embriachi caskets
Baldassare degli Embriachi
ca. 1400–1409

Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling Netherlandish, Oil on oak — Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456)
Hans Memling
ca. 1470

Baldassare Peruzzi

Multiple artists/makers

1682–95

Altarpiece with the Lives of Jesus, Saint John the Baptist, and Saint John the Evangelist, Baldassare degli Embriachi Italian, Bone framed with intarsia and horn, traces of paint and gilding, North Italian — Altarpiece with the Lives of Jesus, Saint John the Baptist, and Saint John the Evangelist
Baldassare degli Embriachi
ca. 1390–1400

Design for the Right-hand Section of the Tomb of Cardinal Francesco Armellini, Baldassarre Tommaso Peruzzi or workshop Italian, Pen and brown ink, over faint traces of leadpoint, or black chalk, and stylus-ruling — Design for the Right-hand Section of the Tomb of Cardinal Francesco Armellini
Baldassarre Tommaso Peruzzi
ca. 1523–27

Design for an Elaborate Barrel-Vaulted Chapel, Baldassarre Tommaso Peruzzi Italian, Pen and brown ink, over graphite; ruler and compass construction — Design for an Elaborate Barrel-Vaulted Chapel
Baldassarre Tommaso Peruzzi
1481–1536

Crouching Figure of Atlas, Baldassarre Tommaso Peruzzi Italian, Pen and brown ink, over leadpoint or black chalk — Crouching Figure of Atlas
Baldassarre Tommaso Peruzzi
1501–36

Study for a Colonnade in Perspective, Baldassarre Tommaso Peruzzi , or workshop Italian, Pen and brown ink, over an armature of leadpoint, ruling, pin-pricks and compass work, on six fragments of paper — Study for a Colonnade in Perspective
Baldassarre Tommaso Peruzzi
ca. 1530

Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green — Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
Baldassarre Tommaso Peruzzi
ca. 1520–27

Shallow bowl with The Agony in the Garden, Baldassare Manara and/or associate Italian, Maiolica (tin-glazed earthenware), Italian, Faenza — Shallow bowl with The Agony in the Garden
Baldassare Manara
dated 1538

Man of Sorrows, Niccolò di Tommaso Italian, Fresco transferred to canvas, Italian — Man of Sorrows
Niccolò di Tommaso
ca. 1370

Portrait of a Man, Tommaso Fiorentino (Tommaso di Stefano Lunetti) Italian, Oil on wood — Portrait of a Man
Tommaso Fiorentino (Tommaso di Stefano Lunetti)
1521

Joseph's cup found in Benjamin's sack from the biblical story of Joseph (Genesis 44); a scene with soldiers, mules and various figures, Giovanni Antonio da Brescia Italian, Engraving — Joseph's cup found in Benjamin's sack from the biblical story of Joseph (Genesis 44); a scene with soldiers, mules and various figures
Giovanni Antonio da Brescia
Baldassarre Tommaso Peruzzi
ca. 1520–25

The Lamentation and the Entombment, Bartolomeo di Tommaso Italian, Tempera on wood, gold ground — The Lamentation and the Entombment
Bartolomeo di Tommaso
ca. 1445–50

The Betrayal of Christ, Bartolomeo di Tommaso Italian, Tempera on wood — The Betrayal of Christ
Bartolomeo di Tommaso
ca. 1445–50

Boy holding a dog, Tommaso Fiamberti, Marble (Verde di Prato), Italian, Florence — Boy holding a dog
Tommaso Fiamberti
late 15th century

Portrait of Baldassare Castiglione, Henri Dubouchet French, Engraving on chine collé; proof — Portrait of Baldassare Castiglione
Multiple artists/makers
1870

Palazzo de signori Massimi alle Valle

Multiple artists/makers

1655

Thanksgiving, for the Acquittal of Susanna (Daniel 13:63), Baldassare Croce Italian, Black chalk, brush and brown wash, highlighted with white, on brownish paper — Thanksgiving, for the Acquittal of Susanna (Daniel 13:63)
Baldassare Croce
1553–1628

Palazzo de Ghigi alla Lungara (Villa Farnesina)

Multiple artists/makers

1655

A shepherd holding a lion on a leash in the foreground, in the middle ground the shepherd stands in a meadow surrounded by wild beasts, in the background the shepherd is seated on a rock with the lion at his side; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Baldassare Peruzzi, Anne Claude Philippe de Tubières, comte de Caylus French, Etching and aquatint with tone woodblock — A shepherd holding a lion on a leash in the foreground, in the middle ground the shepherd stands in a meadow surrounded by wild beasts, in the background the shepherd is seated on a rock with the lion at his side; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Baldassare Peruzzi
Multiple artists/makers
ca. 1729–64

Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from "Story of Apollo and Daphne", Master of the Die Italian, Engraving — Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from "Story of Apollo and Daphne"
Master of the Die
Baldassarre Tommaso Peruzzi
1530–60

Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from "Story of Apollo and Daphne", Master of the Die Italian, Engraving — Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from "Story of Apollo and Daphne"
Master of the Die
Baldassarre Tommaso Peruzzi
1530–60

River gods consoling Peneus for the Loss of his Daughter, Daphne, from "Story of Apollo and Daphne", Master of the Die Italian, Engraving — River gods consoling Peneus for the Loss of his Daughter, Daphne, from "Story of Apollo and Daphne"
Master of the Die
Baldassarre Tommaso Peruzzi
1530–60

Hercules chasing Avarice from the temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in brown — Hercules chasing Avarice from the temple of the Muses
Ugo da Carpi
Baldassarre Tommaso Peruzzi
ca. 1520–27

A hermit, Monogrammist YHS Italian, Chiaroscuro woodcut from two blocks in blue-green ink — A hermit
Monogrammist YHS
Baldassarre Tommaso Peruzzi
16th century

Venus at left in the company of cupids playing, Ugo da Carpi Italian, Chiaroscuro woodcut in black and three tone blocks in beige, brown and dark brown — Venus at left in the company of cupids playing
Ugo da Carpi
Baldassarre Tommaso Peruzzi
ca. 1520–27

Apollo chasing Daphne who throws her arms up, in the background at right shows the moment she turns in a laurel, from "Story of Apollo and Daphne", Master of the Die Italian, Engraving — Apollo chasing Daphne who throws her arms up, in the background at right shows the moment she turns in a laurel, from "Story of Apollo and Daphne"
Master of the Die
Baldassarre Tommaso Peruzzi
1530–60

Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from the "Story of Apollo and Daphne", Master of the Die Italian, Engraving — Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from the "Story of Apollo and Daphne"
Master of the Die
Baldassarre Tommaso Peruzzi
1530–60

River gods consoling Peneus for the Loss of his Daughter, Daphne from 'The Story of Apollo and Daphne', Master of the Die Italian, Engraving — River gods consoling Peneus for the Loss of his Daughter, Daphne from 'The Story of Apollo and Daphne'
Master of the Die
Baldassarre Tommaso Peruzzi
1530–60

Portrait of Tommaso Salini, Ottavio Leoni (Il Padovano) Italian, Black chalk and charcoal, red chalk, white chalk on brown paper (faded from blue?); framing lines in pen and brown ink — Portrait of Tommaso Salini
Ottavio Leoni (Il Padovano)
Tommaso Salini
1620

In Honor of the Poet Metastasio

Tommaso Mercandetti

19th century

Last Judgment, after Michelangelo, Tommaso Piroli Italian, Ink and graphite — Last Judgment, after Michelangelo
Tommaso Piroli
Michelangelo Buonarroti
1752–1824

The Adoration of the Shepherds, Tommaso Minardi Italian, Pen and brown ink, brush and brown wash, over graphite — The Adoration of the Shepherds
Tommaso Minardi
1837

Tasso Contemplating Beauty, Tommaso Minardi Italian, Watercolor, pen and brown ink, over graphite; framing lines in pen and brown ink — Tasso Contemplating Beauty
Tommaso Minardi
1823

Seated John the Baptist with a Lamb in a Landscape, Tommaso Minardi Italian, Pen and brown ink, brush and pale brown wash — Seated John the Baptist with a Lamb in a Landscape
Tommaso Minardi
1787–1871

The Virgin and Child with the Infant John the Baptist and a Lamb in a Landscape, Tommaso Minardi Italian, Pen and brown ink, brush and pale brown wash — The Virgin and Child with the Infant John the Baptist and a Lamb in a Landscape
Tommaso Minardi
1787–1871