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Showing 797 results for Bartolomeo Crivellari

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A group of elegantly dressed people playing cards, Bartolomeo Crivellari Italian, Engraving — A group of elegantly dressed people playing cards
Multiple artists/makers
1740–68

A group of elegantly dressed people drinking, Bartolomeo Crivellari Italian, Engraving — A group of elegantly dressed people drinking
Multiple artists/makers
1740–68

A group of elegantly dressed people playing the harp and a guitar, Bartolomeo Crivellari Italian, Engraving — A group of elegantly dressed people playing the harp and a guitar
Multiple artists/makers
1740–68

A group of elegantly dressed people playing the piano and other instruments, Bartolomeo Crivellari Italian, Engraving — A group of elegantly dressed people playing the piano and other instruments
Multiple artists/makers
1740–68

Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault, Bartolomeo Crivellari Italian, Etching — Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault
Multiple artists/makers
1756

Plate 2: cross-section of the Hall of the Institute of Bologna, Bartolomeo Crivellari Italian, Etching — Plate 2: cross-section of the Hall of the Institute of Bologna
Multiple artists/makers
1756

Plate 3: cross-section of the Hall of the Institute of Bologna, Bartolomeo Crivellari Italian, Etching — Plate 3: cross-section of the Hall of the Institute of Bologna
Multiple artists/makers
1756

Plate 6: Ulysses driving a burning stake into Polyphemus' eye, Bartolomeo Crivellari Italian, Etching and engraving — Plate 6: Ulysses driving a burning stake into Polyphemus' eye
Multiple artists/makers
1756

Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins, Bartolomeo Crivellari Italian, Etching and engraving — Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins
Multiple artists/makers
1756

Plate 8: Ulysses receiving the winds in a leather bag from Aeolus, Bartolomeo Crivellari Italian, Etching and engraving — Plate 8: Ulysses receiving the winds in a leather bag from Aeolus
Multiple artists/makers
1756

Plate 9: the Greeks opening the bag of wind, thinking there is gold inside, driving their vessel to the island of Circe, Bartolomeo Crivellari Italian, Etching and engraving — Plate 9: the Greeks opening the bag of wind, thinking there is gold inside, driving their vessel to the island of Circe
Multiple artists/makers
1756

A standing man in a niche reaching forward with one arm, Bartolomeo Crivellari Italian, Etching and engraving — A standing man in a niche reaching forward with one arm
Multiple artists/makers
1756

A standing man in a niche with his elbow resting on a column, Bartolomeo Crivellari Italian, Etching and engraving — A standing man in a niche with his elbow resting on a column
Multiple artists/makers
1756

A standing man in a niche looking toward the left, Bartolomeo Crivellari Italian, Etching and engraving — A standing man in a niche looking toward the left
Multiple artists/makers
1756

Minerva assisting Prometheus as he attempts to scale the heavens, Bartolomeo Crivellari Italian, Etching and engraving — Minerva assisting Prometheus as he attempts to scale the heavens
Multiple artists/makers
1756

Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left, Bartolomeo Crivellari Italian, Etching and engraving — Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left
Multiple artists/makers
1756

Plate 25: a shipwreck, Bartolomeo Crivellari Italian, Etching and engraving — Plate 25: a shipwreck
Multiple artists/makers
1756

Plate 5: view of the ceiling with its ornaments and frescoed paintings, Bartolomeo Crivellari Italian, Etching — Plate 5: view of the ceiling with its ornaments and frescoed paintings
Multiple artists/makers
1756

Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters, Bartolomeo Crivellari Italian, Etching and engraving — Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters
Multiple artists/makers
1756

Plate 15: mythological figure wearing a helmet and holding a shield, Bartolomeo Crivellari Italian, Etching and engraving — Plate 15: mythological figure wearing a helmet and holding a shield
Multiple artists/makers
1756

Plate 16: mythological figure holding a mirror, Bartolomeo Crivellari Italian, Etching and engraving — Plate 16: mythological figure holding a mirror
Multiple artists/makers
1756

Plate 17: two nude figures wearing veils, Bartolomeo Crivellari Italian, Etching and engraving — Plate 17: two nude figures wearing veils
Multiple artists/makers
1756

Plate 18: two nude figures wearing veils, seen from behind, Bartolomeo Crivellari Italian, Etching and engraving — Plate 18: two nude figures wearing veils, seen from behind
Multiple artists/makers
1756

Plate 19: figure seen from behind with left hand raised, Bartolomeo Crivellari Italian, Etching and engraving — Plate 19: figure seen from behind with left hand raised
Multiple artists/makers
1756

Plate 20: bearded figure, half clothed, Bartolomeo Crivellari Italian, Etching and engraving — Plate 20: bearded figure, half clothed
Multiple artists/makers
1756

Plate 21: two nude figures wearing veils, seen from behind, Bartolomeo Crivellari Italian, Etching and engraving — Plate 21: two nude figures wearing veils, seen from behind
Multiple artists/makers
1756

Plate 22: two nude figures wearing veils, Bartolomeo Crivellari Italian, Etching and engraving — Plate 22: two nude figures wearing veils
Multiple artists/makers
1756

Plate 24: Ulysses's companions stealing the oxen sacred to Apollo, Bartolomeo Crivellari Italian, Etching and engraving — Plate 24: Ulysses's companions stealing the oxen sacred to Apollo
Multiple artists/makers
1756

Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea, Bartolomeo Crivellari Italian, Etching and engraving — Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea
Multiple artists/makers
1756

Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck, Bartolomeo Crivellari Italian, Etching and engraving — Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck
Multiple artists/makers
1756

A standing man in a niche holding an open book, Bartolomeo Crivellari Italian, Etching and engraving — A standing man in a niche holding an open book
Multiple artists/makers
1756

Three bearded men, one wearing fur, Bartolomeo Crivellari Italian, Etching and engraving — Three bearded men, one wearing fur
Multiple artists/makers
1756

Plate 40: the division of the elect from the reprobate, Bartolomeo Crivellari Italian, Etching and engraving — Plate 40: the division of the elect from the reprobate
Multiple artists/makers
1756

Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children, Bartolomeo Crivellari Italian, Etching and engraving — Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children
Multiple artists/makers
1756

Grand Piano, Bartolomeo Cristofori Italian, Cypress, boxwood, paint, leather, fir, Italian (Florence) — Grand Piano
Bartolomeo Cristofori
1720

Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left, Sebastiano Gamma Italian, Etching and engraving — Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left
Multiple artists/makers
1756

Rime. . .dedicate alla sacra reale Maestà di Carlo Emanuele, Re di Sardegna. Seconda Edizione

Multiple artists/makers

1755

Approach to a Mountain Village with Horsemen on the Road, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) Italian, Pen and brown ink, traces of black chalk; mounted on an album page — Approach to a Mountain Village with Horsemen on the Road
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)
ca. 1501

Funzioni Sacre, e Feste Fatte dalla Città di Padova per l'Essaltazione al sommo Pontificato dell'Eminentissimo Sig. Cardinale Carlo Rezzonico suo Vescovo che presse il nome di Clemente XIII.

Multiple artists/makers

1758, 1764

Portrait of a Man, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) Italian, Oil on wood — Portrait of a Man
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)
shortly after 1497