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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 601 results for C.B. Blake

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Centerpiece, C.B. Blake American, Silver alloy — Centerpiece
Multiple artists/makers
1939

Watch, C.B. Freundler, Case of gold and enamel, with feather and floral design; jeweled movement, with cylinder escapement, Swiss, Geneva — Watch
C.B. Freundler
Jean-François Bautte
ca. 1835

Winchester, Jeremy Blake American, Single-channel digital animation, color, sound, 12 min. — Winchester
Jeremy Blake
2002

1906, Jeremy Blake American, Single-channel digital animation, color, sound, 21 min. — 1906
Jeremy Blake
2003

Century 21, Jeremy Blake American, Single-channel digital animation, color, sound, 12 min. — Century 21
Jeremy Blake
2004

Grand Pianoforte, Érard , made in London French, Satinwood veneer, oak, spruce, iron, steel, ebony, ivory, gilding, mother-of-pearl, holly, mahogany, burl walnut, tulipwood, silver wire, British — Grand Pianoforte
Érard
George Henry Blake
ca. 1840

Angel of the Revelation (Book of Revelation, chapter 10), William Blake British, Watercolor, pen and black ink, brush and wash, over traces of graphite — Angel of the Revelation (Book of Revelation, chapter 10)
William Blake
ca. 1803–5

The Angel Appearing to Zacharias, William Blake British, Pen and black ink, tempera, and glue size on canvas — The Angel Appearing to Zacharias
William Blake
1799–1800

Titania, Peter Blake British, Oil on canvas, mounted on wood — Titania
Peter Blake
1984

Poetry and Prose of William Blake

William Blake

1932

Jeffrey Blake

1988

Jeffrey Blake

1987

Enoch, William Blake British, Modified lithograph printed in relief from a stone; one state — Enoch
William Blake
1806–7

Bearded Lady (from Side Show), Peter Blake British, Wood engraving; working proof — Bearded Lady (from Side Show)
Peter Blake
Waddington Graphics
1974–78

Giant (from Side Show), Peter Blake British, Wood engraving; working proof — Giant (from Side Show)
Peter Blake
Waddington Graphics
1974–78

Tattoed Man (from Side Show), Peter Blake British, Wood engraving; working proof — Tattoed Man (from Side Show)
Peter Blake
Waddington Graphics
1974–78

The Fat Boy (from Side Show), Peter Blake British, Wood engraving; working proofs — The Fat Boy (from Side Show)
Peter Blake
Waddington Graphics
1974–78

Midget (from Side Show), Peter Blake British, Wood engraving; working proofs — Midget (from Side Show)
Peter Blake
Waddington Graphics
1974–78

The Rest on the Flight into Egypt (The Repose of the Holy Family in Egypt), William Blake British, Watercolor, pen and black ink, over graphite — The Rest on the Flight into Egypt (The Repose of the Holy Family in Egypt)
William Blake
1806

Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso), William Blake British, Watercolor, pen and black ink, over graphite — Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso)
William Blake
ca. 1803

The Parable of the Wise and Foolish Virgins, William Blake British, Watercolor, pen and black ink, brush and wash, over graphite — The Parable of the Wise and Foolish Virgins
William Blake
ca. 1799–1800

The Grave, A Poem, William Blake British, Illustrations: etchings — The Grave, A Poem
Multiple artists/makers
1813

Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page
William Blake
[1789–94] printed ca. 1825

Songs of Innocence: Frontispiece, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Frontispiece
William Blake
[1789] printed ca. 1825

Songs of Innocence: Title Page, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Title Page
William Blake
[1789] printed ca. 1825

Songs of Innocence: Introduction, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Introduction
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Shepherd, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Shepherd
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Ecchoing Green, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Ecchoing Green
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Ecchoing Green (second plate), William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Ecchoing Green (second plate)
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Lamb, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Lamb
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Little Black Boy, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Little Black Boy
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Little Black Boy (second plate), William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Little Black Boy (second plate)
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Blossom, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Blossom
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Chimney Sweeper, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Chimney Sweeper
William Blake
[1789] printed ca. 1825

Songs of Innocence: Little Boy Lost, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Little Boy Lost
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Little Boy Found, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Little Boy Found
William Blake
[1789] printed ca. 1825

Songs of Innocence: Laughing Song, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Laughing Song
William Blake
[1789] printed ca. 1825

Songs of Innocence: A Cradle Song, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: A Cradle Song
William Blake
[1789] printed ca. 1825

Songs of Innocence: A Cradle Song (second plate), William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: A Cradle Song (second plate)
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Divine Image, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Divine Image
William Blake
[1789] printed ca. 1825