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More than 10,000 results for Captain Thomas Howdell, of the Royal Artillery

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South West View of the City of New York in North America, Pierre Charles Canot French, Etching — South West View of the City of New York in North America
Pierre Charles Canot
Captain Thomas Howdell, of the Royal Artillery
late 18th century

A South West View of the City of New York, in North America, Pierre Charles Canot French, Etching and engraving; probably second or third state — A South West View of the City of New York, in North America
Multiple artists/makers
ca. 1768

South West View of the City of New York

Multiple artists/makers

19th century

South East View of the City of New York

Multiple artists/makers

1817–74

View of the City of New York in North America

Multiple artists/makers

1776

Southwest View of the City of New York in North America

Multiple artists/makers

ca. 1790

A South East View of the City of New York, in North America, Pierre Charles Canot French, Etching and engraving — A South East View of the City of New York, in North America
Multiple artists/makers
ca. 1768

View of New York, Governors Island, the River etc. from Long Island

Multiple artists/makers

November 1, 1776

New York in 1768, from the Rear of Colonel Rutger's House, East River

Multiple artists/makers

19th century

Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian — Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century

The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Crucifixion
Master of the Codex of Saint George
ca. 1330–35

Terracotta volute-krater (bowl for mixing wine and water), Painter of the Woolly Satyrs (namepiece), Terracotta, Greek, Attic — Terracotta volute-krater (bowl for mixing wine and water)
Painter of the Woolly Satyrs
ca. 450 BCE

Head of Saint John the Baptist (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enemaled glass, French, possibly Rouen — Head of Saint John the Baptist (one of a pair)
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510

Head of Christ (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enameled glass, French, possibly Rouen — Head of Christ (one of a pair)
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510

Vase with snails, Royal Copenhagen Danish, Glazed porcelain, Danish, Copenhagen — Vase with snails
Royal Copenhagen
ca. 1900

Vase with centipede, Royal Copenhagen Danish, Glazed porcelain, Danish, Copenhagen — Vase with centipede
Royal Copenhagen
ca. 1900

Vase with mushrooms, Royal Copenhagen Danish, Glazed porcelain, Danish, Copenhagen — Vase with mushrooms
Royal Copenhagen
ca. 1900

Vase with beetles, Royal Copenhagen Danish, Glazed porcelain, Danish, Copenhagen — Vase with beetles
Royal Copenhagen
ca. 1900

Elizabeth I (r. 1558–1603), The Royal Mint British, Gold, British — Elizabeth I (r. 1558–1603)
The Royal Mint
1594–96

Three-pound piece, King Charles I (r. 1625–49), The Royal Mint British, Gold, British — Three-pound piece, King Charles I (r. 1625–49)
The Royal Mint
Simon de Passe
1642

Edward VI (r. 1547–53), The Royal Mint British, Gold, British — Edward VI (r. 1547–53)
The Royal Mint
1552

Crown gold sovereign of Elizabeth I, The Royal Mint British, Gold, British — Crown gold sovereign of Elizabeth I
The Royal Mint
ca. 1593–1601

April from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris — April from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37

October from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris — October from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37

The Nativity and Circumcision of Christ, Workshop of the Master of the High Foreheads, Painted enamel on copper, partly gilded, French, Limoges — The Nativity and Circumcision of Christ
Workshop of the Master of the High Foreheads
probably early 16th century

The Adoration of the Shepherds, Workshop of the Master of the High Foreheads (Atelier aux Grands Fronts), Painted enamel on copper, partly gilt, French, Limoges — The Adoration of the Shepherds
Workshop of the Master of the High Foreheads
probably early 16th century

A guide through the Royal Porcelain Works, Worcester : and an epitome of the history of pottery and porcelain with the marks on Worcester porcelain, Royal Porcelain Works — A guide through the Royal Porcelain Works, Worcester : and an epitome of the history of pottery and porcelain with the marks on Worcester porcelain
Royal Porcelain Works
1878

Close Helmet for Foot Combat, the Master of the Castle Mark Italian, Steel, gold, leather, Italian, Milan — Close Helmet for Foot Combat
the Master of the Castle Mark
ca. 1600–1610

The Martyrdom of Saint Lawrence; (reverse) Giving Drink to the Thirsty, Master of the Acts of Mercy Austrian, Oil on fir, (obverse) gold ground — The Martyrdom of Saint Lawrence; (reverse) Giving Drink to the Thirsty
Master of the Acts of Mercy

Joseph Interpreting the Dreams of His Fellow Prisoners, Master of the Story of Joseph Netherlandish, Oil on wood — Joseph Interpreting the Dreams of His Fellow Prisoners
Master of the Story of Joseph

Tazza, Glasshouse of the Duke of Buckingham British, Glass, British, London — Tazza
Glasshouse of the Duke of Buckingham
ca. 1665–70

Coronation of Queen Victoria (1819–1901), Benedetto Pistrucci Italian, Gold, British — Coronation of Queen Victoria (1819–1901)
Benedetto Pistrucci
The Royal Mint
1838

Coronation of King George IV (1762–1830), Benedetto Pistrucci Italian, Gold, British, London — Coronation of King George IV (1762–1830)
Benedetto Pistrucci
The Royal Mint
1821

For Success in Art, William Wyon British, Gold, British, London — For Success in Art
William Wyon
The Royal Mint
1856

The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35

Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

Aeneas Departs from Carthage (Aeneid, Book IV), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Departs from Carthage (Aeneid, Book IV)
Master of the Aeneid
ca. 1530–35

Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II)
Master of the Aeneid
probably ca. 1530–35

Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII)
Master of the Aeneid
probably ca. 1530–35