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Assumption of the Virgin (after Carlo Maratta?), Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk, brush and red wash, highlighted with white gouache on light tan paper
Assumption of the Virgin (after Carlo Maratta?)
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
Christ in the House of Martha and Mary (Luke 10:38-42), Paolo Gerolamo Piola Italian, Brush and brown wash, highlighted with white, over black chalk, on blue-green paper
Christ in the House of Martha and Mary (Luke 10:38-42)
Paolo Gerolamo Piola
ca. 1700
Virtue Crowned by Honor, Carlo Maratti Italian, Pen and brown ink, over red chalk, highlighted with white gouache, on blue paper
Virtue Crowned by Honor
Carlo Maratti
1670–76
The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception, Carlo Maratti Italian, Pen and brown ink, red chalk, and a trace of brush and red wash
The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception
Carlo Maratti
1625–1713
Andromeda and the Sea Monster, Domenico Guidi Italian, Marble, Italian, Rome
Andromeda and the Sea Monster
Domenico Guidi
Patron Commissioned by Francesco II, Duke of Mantua and Reggio
1694
The Flight into Egypt, Carlo Maratti Italian, Oil on copper
The Flight into Egypt
Carlo Maratti
ca. 1664
Nude Male Figure, Carlo Maratti Italian, Red chalk on paper faded gray (originally blue-gray ?)
Nude Male Figure
Ascribed to Carlo Maratti
1625–1713
Jael Slaying Sisera, Carlo Maratti Italian, Red chalk, highlighted with white chalk, on blue paper
Jael Slaying Sisera
Carlo Maratti
1625–1713
The Virgin and Saint Rosalia Interceding with Christ, Carlo Maratti Italian, Pen and brown ink, over black chalk
The Virgin and Saint Rosalia Interceding with Christ
Carlo Maratti
1625–1713
Seated Allegorical Figure of Divine Wisdom, Carlo Maratti Italian, Red chalk
Seated Allegorical Figure of Divine Wisdom
Carlo Maratti
1674–77
Judith Holding up the Head of Holofernes, Carlo Maratti Italian, Pen and brown ink, over red chalk
Judith Holding up the Head of Holofernes
Carlo Maratti
1625–1713
The Virgin Immaculate and Four Male Saints (Study for The Dispute over the Immaculate Conception), Carlo Maratti Italian, Red chalk on beige paper
The Virgin Immaculate and Four Male Saints (Study for The Dispute over the Immaculate Conception)
Carlo Maratti
1625–1713
Head of a Bearded Man Looking to Upper Left (Saint Ambrose), Carlo Maratti Italian, Red chalk on blue paper
Head of a Bearded Man Looking to Upper Left (Saint Ambrose)
Carlo Maratti
1625–1713
Virtue Crowned by Honor, Carlo Maratti Italian, Red chalk
Virtue Crowned by Honor
Carlo Maratti
1670–76
The Virgin with Female Attendant Appearing to Four Male Saints, Carlo Maratti Italian, Pen and brown ink, brush and gray wash, over red chalk
The Virgin with Female Attendant Appearing to Four Male Saints
Attributed to Carlo Maratti
1680–95
Study for Nude Male Figures Supporting a Frame and Plan of the Ceiling Decoration of Palazzo Altieri, Rome, Carlo Maratti Italian, Pen and brown ink, some brush and brown wash, over black chalk
Study for Nude Male Figures Supporting a Frame and Plan of the Ceiling Decoration of Palazzo Altieri, Rome
Carlo Maratti
1625–1713
Allegorical Figure of Peace, Carlo Maratti Italian, Pen and brown ink, highlighted with white gouache, over red chalk, on light brown washed paper (the form of the spandrel is indicated in brown wash)
Allegorical Figure of Peace
Carlo Maratti
1625–1713
Allegory of the Old and New Dispensations, Carlo Maratti Italian, Pen and brown ink, over black and red chalk, highlighted with white gouache, on light brown paper
Allegory of the Old and New Dispensations
Carlo Maratti
1700–8
Rome and the Tiber Paying Homage to a Pope (Clement XI ?), Carlo Maratti Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on beige paper
Rome and the Tiber Paying Homage to a Pope (Clement XI ?)
Circle of Carlo Maratti
1625–1713
Study for a Seated Prelate (Saint Gregory the Great), Carlo Maratti Italian, Black chalk, highlighted with white chalk, on blue-gray paper
Study for a Seated Prelate (Saint Gregory the Great)
Carlo Maratti
1685–86
Saint Rosalia Interceding for Victims of the Plague in Palestrina, Carlo Maratti Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on beige paper
Saint Rosalia Interceding for Victims of the Plague in Palestrina
Carlo Maratti
1625–1713
Study for a Head of a Man, Carlo Maratti Italian, Black chalk
Study for a Head of a Man
Attributed to Carlo Maratti
1625–1713
Figure of Young Man or Woman in Bust-length, in Three-Quarter View, Carlo Maratti Italian, Black chalk on gray prepared paper
Figure of Young Man or Woman in Bust-length, in Three-Quarter View
Attributed to Carlo Maratti
1700–1713
Four Studies of Recumbent Female Nudes (Galatea), Carlo Maratti Italian, Red chalk, touches of white chalk, on blue paper
Four Studies of Recumbent Female Nudes (Galatea)
Carlo Maratti
ca. 1713
The Virgin and Joseph with the Young Jesus, Carlo Maratti Italian, Engraving and etching
The Virgin and Joseph with the Young Jesus
After Carlo Maratti
Engraver Johann Jakob Frey the Elder
1710–40
Seated Virgin and Child with Saint John the Baptist, Carlo Maratti Italian, Etching
Seated Virgin and Child with Saint John the Baptist
Carlo Maratti
1647
Study of a Putto Seated on a Corbel in a Shell Niche, Carlo Maratti Italian, Red chalk
Study of a Putto Seated on a Corbel in a Shell Niche
Carlo Maratti
ca. 1674–76
The Adoration of the Magi (copy in reverse), Carlo Maratti Italian, Etching; reverse copy (Bellini)
The Adoration of the Magi (copy in reverse)
Carlo Maratti
17th century
The Visitation, Carlo Maratti Italian, Etching; second state of two (Bartsch)
The Visitation
Carlo Maratti
17th century
The Assumption of the Virgin, Carlo Maratti Italian, Etching; second state of three (Bartsch)
The Assumption of the Virgin
Carlo Maratti
17th century
The Virgin and Child with the Young St. John the Baptist, Carlo Maratti Italian, Etching; second state of four (Bartsch)
The Virgin and Child with the Young St. John the Baptist
Carlo Maratti
1647
The Adoration of the Magi, Carlo Maratti Italian, Etching; second state of two (Bartsch)
The Adoration of the Magi
Carlo Maratti
17th century
Virgin and Child with St. Mary Magdalen, Carlo Maratti Italian, Etching; second state of four (Bartsch)
Virgin and Child with St. Mary Magdalen
Carlo Maratti
17th century
The Assumption of the Virgin, Carlo Maratti Italian, Etching; first state of three (Bartsch)
The Assumption of the Virgin
Carlo Maratti
17th century
The Marriage of St. Catherine, Carlo Maratti Italian, Etching; second state of five (Bartsch)
The Marriage of St. Catherine
Carlo Maratti
17th century
The Marriage of St. Catherine, Carlo Maratti Italian, Etching; in between the first and second state of five
The Marriage of St. Catherine
Carlo Maratti
The Annunciation, Carlo Maratti Italian, Etching; second state of two (Bartsch)
The Annunciation
Carlo Maratti
17th century
The Marriage of St. Catherine, Carlo Maratti Italian, Etching; second state of five (Bartsch)
The Marriage of St. Catherine
Carlo Maratti
Virgin and Child with St. Mary Magdalen, Carlo Maratti Italian, Etching; second state of four (Bartsch)
Virgin and Child with St. Mary Magdalen
Carlo Maratti
The Martyrdom of Saint Andrew, Carlo Maratti Italian, Etching; second state of five (Bartsch)
The Martyrdom of Saint Andrew
Carlo Maratti
After Domenichino (Domenico Zampieri)
1645–70
The Annunciation, Carlo Maratti Italian, Etching; second state of two (Bartsch)
The Annunciation
Carlo Maratti
Martyrdom of Saint Andrew, Carlo Maratti Italian, Etching; second state of five (Bartsch)
Martyrdom of Saint Andrew
Carlo Maratti
After Domenichino (Domenico Zampieri)
1645–60