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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 2,119 results for Carlo MarattiTook 28ms
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The Flight into Egypt, Carlo Maratti  Italian, Oil on copper
Carlo Maratti
ca. 1664
Study of a Putto Seated on a Corbel in a Shell Niche, Carlo Maratti  Italian, Red chalk
Carlo Maratti
ca. 1674–76
The Adoration of the Angels, Carlo Maratti  Italian, Etching; second state of three (Bartsch)
Carlo Maratti
17th century
The Adoration of the Angels, Carlo Maratti  Italian, Etching; second state of three (Bartsch)
Carlo Maratti
17th century
The Adoration of the Magi (copy in reverse), Carlo Maratti  Italian, Etching; reverse copy (Bellini)
Carlo Maratti
17th century
The Visitation, Carlo Maratti  Italian, Etching; second state of two (Bartsch)
Carlo Maratti
17th century
The Assumption of the Virgin, Carlo Maratti  Italian, Etching; second state of three (Bartsch)
Carlo Maratti
17th century
The Virgin and Child with the Young St. John the Baptist, Carlo Maratti  Italian, Etching; second state of four (Bartsch)
Carlo Maratti
1647
The Adoration of the Magi, Carlo Maratti  Italian, Etching; second state of two (Bartsch)
Carlo Maratti
17th century
The Birth of the Virgin, Carlo Maratti  Italian, Etching; second state of two (Bartsch)
Carlo Maratti
17th century
Virgin and Child with St. Mary Magdalen, Carlo Maratti  Italian, Etching; second state of four (Bartsch)
Carlo Maratti
Martyrdom of Saint  Andrew, Carlo Maratti  Italian, Etching; second state of five (Bartsch)
Carlo Maratti
Domenichino (Domenico Zampieri)
1645–60
Virtue Crowned by Honor, Carlo Maratti  Italian, Pen and brown ink, over red chalk, highlighted with white gouache, on blue paper
Carlo Maratti
1670–76
Seated Allegorical Figure of Divine Wisdom, Carlo Maratti  Italian, Red chalk
Carlo Maratti
1674–77
Judith Holding up the Head of Holofernes, Carlo Maratti  Italian, Pen and brown ink, over red chalk
Carlo Maratti
1625–1713
The Virgin Immaculate and Four Male Saints (Study for The Dispute over the Immaculate Conception), Carlo Maratti  Italian, Red chalk on beige paper
Carlo Maratti
1625–1713
The Virgin with Female Attendant Appearing to Four Male Saints, Carlo Maratti  Italian, Pen and brown ink, brush and gray wash, over red chalk
Carlo Maratti
1680–95
Rome and the Tiber Paying Homage to a Pope (Clement XI ?), Carlo Maratti  Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on beige paper
Carlo Maratti
1625–1713
Nude Male Figure, Carlo Maratti  Italian, Red chalk on paper faded gray (originally blue-gray ?)
Carlo Maratti
1625–1713
Jael Slaying Sisera, Carlo Maratti  Italian, Red chalk, highlighted with white chalk, on blue paper
Carlo Maratti
1625–1713
The Virgin and Saint Rosalia Interceding with Christ, Carlo Maratti  Italian, Pen and brown ink, over black chalk
Carlo Maratti
1625–1713
The Virgin and Joseph with the Young Jesus, Carlo Maratti  Italian, Engraving and etching
Carlo Maratti
Johann Jakob Frey the Elder
1710–40
Virgin and Child with St. Mary Magdalen, Carlo Maratti  Italian, Etching; second state of four (Bartsch)
Carlo Maratti
17th century
The Assumption of the Virgin, Carlo Maratti  Italian, Etching; first state of three (Bartsch)
Carlo Maratti
17th century
The Marriage of St. Catherine, Carlo Maratti  Italian, Etching; second state of five (Bartsch)
Carlo Maratti
17th century
The Marriage of St. Catherine, Carlo Maratti  Italian, Etching; in between the first and second state of five
Carlo Maratti
The Annunciation, Carlo Maratti  Italian, Etching; second state of two (Bartsch)
Carlo Maratti
17th century
The Marriage of St. Catherine, Carlo Maratti  Italian, Etching; second state of five (Bartsch)
Carlo Maratti
Dancing Figure, Carlo Maratti  Italian, Etching
Carlo Maratti
Dancing Figure, Carlo Maratti  Italian, Etching
Carlo Maratti
The Martyrdom of Saint  Andrew, Carlo Maratti  Italian, Etching; second state of five (Bartsch)
Carlo Maratti
Domenichino (Domenico Zampieri)
1645–70
The Annunciation, Carlo Maratti  Italian, Etching; second state of two (Bartsch)
Carlo Maratti
Four Studies of Recumbent Female Nudes (Galatea), Carlo Maratti  Italian, Red chalk, touches of white chalk, on blue paper
Carlo Maratti
ca. 1713
Head of a Bearded Man Looking to Upper Left (Saint Ambrose), Carlo Maratti  Italian, Red chalk on blue paper
Carlo Maratti
1625–1713
The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception, Carlo Maratti  Italian, Pen and brown ink, red chalk, and a trace of brush and red wash
Carlo Maratti
1625–1713
Virtue Crowned by Honor, Carlo Maratti  Italian, Red chalk
Carlo Maratti
1670–76
Study for Nude Male Figures Supporting a Frame and Plan of the Ceiling Decoration of Palazzo Altieri, Rome, Carlo Maratti  Italian, Pen and brown ink, some brush and brown wash, over black chalk
Carlo Maratti
1625–1713
Allegorical Figure of Peace, Carlo Maratti  Italian, Pen and brown ink, highlighted with white gouache, over red chalk, on light brown washed paper (the form of the spandrel is indicated in brown wash)
Carlo Maratti
1625–1713
Allegory of the Old and New Dispensations, Carlo Maratti  Italian, Pen and brown ink, over black and red chalk, highlighted with white gouache, on light brown paper
Carlo Maratti
1700–8
Study for a Seated Prelate (Saint Gregory the Great), Carlo Maratti  Italian, Black chalk, highlighted with white chalk, on blue-gray paper
Carlo Maratti
1685–86