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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 223 results for Cavaliere d
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Study after the Belvedere Torso
Cavaliere d'Arpino (Giuseppe Cesari)
ca. 1585
Allegorical Figure of Fame
Cavaliere d'Arpino (Giuseppe Cesari)
ca. 1590
Head of a Bearded Man Wearing a Hood in Profile Facing Left
Cavaliere d'Arpino (Giuseppe Cesari)
1636–38
The Resurrection
Cavaliere d'Arpino (Giuseppe Cesari)
ca. 1600
Advancing Figure
Cavaliere d'Arpino (Giuseppe Cesari)
1568–1640
Study of a Male Nude
Cavaliere d'Arpino (Giuseppe Cesari)
1568–1640
Head of a Warrior
Cavaliere d'Arpino (Giuseppe Cesari)
1597–1601
Figure of a Man Throwing Stones (recto); Study of a Man (?) (verso)
Cavaliere d'Arpino (Giuseppe Cesari)
1568–1640
Aetarnitas
Marcus Sadeler
1614–50
Architectural Design for a Monumental Altar, with a Composition with Saint Michael Against Satan and two Saints (Saints Peter and Paul?)
Anonymous
n.d.
Study of a Seated Putto Looking at His Right (recto); A Woman's Head, Study after the Antique (verso)
Anonymous
1590–1630
Hermaphrodite
Anonymous, Italian, mid-16th century
1568–1640
Susanna at the bath
Jacques Bouillard
ca. 1786
Cupid wrestling with Pan, amongst the clouds, with two allegorical women seated at left
Jacob Matham
1598–1632
The Flagellation of Christ, with floggers on either side and figures watching from a balcony above in the background
Aegidius Sadeler II
1593
Catafalque for Duke Alessandro Farnese; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura'
Giovanni Maggi
1593
Standing Nude Man (Bacchus)
Cavaliere d'Arpino (Giuseppe Cesari)
ca. 1590–1600
Portrait of Cavalier d'Arpino
Ottavio Leoni (Il Padovano)
1621
Ancient Rome
Giovanni Paolo Panini
1757
Giuseppe Cesare, called Cavaliere d'Arpino, a bust-length portrait in a twelve-sided frame
Ottavio Leoni (Il Padovano)
1621
Portrait of Cavaliere Pompeo Batoni
Jean-Baptiste-François Bosio
n.d.
Inkstand with Apollo and the Muses
Patanazzi family
1584
Vue cavalière de la seconde cataracte, prise du haut de Djebel-Aboucir
Maxime Du Camp
March 24, 1850
Untitled
Theodoros Stamos
1946
Untitled
Theodoros Stamos
1946
Greek Myth
Theodoros Stamos
1946
Sounds in the Rock
Theodoros Stamos
1946
Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca, e Greca con un Ragionamento Apologetico in defesa dell'Architettura Egizia, e Toscana, opera del Cavaliere Giambattista Piranesi Architetto (Diverse Ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan, and Grecian architecture with an Apologia in defense of the Egyptian and Tuscan architecture, the work of Cavaliere Giambattista Piranesi)
Giovanni Battista Piranesi
1769
Chimneypiece designed for John Hope, from "Diverse Maniere d'adornare i cammini..." (Diverse Ways of ornamenting chimneypieces...)
Giovanni Battista Piranesi
1769
Plate opposite page 20 of "Apologia": Shells from the Gualtieri collection, pagina 21, tavola 1, from "Diverse Maniere d'adornare i cammini..." (Diverse Ways of ornamenting chimneypieces...)
Giovanni Battista Piranesi
1769
Plate opposite page 21 of "Apologia": Shells from the Gualtieri collection and vase designs, pagina 21, tavola 2, from "Diverse Maniere d'adornare i cammini..." (Diverse Ways of ornamenting chimneypieces...)
Giovanni Battista Piranesi
1769
Plate preceding page 31 of "Apologia": Etruscan inventions, pagina 21, tavola 2, from "Diverse Maniere d'adornare i cammini..." (Diverse Ways of ornamenting chimneypieces...)
Giovanni Battista Piranesi
1769
Chimneypiece: Head of Medusa between two satyr heads on the lintel, from "Diverse Maniere d'adornare i cammini..." (Diverse Ways of ornamenting chimneypieces...)
Giovanni Battista Piranesi
1769
Two groups of furniture: Left–two clocks and a chair. Right–a commode, a sedan chair and a coach, from "Diverse Maniere d'adornare i cammini..." (Diverse Ways of ornamenting chimneypieces...)
Giovanni Battista Piranesi
1769
Chimneypiece: Frieze of trophies and winged Victories on the lintel, with cornucopias to either side of the jambs decorated with varied reliefs (Ch. décorée d'une grecque), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)
Giovanni Battista Piranesi
ca. 1769
Chimneypiece in the Egyptian style: Giant figures supporting the lintel, flanked by chairs, from "Diverse Maniere d'adornare i cammini..." (Diverse Ways of ornamenting chimneypieces...)
Giovanni Battista Piranesi
1769
Chimneypiece in the Egyptian style: Two mummies in profile on the left and two figures brearing obelisks on the right (Ch. à l'ègyptienne), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)
Giovanni Battista Piranesi
ca. 1769
Miscellaneous furniture including two sedan chairs, a side table and a commode (Deux ch. à porteurs v. de côté, console, flambeau.), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)
Giovanni Battista Piranesi
ca. 1769
Chimneypiece in the Egyptian style: Groups of three female nudes at the base of each jamb, surmounted by larger kneeling figures), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)
Giovanni Battista Piranesi
ca. 1769
Egyptian decoration of the Caffè degli Inglesi: Animals on the cornice, including a bull at the center, from "Diverse Maniere d'adornare i cammini..." (Diverse Ways of ornamenting chimneypieces...)
Giovanni Battista Piranesi
1769