ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 24 results for Claude Audran III
Sort by:
Design for the Decoration of a Ceiling
Claude Audran III
Fire Screen Panel
Savonnerie Manufactory
before 1777; design, late 1720s; woven until second half of 18th century
[The Months]
Claude Audran III
[1726]
Youth
Claude Gillot
n.d.
Adolescence
Claude Gillot
n.d.
The Passion for Wealth
Claude Gillot
n.d.
The Funeral (Les Obseques): various satyrs gathered in a clearing, funeral pyre to left, a freshly dug grave and a tomb decorated with satyr heads and antlers in center, upon which musicians are seated, from "The lives of satyrs" (La vie des satyres)
Claude Gillot
ca. 1700–20
The Birth (La Naissance): in a forest, the new mother resting in a hammock at center, the newborn below her to left, various satyrs and goats surrounding, from "The lives of satyrs" (La vie des satyres)
Claude Gillot
ca. 1700–20
The Education (L'Education): in a forest, to right an old satyr instructor holding a wand, teaching a group of children, to the left a merchant of orvietan trying to attract spectators with his act, from "The lives of satyrs" (La vie des satyres)
Claude Gillot
ca. 1700–20
The Marriage (Le Mariage): in a forest, an old satyr marries the betrothed in center, musicians to right, old satyrs with canes to the left, a couple consulting an old philosopher to left in the foreground, from "The lives of satyrs" (La vie des satyres)
Claude Gillot
ca. 1700–20
Le sacre de Louis XV, roy de France & de Navarre, dans l'église de Reims, le dimanche XXV octobre MDCCXXII
Pierre Dulin
1723
Portiere with the Chauvelin arms from a set called a Chancellerie
Claude Audran III
designed 1679 and 1700, borders ca. 1720, woven 1728–30
Alphonse III Delbène, Bishop of Orléans
Claude Mellan
The Passion for Love
Jean Audran
n.d.
Le Soleil Au Signe du Lyon
Jacques Roussin, Lyon
1623
The Memorable Judgment of Sancho Panza from a series of tapestries with scenes from Don Quixote (number twenty-four in a series of twenty-eight)
Manufacture Nationale des Gobelins
designed 1727–55, woven April 1752–Dec. 24, 1754
Nouveaux Desseins d'Arquebuserie
Claude Gillot
n.d. [before 1722]
The Passion for War
Claude Gillot
n.d.
Le Cabinet des Beaux Arts ou Recueil l d'Estampes Gravées d'apres les Tableaux d'un plafond ou les Beaux Arts sont representés
Pieter Schenck I
1693
Ornament Designs Invented by J. Berain
Jean Berain
1711 or after
Plate 5: Catherine de' Medici, Queen of France, with her children, Henry III, King of France and Poland; Francis II, King of France and Scotland; Charles IX, King of France; Francis, Duke of Anjou and Alençon; Elisabeth, Queen of Spain; Margaret, Queen of France and Navarre; and Claudia, Duchess of Lorena
Giuliano Giampiccoli
1751
Original Designs of the Most Celebrated Masters of the Bolognese, Roman, Florentine, and Venetian Schools. . . In His Majesty's Collection
John Chamberlaine
1812
Seventy-Five Portraits of Celebrated Painters, From "Authentic Originals"
John Girtin
1817
The Works of Horatio Walpole, Earl of Orford, vol. III
Horace Walpole, 4th Earl of Orford
1798