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Showing 1,015 results for Clay & Richmond
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Cornelius Tiebout
Clay & Richmond
1879
Terracotta oinochoe (jug), Richmond Painter, Terracotta, Greek, Attic
Richmond Painter
ca. 450–425 BCE
Watch with automaton, Charles Clay  British, Case: gold and silver; Dial: champlevé gold, British, London
Charles Clay
ca. 1720
Tray, Henry Clay, Black lacquered, painted and gilded papier-mâché, British
Henry Clay
first half 19th century
William S. Kimball & Company
Clay & Richmond
ca.1900
William S. Kimball & Company
Clay & Richmond
ca.1900
William S. Kimball & Company
Clay & Richmond
ca.1900
William S. Kimball & Company
Clay & Richmond
ca.1900
William S. Kimball & Company
Clay & Richmond
ca.1900
Langdon Clay
1970s
Neck-amphora, Richmond Painter, Terracotta, Greek, Attic
Richmond Painter
ca. 440 BCE
Sapphire Skin, Richmond Burton  American, Oil and graphite on canvas
Richmond Burton
1993
Boxer, Richmond Barthé  American, Bronze
Richmond Barthé
1942
All on Hobbies, Gee Up, Gee Ho!, Edward Williams Clay  American, Lithograph, hand-colored
Multiple artists/makers
1838
Bessie Moore, Virginia Richmond Reynolds  American, Watercolor on ivory, American
Virginia Richmond Reynolds
1899
Dress, Dalligner, Modes, Richmond, silk, cotton, British
Dalligner, Modes, Richmond
ca. 1871
The Majestic and Graceful Giraffes, or Cameleopards, with some Rare Animals of the Gazelle Species, Edward Williams Clay  American, Lithograph
Edward Williams Clay
Henry R. Robinson
1838
A figure weeping over a grave, George Richmond  British, Pen and brown ink over graphite
George Richmond
1827 or 1829
Hagar and Ishmael in the Wilderness (recto); Two portrait studies of the artist's wife, and a study of a leg and torso (verso), George Richmond  British, Graphite, pen and black ink, brush and black wash, with white gouache (bodycolor) (recto); graphite and black chalk with touches of gouache (bodycolor) (verso)
George Richmond
1829–33
Portrait of two children, George Richmond  British, Watercolor and gouache (bodycolor) with touches of gum and gold, on yellow paper
George Richmond
1837
Study for a male figure in "Comus–The Measure" (recto); Reclining male nude (verso), George Richmond  British, Black chalk
George Richmond
John Milton
before 1864
Study of a man gazing down, George Richmond  British, Pen and brown ink
George Richmond
1840–80
Portrait of George Eliot, seen in profile to the left, George Richmond  British, Graphite
George Richmond
George Eliot
1881
Study of a tree, George Richmond  British, Watercolor
George Richmond
possibly 1848
Landscape at Margate, George Richmond  British, Black chalk
George Richmond
1840–60 (?)
Cedar trees in a park, George Richmond  British, Black, red and white chalk on brown paper
George Richmond
1840–70
Burdock, George Richmond  British, Black and white chalk on blue-gray paper
George Richmond
1820–90
Study of a plant, George Richmond  British, Black chalk
George Richmond
1840–80
"Jocund Day Stands Tip Toe on the Misty Mountain Tops" (Shakespeare, Romeo and Juliet, Act 3, Scene 5), George Richmond  British, Graphite
George Richmond
William Shakespeare
ca. 1830
Compositional Study for "Comus–The Measure" (recto); Studies of a Man's Right Leg, after Titian, and a Profile, for "Comus–The Measure" (verso), George Richmond  British, Black chalk
Multiple artists/makers
before 1864
Study of a female nude, seated, George Richmond  British, Red and black chalk
George Richmond
1870–79 (?)
George Richmond – Self-portrait, George Richmond  British, Stipple engraving on chine collé
George Richmond
William Holl, the Younger
1863
Portrait of John Keble, George Richmond  British, Reproductive print
Multiple artists/makers
1863
Portrait of Michael Faraday, George Richmond  British, Stipple engraving on chine collé
Multiple artists/makers
1852
Clay-Adams Company, New York
early 20th c.
Watch, W. Mitchell, Gold, British, Richmond, Yorkshire
W. Mitchell
early 19th century
Edward Williams Clay
Henry R. Robinson
July 1837
Edward Williams Clay
John B. Pendleton
1832
Clay Edgar Spohn
WPA
1938
Clay Edgar Spohn
WPA
1937