Hagar and Ishmael in the Wilderness (recto); Two portrait studies of the artist's wife, and a study of a leg and torso (verso)
After bearing a son to her childless master, Abraham, the Egyptian servant Hagar was expelled from the household by his jealous wife, Sarah, and forced to wander in the wilderness of Beersheba (Gen. 21:9-14). Richmond presents Hagar striding forward, carrying water in a skin slung from a yoke while guiding her son, Ishmael. The Old Testament relates that God subsequently protected the pair when their water ran out. The artist drew them with youthful exuberance, basing Hagar's profile and statuesque form on precedents in Michelangelo and Raphael. At this early stage in his career Richmond belonged to the Ancients, an idealistic artistic brotherhood that deeply admired the work of William Blake and the Renaissance.
The figures are defined in graphite and ink, the shadows in wash, and highlights in white gouache. The artist also used the sheet to work out details-for example, sketching an alternate version of the boy's legs at upper left and moving Hagar's left hand from its previous position near her thigh upward to support the yoke. Richmond then partially worked the preliminary lines into the surrounding landscape. On the verso Richmond sketched his wife Julia, with whom he had eloped at the age of twenty-one. The two would have fifteen children, ten of whom survived infancy, including the painter Sir William Blake Richmond, named for his father's artistic mentor.
The figures are defined in graphite and ink, the shadows in wash, and highlights in white gouache. The artist also used the sheet to work out details-for example, sketching an alternate version of the boy's legs at upper left and moving Hagar's left hand from its previous position near her thigh upward to support the yoke. Richmond then partially worked the preliminary lines into the surrounding landscape. On the verso Richmond sketched his wife Julia, with whom he had eloped at the age of twenty-one. The two would have fifteen children, ten of whom survived infancy, including the painter Sir William Blake Richmond, named for his father's artistic mentor.
Artwork Details
- Title: Hagar and Ishmael in the Wilderness (recto); Two portrait studies of the artist's wife, and a study of a leg and torso (verso)
- Artist: George Richmond (British, Brompton 1809–1896 London)
- Date: 1829–33
- Medium: Graphite, pen and black ink, brush and black wash, with white gouache (bodycolor) (recto); graphite and black chalk with touches of gouache (bodycolor) (verso)
- Dimensions: sheet: 17 1/2 x 12 13/16 in. (44.5 x 32.6 cm)
- Classification: Drawings
- Credit Line: Purchase, Isaacson-Draper Foundation Gift, 2002
- Object Number: 2002.119a, b
- Curatorial Department: Drawings and Prints
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.