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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,012 results for Cristoforo Caselli

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Head of a Youth with a Diadem, Cristoforo Caselli (?), Pen and brown ink, brown wash, red and blue watercolor, on tinted paper., Italian — Head of a Youth with a Diadem
Cristoforo Caselli
late 15th–early 16th century

Saint Catherine of Alexandria, Cristoforo Solari Italian, Marble, Italian, Milan — Saint Catherine of Alexandria
Cristoforo Solari
probably 1514–24

Angel with Portative Organ, Cristoforo Cortese Italian, Tempera and gold on parchment — Angel with Portative Organ
Cristoforo Cortese
ca. 1401–7

Angel with Harp, Cristoforo Cortese Italian, Tempera and gold on parchment, the gold filigree decoration applied on brownish gray bole. — Angel with Harp
Cristoforo Cortese
ca. 1401–7

Saint Mark the Evangelist and Saint Sinibaldus Venerated by Members of a Lay Confraternity, Cristoforo Cortese Italian, Tempera and gold on parchment — Saint Mark the Evangelist and Saint Sinibaldus Venerated by Members of a Lay Confraternity
Cristoforo Cortese
ca. 1425–34

A Boy, Gian Cristoforo Romano Italian, Marble, Italian, Rome — A Boy
Gian Cristoforo Romano
late 15th–early 16th century

Orpheus, Cristoforo Stati (Cristofano da Bracciano) Italian, Marble, Italian, Florence — Orpheus
Cristoforo Stati (Cristofano da Bracciano)
1600–1601

Sacrifice to Priapus, Cristoforo di Geremia Italian, Copper alloy with dull brown patina. — Sacrifice to Priapus
Cristoforo di Geremia
model ca. 1470 (possibly cast 16th century)

The Resurrection, Perugino (Pietro di Cristoforo Vannucci) Italian, Tempera on wood — The Resurrection
Perugino (Pietro di Cristoforo Vannucci)

Saint John the Baptist; Saint Lucy, Perugino (Pietro di Cristoforo Vannucci) Italian, Oil(?) on wood — Saint John the Baptist; Saint Lucy
Perugino (Pietro di Cristoforo Vannucci)

Ludovico Scarampi (or Mezzarota), 1402–1465, Cristoforo di Geremia Italian, Bronze, Italian — Ludovico Scarampi (or Mezzarota), 1402–1465
Cristoforo di Geremia
1461–70

Portrait of a youthful patrician, Gian Cristoforo Romano Italian, Marble; frame: gilded wood with touches of polychrome, Northern Italian, Mantua — Portrait of a youthful patrician
Gian Cristoforo Romano
ca. 1500–1510

Julius II (Pope, 1503–15), Gian Cristoforo Romano Italian, Bronze, Italian — Julius II (Pope, 1503–15)
Gian Cristoforo Romano
1504–5

Pope Paul II, Cristoforo di Geremia Italian, Bronze, Italian — Pope Paul II
Cristoforo di Geremia
15th century

Isabella d'Este (1474–1539), Gian Cristoforo Romano Italian, Bronze, Italian — Isabella d'Este (1474–1539)
Gian Cristoforo Romano
1498

Pope Paul II, Cristoforo di Geremia Italian, Bronze, Italian, Mantua — Pope Paul II
Cristoforo di Geremia

Lodovico Scarampi (1402–1465), Cristoforo di Geremia Italian, Bronze, Italian, Rome — Lodovico Scarampi (1402–1465)
Cristoforo di Geremia
1456–1476

Guillaume d'Estouteville, Cristoforo di Geremia Italian, Bronze, Italian, Rome — Guillaume d'Estouteville
Cristoforo di Geremia
after 1461

Jar, Capodimonte Porcelain Manufactory Italian, Soft-paste porcelain decorated in polychrome enamels, Italian, Naples — Jar
Capodimonte Porcelain Manufactory
Giovanni Caselli
ca. 1750–60

Augustus and the Tiburtine Sibyl, Caradosso (Cristoforo Caradosso Foppa), Bronze, Italian — Augustus and the Tiburtine Sibyl
Caradosso (Cristoforo Caradosso Foppa)
16th century

Giangiacomo Trivulzio of Milan, Marquis of Vigevano (1448–1518), Caradosso (Cristoforo Caradosso Foppa), Bronze, Italian — Giangiacomo Trivulzio of Milan, Marquis of Vigevano (1448–1518)
Caradosso (Cristoforo Caradosso Foppa)
1499

The Rape of Ganymede, Caradosso (Cristoforo Caradosso Foppa), Bronze, remains of gilding, Italian, Milan — The Rape of Ganymede
Caradosso (Cristoforo Caradosso Foppa)
Leonardo da Vinci
16th century

Giangiacomo Trivulzio 1441–1518, Marshal of France 1499, Marquis of Vigevano, Caradosso (Cristoforo Caradosso Foppa), Bronze, Italian — Giangiacomo Trivulzio 1441–1518, Marshal of France 1499, Marquis of Vigevano
Caradosso (Cristoforo Caradosso Foppa)
1475–1527

Study of the Head of a Youth Gazing Upward, Perugino (Pietro di Cristoforo Vannucci) Italian, Black chalk; Squared in black chalk; eyes, nose, ears, mouth retouched with pen and brown ink. — Study of the Head of a Youth Gazing Upward
Perugino (Pietro di Cristoforo Vannucci)
late 15th–early 16th century

Group of Warriors Standing, Perugino (Pietro di Cristoforo Vannucci) Italian, Tip of the brush and black ink, black wash, traces of black chalk, heightened with white, on dark brown tinted paper. — Group of Warriors Standing
Perugino (Pietro di Cristoforo Vannucci)
late 15th–early 16th century

Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso), Perugino (Pietro di Cristoforo Vannucci) Italian, Metalpoint on pinkish prepared paper; retouched by a later hand in pencil, particularly the figure at the right (recto); black chalk, over dots obtained by the pouncing of a model; partly retouched with brush and brown ink (verso) — Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Perugino (Pietro di Cristoforo Vannucci)
ca. 1504

Portrait medal of Cristoforo Madruzzo (obverse); Landscape with a Female Figure Pointing to the Sun (reverse), Pietro Paolo Galeotti ("Il Romano"), Bronze (Copper alloy with reddish<br/>brown cuprite patina). — Portrait medal of Cristoforo Madruzzo (obverse); Landscape with a Female Figure Pointing to the Sun (reverse)
Pietro Paolo Galeotti ("Il Romano")
model ca. 1555 (contemporary cast)

Alla partenza della Cristoforo Colombo, Genova

Stefano Robino

1957, printed later

Alla partenza della Cristoforo Colombo, Genova

Stefano Robino

1957

Alla partenza della Cristoforo Colombo, Genova

Stefano Robino

1957, printed later

Snuffbox, Capodimonte Porcelain Manufactory Italian, Soft-paste porcelain decorated in polychrome enamels; gold mounts, Italian, Naples — Snuffbox
Multiple artists/makers
ca. 1745–50

Design for a Reredos or Frame and Setting for an Altar Painting, Pomarancio (Cristoforo Roncalli) Italian, Pen and brown ink, brush and brown wash — Design for a Reredos or Frame and Setting for an Altar Painting
Pomarancio (Cristoforo Roncalli)
1552–1626

God the Father, Pomarancio (Cristoforo Roncalli) Italian, Red chalk; squared in red chalk — God the Father
Pomarancio (Cristoforo Roncalli)
1553–1626

The Holy Family with Angels, Pomarancio (Cristoforo Roncalli) Italian, Black chalk highlighted with white chalk on blue paper — The Holy Family with Angels
Pomarancio (Cristoforo Roncalli)
1603–5

Two Nudes Seen from Below (recto); Male Figure with Upraised Arm (verso), Pomarancio (Cristoforo Roncalli) Italian, Red chalk (recto and verso); squared in red chalk — Two Nudes Seen from Below (recto); Male Figure with Upraised Arm (verso)
Pomarancio (Cristoforo Roncalli)
1580–82

Flying Angel, Pomarancio (Cristoforo Roncalli) Italian, Red and some black chalk; squared in red chalk — Flying Angel
Pomarancio (Cristoforo Roncalli)
1553–1626

Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso), Pomarancio (Cristoforo Roncalli) Italian, Pen and brown ink, brush and brown wash, over black chalk (recto); red and black chalk, pen and brown ink, brush and brown wash, on (verso); squared in black chalk — Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso)
Pomarancio (Cristoforo Roncalli)
1553–1626

Study for Lower Part of Torso and Legs of a Young Boy, Pomarancio (Cristoforo Roncalli) Italian, Black chalk, traces of red chalk — Study for Lower Part of Torso and Legs of a Young Boy
Pomarancio (Cristoforo Roncalli)
1568–1640

Formulario di lettere

Cristoforo Landini

Antonio di Bartolommeo Miscomini

1492

Formulario di epistole

Cristoforo Landini

Antonio di Bartolommeo Miscomini

1507