Tickets
English
DonateMembership
Tickets

Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
More than 10,000 results for Cui Zifan
Sort by:
Wisteria and Goldfish, Cui Zifan Chinese, Hanging scroll; ink and color on bark paper, China
Wisteria and Goldfish
Cui Zifan
20th century
Lotus, Cui Zifan Chinese, Hanging scroll; ink and color on paper, China
Lotus
Cui Zifan
20th century
Grapes, Cui Zifan Chinese, Hanging scroll; ink and color on bark paper, China
Grapes
Cui Zifan
dated 1980
View of Mt. Omei, Cui Zifan Chinese, Hanging scroll; ink and color on bark paper, China
View of Mt. Omei
Cui Zifan
dated 1978
Cormorants, Cui Zifan Chinese, Hanging scroll; ink and color on bark paper, China
Cormorants
Cui Zifan
dated 1980
Cat and Goldfish, Cui Zifan Chinese, Hanging scroll; ink and color on paper, China
Cat and Goldfish
Cui Zifan
dated 1978
Portrait of Li Xiangjun, Cui He Chinese, Hanging scroll; ink and color on paper, China
Portrait of Li Xiangjun
Cui He
dated 1817
Lȕ Dongbin and the Spirit of the Peony, Unidentified artist, Hanging scroll; ink and color on silk, China
Lȕ Dongbin and the Spirit of the Peony
Unidentified artist
Cui Zizhong
Wild Duckling on Sandy Beach, Unidentified artist, Album leaf; ink and color on silk, China
Wild Duckling on Sandy Beach
Unidentified artist
Cui Bai
20th century
Landscape with Rapids, Unidentified artist, Album leaf; ink and color on silk, China
Landscape with Rapids
Unidentified artist
Cui Que
Story of the Western Chamber, HaHanging scroll; woodblock print; two shades of ink on paper with additional hand coloring, China
Story of the Western Chamber
China
Cui Tolus Peccata
Peter Lipman-Wulf
1958
Marici Sutra and Yellow Emperor's Sutra for Secret Charm Against Evil, Ink on paper, China
Marici Sutra and Yellow Emperor's Sutra for Secret Charm Against Evil
Li Fenggui
Cui Shousu
20th century
Eagle on a Rock at Sea
Unidentified artist
Cui Bai
Wild Geese in Flight and on Land
Unidentified artist
Cui Bai
Villa Madama, after H. Robert, Jean François Janinet French, Aquatint
Villa Madama, after H. Robert
Multiple artists/makers
1778
Vase with scenes from Romance of the West Chamber , Porcelain painted in cobalt blue under transparent glaze (Jingdezhen ware), China

Vase with scenes from Romance of the West Chamber

China
late 17th century
Rabbit gazing at the moon, Silk embroidery on silk satin, China
Rabbit gazing at the moon
China
18th century
Winter Flowers, Silk tapestry (kesi), China
Winter Flowers
China
16th–17th century
Pair of screens with scenes from Romance of the West Chamber, Carved red lacquer, China
Pair of screens with scenes from Romance of the West Chamber
China
18th–19th century
Rébus on the subject of fortune, a riddle depicted on drapery surrounded by a frame, Stefano della Bella Italian, Etching
Rébus on the subject of fortune, a riddle depicted on drapery surrounded by a frame
Stefano della Bella
ca. 1637–42
L'Architetto Prattico, in cui con facilta si danno le regole per apprendere l'architettura civile
Multiple artists/makers
1726 and 1750
The ancient Capitol ascended by approximately one hundred steps... (Campidoglio antico a cui si ascendeva per circa cento gradini...), from "Prima Parte di Architettura, e Prospettive", Giovanni Battista Piranesi Italian, Etching
The ancient Capitol ascended by approximately one hundred steps... (Campidoglio antico a cui si ascendeva per circa cento gradini...), from "Prima Parte di Architettura, e Prospettive"
Giovanni Battista Piranesi
ca. 1750
View of a courtyard with a loggia, fountains, statues, and other ornaments (Prospetto d'un regio Cortile nel cui mezzo vi stà una Loggia...), from "Prima Parte di Architettura, e Prospettive", Giovanni Battista Piranesi Italian, Etching
View of a courtyard with a loggia, fountains, statues, and other ornaments (Prospetto d'un regio Cortile nel cui mezzo vi stà una Loggia...), from "Prima Parte di Architettura, e Prospettive"
Giovanni Battista Piranesi
ca. 1750
Large sculpture gallery built on arches and lit from above... (Galleria grande di Statue, la cui struttura è con Archi e col lume preso dall'alto...), from "Prima Parte di Architettura, e Prospettive", Giovanni Battista Piranesi Italian, Etching
Large sculpture gallery built on arches and lit from above... (Galleria grande di Statue, la cui struttura è con Archi e col lume preso dall'alto...), from "Prima Parte di Architettura, e Prospettive"
Giovanni Battista Piranesi
ca. 1750
View of the scene in which is represented the Judgment of Paris (Prospettiva della scena in cui si rappresentò il Giuditio do Paride), from "Seven Interludes for the wedding celebration of Cosimo de' Medici in Florence, 1608", Remigio Cantagallina Italian, Etching
View of the scene in which is represented the Judgment of Paris (Prospettiva della scena in cui si rappresentò il Giuditio do Paride), from "Seven Interludes for the wedding celebration of Cosimo de' Medici in Florence, 1608"
Remigio Cantagallina
Giulio Parigi
1608
A fan with a rebus on Love on one side Fortune on the other, Stefano della Bella Italian, Etching fashioned to form a fan with fringe around the edges and wooden handle
A fan with a rebus on Love on one side Fortune on the other
Stefano della Bella
ca. 1639
Allegorical Figure of Peace, Carlo Maratti Italian, Pen and brown ink, highlighted with white gouache, over red chalk, on light brown washed paper (the form of the spandrel is indicated in brown wash)
Allegorical Figure of Peace
Carlo Maratti
1625–1713
Plate 10: The ancient Capitol ascended by approximately one hundred steps [...] (Campidoglio antico a cui si ascendeva per circa cento gradini [...]), from "Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe" (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe), Giovanni Battista Piranesi Italian, Etching
Plate 10: The ancient Capitol ascended by approximately one hundred steps [...] (Campidoglio antico a cui si ascendeva per circa cento gradini [...]), from "Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe" (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe)
Giovanni Battista Piranesi
1743
Gestus habitusq. in Turcia puerorum foras exeuntium; Mulier Turca cui amictui est tegmen Maurit...um; Nobilis viri vxor in Turcia ita vt domi sese continent, vestita, Abraham de Bruyn Flemish, Engraving
Gestus habitusq. in Turcia puerorum foras exeuntium; Mulier Turca cui amictui est tegmen Maurit...um; Nobilis viri vxor in Turcia ita vt domi sese continent, vestita
Abraham de Bruyn
Joos de Bosscher
1580
Armchair, Purple sandalwood (zitan), China
Armchair
China
17th century
Armchair, Purple sandalwood (zitan), China
Armchair
China
17th century
Armchair, Purple sandalwood (zitan), China
Armchair
China
17th century
Armchair, Purple sandalwood (zitan), China
Armchair
China
17th century
Seated Allegorical Figure of Divine Wisdom, Carlo Maratti Italian, Red chalk
Seated Allegorical Figure of Divine Wisdom
Carlo Maratti
1674–77
Table stand, Zitan wood, China
Table stand
China
17th century
Title page, from "Le Rovine del Castello dell'Acqua Giulia situato in Roma presso S. Eusebio, e falsamente detto dell'Acqua Marcia colla dichiarazione di uno de celebri passi del commentario Frontinano e l'esposizione della maniera con cui gli antichi Romani distribuivano le acque per uso della città" (Ruins of the Fountainhead of the Acqua Giulia in Rome, near S. Eusebio and incorrectly called the Fountainhead of the Acqua Marcia, with a discussion of one of the celebrated passages from the commentary by Frontinus and an explanation of the manner in which the ancient Romans distributed the water for the use of the city)
Giovanni Battista Piranesi
1761
Male Figure (Moai Tangata), Wood, obsidian, bone, Rapa Nui people
Male Figure (Moai Tangata)
Rapa Nui people
early 19th century
The Kangxi Emperor's Southern Inspection Tour, Scroll Three: Ji'nan to Mount Tai, Wang Hui and assistants Chinese, Handscroll; ink and color on silk, China
The Kangxi Emperor's Southern Inspection Tour, Scroll Three: Ji'nan to Mount Tai
Wang Hui
datable to 1698
Ornamental letter "T" with coins of Augustus and M. Agrippa, from "Le Rovine del Castello dell'Acqua Giulia situato in Roma presso S. Eusebio, e falsamente detto dell'Acqua Marcia colla dichiarazione di uno de celebri passi del commentario Frontinano e l'esposizione della maniera con cui gli antichi Romani distribuivano le acque per uso della città" (Ruins of the Fountainhead of the Acqua Giulia in Rome, near S. Eusebio and incorrectly called the Fountainhead of the Acqua Marcia, with a discussion of one of the celebrated passages from the commentary by Frontinus and an explanation of the manner in which the ancient Romans distributed the water for the use of the city)
Giovanni Battista Piranesi
1761