Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
More than 10,000 results for Dirck Hendricksz., called Centen, also called Teodoro d'Errico
Sort by:
The Virgin and Child in Glory Adored by Saints Catherine and Lucy, Dirck Hendricksz., called Centen, also called Teodoro d'Errico  Netherlandish, Black chalk, pen and brown ink, brush and brown wash, heightened with white chalk
Dirck Hendricksz., called Centen, also called Teodoro d'Errico
mid-16th–early 17th century
Striding Pan, Andrea Briosco, called Riccio  Italian, Bronze, Italian, Padua
Andrea Briosco, called Riccio
1530–1539
Rothschild lamp, Andrea Briosco, called Riccio  Italian, Bronze, on a later wood base, Italian, Padua
Andrea Briosco, called Riccio
ca. 1510–20
Detached Flintlock alla Fiorentina, Sebastiano Cecchi, called Acquafresca  Italian, Steel, Italian, Bargi
Sebastiano Cecchi, called Acquafresca
Matteo Cecchi, called Acquafresca
dated 1679
Saint John on Patmos, Hans Baldung (called Hans Baldung Grien)  German, Oil, gold, and white metal on spruce
Hans Baldung (called Hans Baldung Grien)
ca. 1511
The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Oil on canvas
Jusepe de Ribera (called Lo Spagnoletto)
1648
Margaret of Austria, Jean Hey (called Master of Moulins)  Netherlandish, Oil on oak panel
Jean Hey (called Master of Moulins)
ca. 1490
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, Giovanni di ser Giovanni Guidi (called Scheggia)  Italian, Tempera, silver, and gold on wood
Giovanni di ser Giovanni Guidi (called Scheggia)
ca. 1449
Mechanical table, Jean-François Oeben  French, born Germany, Oak veneered with mahogany, kingwood, and tulipwood, with marquetry of mahogany, rosewood, holly, and various other woods; gilt-bronze mounts; imitation Japanese lacquer; replaced silk, French
Jean-François Oeben
Roger Vandercruse, called Lacroix
ca. 1761–63
Wine cooler, Joseph Gegenbach, called Canabas  French, Oak veneered with mahogany; gilt bronze, tinned copper liner, French, Paris
Joseph Gegenbach, called Canabas
ca. 1780–90
Candelstand and worktable (table à ouvrage en guéridon), Roger Vandercruse, called Lacroix  French, Oak veneered with tulipwood, boxwood, holly and ebonized holly, sycamore, and other woods; soft-paste porcelain, gilt bronze, silk, French, Sèvres
Multiple artists/makers
ca. 1785
Writing table, Roger Vandercruse, called Lacroix  French, Oak, veneered with rosewood, endcut kingwood, banding of holly, gilt-bronze, French, Paris
Roger Vandercruse, called Lacroix
ca. 1760–70
Seated satyr with a shell, Andrea Briosco, called Riccio  Italian, Bronze, Italian
Andrea Briosco, called Riccio
after 1600
Seated satyr with silvered eyes, Andrea Briosco, called Riccio  Italian, Bronze, silver inlay (eyes), Italian, Padua
Andrea Briosco, called Riccio
second quarter of the 16th century
Triton and Nereid, Andrea Briosco, called Riccio  Italian, Bronze, Italian, Padua
Andrea Briosco, called Riccio
after 1532–before ca. 1550
Commode, Roger Vandercruse, called Lacroix  French, Oak veneered with tulip-, rose-, and end cut kingwood, gilt bronze, rouge griotte marble, French, Paris
Roger Vandercruse, called Lacroix
ca. 1755–60
Small oval writing table (one of a pair), Roger Vandercruse, called Lacroix  French, Oak veneered with satiné wood, tulipwood; leather; gilt bronze, French, Paris
Roger Vandercruse, called Lacroix
ca. 1775
The Entombment of Christ, Andrea Briosco, called Riccio  Italian, Bronze, Italian, Padua
Andrea Briosco, called Riccio
probably early 16th century
Roundel with Nude Woman Supporting a Heraldic Shield, Jan Gossart (called Mabuse)  Netherlandish, Colorless glass, vitreous paint and silver stain, South Netherlandish
Jan Gossart (called Mabuse)
ca. 1515–30
Pair of Snaphaunce Pistols, Matteo Cecchi, called Acquafresca  Italian, Steel, silver, wood (ebony), Italian, Bargi
Matteo Cecchi, called Acquafresca
Giovan Battista Francino
ca. 1690
Christ Carrying the Cross, Jan Gossart (called Mabuse)  Netherlandish, Oil on oak
Jan Gossart (called Mabuse)
ca. 1520–25
Paolo Giordano II Orsini, Duke of Bracciano, Johann Jakob Kornmann (called Cormano), Bronze, partially silvered, Italian, Rome
Johann Jakob Kornmann (called Cormano)
ca. 1632
Barbute, Jacopo da Cannobio, called Bichignola  Italian, Brescia, Steel, Italian, Brescia
Jacopo da Cannobio, called Bichignola
ca. 1460
The Entombment of Christ, Luisa Roldán, called La Roldana  Spanish, Polychrome terracotta, Spanish, Madrid
Luisa Roldán, called La Roldana
1700–1701
Ecstatic Christ, Hans Baldung (called Hans Baldung Grien)  German, Pen and two shades of carbon black ink, traces of black chalk underdrawing
Hans Baldung (called Hans Baldung Grien)
ca. 1510–11
Figure of Louis XVI and Benjamin Franklin, Charles-Gabriel Sauvage, called Lemire pere, Porcelain
Charles-Gabriel Sauvage, called Lemire pere
1780–85
Louis XIV, Martin van den Bogaert called Desjardins, Bronze, gilt bronze, French
Martin van den Bogaert called Desjardins
Adam Frans van der Meulen
early 18th century
The Tears of Saint Peter, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Oil on canvas
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1612–13
Altar candlestick (pair with 1975.1.1383), Andrea di Alessandri, called Il Bresciano  Italian, Copper alloy with a thick black varnish patina.
Andrea di Alessandri, called Il Bresciano
ca. 1565
Altar candlestick, Andrea di Alessandri, called Il Bresciano  Italian, Copper alloy with a thick black varnish patina.
Andrea di Alessandri, called Il Bresciano
ca. 1565
Allegory of Rout and Pillage, Dirck Vellert  Netherlandish, Colorless glass, vitreous paint and silver stain, Flemish
Dirck Vellert
ca. 1520
Martyrdom of the Seven Maccabee Brothers and Their Mother, Dirck Vellert  Netherlandish, Stained glass, Flemish, Antwerp
Dirck Vellert
ca. 1530–35
Roundel with Saint John on Patmos with Apocalyptic Vision, Dirck Vellert  Netherlandish, Colorless glass, vitreous paint and silver stain, South Netherlandish
Dirck Vellert
1520–30
Pair of Flintlock Pistols of Count Heinrich von Brühl (1700–1763), Adrien Reynier the Younger, called Le Hollandois  French, Steel, wood, silver, gold, copper alloy, French, Paris
Adrien Reynier the Younger, called Le Hollandois
Charles Reynier, called Le Hollandois
ca. 1740
Scenes from the Story of the Argonauts, Jacopo di Arcangelo (called Jacopo del Sellaio)  Italian, Tempera on wood, gilt ornaments
Jacopo di Arcangelo (called Jacopo del Sellaio)
ca. 1465
Snuffbox with Pastoral Scenes, Jean Marie Tiron (called Tiron de Nanteuil)  French, Gold and enamel
Jean Marie Tiron (called Tiron de Nanteuil)
1764–65
The Virgin Adoring the Child with the Infant Saint John the Baptist, Jacopo di Arcangelo (called Jacopo del Sellaio)  Italian, Tempera and gold on wood
Jacopo di Arcangelo (called Jacopo del Sellaio)
late 1480s
Small oval writing table (one of a pair), Roger Vandercruse, called Lacroix  French, Bois satiné, possibly purplewood, holly and stained holly on oak substrate; bottom shelf: walnut; gilt-bronze mounts; leather writing surface, French, Paris
Roger Vandercruse, called Lacroix
ca. 1775
Allegory of Virtue, Andrea Briosco, called Riccio  Italian, Gilt bronze, Italian, Padua
Andrea Briosco, called Riccio
probably early 16th century
The Sacrifice of a Swine, Andrea Briosco, called Riccio  Italian, Bronze, Italian
Andrea Briosco, called Riccio
probably early 16th century