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1-42 of 639 results for Emmanuel Frémiet
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Lizard, Emmanuel Frémiet French, Glazed stoneware, French
Lizard
Multiple artists/makers
ca. 1887
Cabinet, Jean Brandely French, Oak veneered with cedar, walnut, ebony and ivory; silvered-bronze mounts, French, Paris
Cabinet
Multiple artists/makers
1867
The Wounded Bear, Emmanuel Frémiet French, Cast terracotta, French
The Wounded Bear
Emmanuel Frémiet
ca. 1850
Head of Mercury, Emmanuel Hannaux French, Glazed stoneware, French
Head of Mercury
Emmanuel Hannaux
Emile Muller and Co.
ca. 1895
Head of Christ, Emmanuel Tzanès Greek, Tempera on wood, gold ground
Head of Christ
Emmanuel Tzanès
Head of the Virgin, Emmanuel Tzanès Greek, Tempera on wood, gold ground
Head of the Virgin
Emmanuel Tzanès
Ūd, Manol (Emmanuel Venios) Greek, active Turkey, Spruce, mulberry, various woods, mother-of-pearl, mastic, Turkish
Ūd
Manol (Emmanuel Venios)
1916
Beaker, Emmanuel Jules Joé-Descomps, Glass, silver, French, Paris
Beaker
Emmanuel Jules Joé-Descomps
J.B.F.
1903
[Glass Prisms], Emmanuel Sougez French, Gelatin silver print
[Glass Prisms]
Emmanuel Sougez
1930s
Head of Saint John the Baptist, Emmanuel Tzanès Greek, Tempera on wood, gold ground
Head of Saint John the Baptist
Emmanuel Tzanès
Ming Smith, Ming Smith American
Ming Smith
Multiple artists/makers
2020
Esthétique de la Photographie
Multiple artists/makers
1900s
Architecture et décoration turques au XVe siècle, Léon Parvillée French, Chromolithography
Architecture et décoration turques au XVe siècle
Léon Parvillée
Eugène-Emmanuel Viollet-le-Duc
1874
Ship Owners and Merchant Tug Boat Company, Emmanuel Wyttenbach American, born Switzerland, Lithograph
Ship Owners and Merchant Tug Boat Company
Emmanuel Wyttenbach
H. S. Crocker & Co.
after 1882
Book cover to an Illustrated Tourist Guide of Noted Summer & Winter Resorts of California, Emmanuel Wyttenbach American, born Switzerland, Lithograph
Book cover to an Illustrated Tourist Guide of Noted Summer & Winter Resorts of California
Emmanuel Wyttenbach
H. S. Crocker & Co.
ca. 1870–80
Man Clutching Moneybags While Banks Collapse, Emmanuel Wyttenbach American, born Switzerland, Hand-colored lithograph; touched proof
Man Clutching Moneybags While Banks Collapse
Emmanuel Wyttenbach
late 19th–early 20th century
Children Seated on a Hillside with a Racquet, Charles-Emmanuel Serret French, Black chalk and pastel
Children Seated on a Hillside with a Racquet
Charles-Emmanuel Serret
19th century
Three Children in a Landscape, Charles-Emmanuel Serret French, Pastel on brown wove paper (mounted on beige wove paper)
Three Children in a Landscape
Charles-Emmanuel Serret
1840–1900
Tired Out, from "The Graphic" Christmas Number, Adrien Emmanuel Marie French, Color wood engraving
Tired Out, from "The Graphic" Christmas Number
Adrien Emmanuel Marie
December 7, 1885
[Broken Glass]
Emmanuel de la Villéon
1903
The Half and The Whole (pair of vases), Minton(s) British, Bone china with pâte-sur-pâte decoration and gilding, British, Stoke-on-Trent, Staffordshire
The Half and The Whole (pair of vases)
Minton(s)
Louis Marc Emmanuel Solon
1895–1899
Vase and cover, Minton(s) British, Pâte-sur-pâte porcelain, British, Stoke-on-Trent, Staffordshire
Vase and cover
Minton(s)
Louis Marc Emmanuel Solon
1903
The Half and The Whole (one of a pair), Minton(s) British, Bone china with pâte-sur-pâte decoration and gilding, British, Stoke-on-Trent, Staffordshire
The Half and The Whole (one of a pair)
Minton(s)
Louis Marc Emmanuel Solon
1895–1899
Olive-green ground vase with pâte-sur-pâte decoration, Minton(s) British, Bone china, with enamel and pâte-sur-pâte decoration and gilding and platinum, British, Stoke-on-Trent, Staffordshire
Olive-green ground vase with pâte-sur-pâte decoration
Minton(s)
Louis Marc Emmanuel Solon
1884
The Half and The Whole (one of a pair), Minton(s) British, Bone china with pâte-sur-pâte decoration and gilding, British, Stoke-on-Trent, Staffordshire
The Half and The Whole (one of a pair)
Minton(s)
Louis Marc Emmanuel Solon
1895–1899
[Girl baking rolls, male chef or baker with outstretched arms next to her]
Emmanuel Wyttenbach
after 1860
Emblematic Cartouches
Emmanuel Eichel
Johann Georg Hertel
[between 1750–82]
Un Père et sa Fille
Multiple artists/makers
1928
Angelica: H. J. Woolacott, Wine and Liquor Dealer
Emmanuel Wyttenbach
late 19th century
The Forty-Niner
Emmanuel Wyttenbach
H. S. Crocker & Co.
after 1860
Modèles de Menuiserie
Multiple artists/makers
1825–26
E. S. Denison's Yosemite Views
Multiple artists/makers
1881
Central and Pacific Railroads, Summer Resorts of the Pacific Coast
Emmanuel Wyttenbach
H. S. Crocker & Co.
late 19th century
Album of 107 preparatory drawings to illustrate David Hume's "History of England", Henri-Félix-Emmanuel Philippoteaux French, Graphite, brush and brown wash, gouache
Album of 107 preparatory drawings to illustrate David Hume's "History of England"
Henri-Félix-Emmanuel Philippoteaux
David Hume
ca. 1853
Study for "Types de races algériennes", Henri-Félix-Emmanuel Philippoteaux French, Graphite
Study for "Types de races algériennes"
Henri-Félix-Emmanuel Philippoteaux
1830–86
Recueil Des Plans, Élévations et Coupes Tant Géométrales qu'en Perspective Des Châteaux, Jardins, et Dépendances, Que Le Roy De Pologne Occupe en Lorraine..., Emmanuel Héré de Corny French, Engraving
Recueil Des Plans, Élévations et Coupes Tant Géométrales qu'en Perspective Des Châteaux, Jardins, et Dépendances, Que Le Roy De Pologne Occupe en Lorraine...
Emmanuel Héré de Corny
François
1753
L'Asie, from the "Almanach iconologique", Emmanuel Jean de Ghendt Flemish, Etching with engraving
L'Asie, from the "Almanach iconologique"
Emmanuel Jean de Ghendt
Hubert François Gravelot
ca. 1765–81
Caricature, Caran d'Ache [Emmanuel Poiré] French, Pen and brown ink, brush and brown wash
Caricature
Caran d'Ache [Emmanuel Poiré]
1858–1909
View Above Handeck, Switzerland, Eugène-Emmanuel Viollet-le-Duc French, Watercolor heightened with gouache, on blue paper
View Above Handeck, Switzerland
Eugène-Emmanuel Viollet-le-Duc
1875
Mont Blanc Seen from the Massif, Les Aiguilles Rouges, Eugène-Emmanuel Viollet-le-Duc French, Watercolor heightened with gouache over traces of graphite on two sheets of blue-gray wove paper (glued together in a vertical seam at left)
Mont Blanc Seen from the Massif, Les Aiguilles Rouges
Eugène-Emmanuel Viollet-le-Duc
1874
Plan for the Renovation of a Chapel in the Nave of the Cathedral of Notre Dame, Paris, Eugène-Emmanuel Viollet-le-Duc French, Watercolor, shell gold, pen and black ink, traces of graphite, gouache guidelines.
Plan for the Renovation of a Chapel in the Nave of the Cathedral of Notre Dame, Paris
Eugène-Emmanuel Viollet-le-Duc
Jean-Baptiste-Antoine Lassus
1843
Perspectival Cross-Section of a Venetian Palace, Eugène-Emmanuel Viollet-le-Duc French, Pen and gray ink, brush and light wash, metal point framing lines, with small spatters of brown wash
Perspectival Cross-Section of a Venetian Palace
Eugène-Emmanuel Viollet-le-Duc
1830–79