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1-42 of 639 results for Emmanuel Tzanès
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Head of Christ, Emmanuel Tzanès  Greek, Tempera on wood, gold ground
Emmanuel Tzanès
Head of the Virgin, Emmanuel Tzanès  Greek, Tempera on wood, gold ground
Emmanuel Tzanès
Head of Mercury, Emmanuel Hannaux  French, Glazed stoneware, French
Emmanuel Hannaux
Emile Muller and Co.
ca. 1895
Lizard, Emmanuel Frémiet  French, Glazed stoneware, French
Multiple artists/makers
ca. 1887
Ūd, Manol (Emmanuel Venios)  Greek, active Turkey, Spruce, mulberry, various woods, mother-of-pearl, mastic, Turkish
Manol (Emmanuel Venios)
1916
Beaker, Emmanuel Jules Joé-Descomps, Glass, silver, French, Paris
Emmanuel Jules Joé-Descomps
J.B.F.
1903
Cabinet, Jean Brandely  French, Oak veneered with cedar, walnut, ebony and ivory; silvered-bronze mounts, French, Paris
Multiple artists/makers
1867
[Glass Prisms], Emmanuel Sougez  French, Gelatin silver print
Emmanuel Sougez
1930s
The Wounded Bear, Emmanuel Frémiet  French, Cast terracotta, French
Emmanuel Frémiet
ca. 1850
Ming Smith, Ming Smith  American
Multiple artists/makers
2020
Multiple artists/makers
1900s
Architecture et décoration turques au XVe siècle, Léon Parvillée  French, Chromolithography
Léon Parvillée
Eugène-Emmanuel Viollet-le-Duc
1874
Man Clutching Moneybags While Banks Collapse, Emmanuel Wyttenbach  American, born Switzerland, Hand-colored lithograph; touched proof
Emmanuel Wyttenbach
late 19th–early 20th century
Ship Owners and Merchant Tug Boat Company, Emmanuel Wyttenbach  American, born Switzerland, Lithograph
Emmanuel Wyttenbach
H. S. Crocker & Co.
after 1882
Three Children in a Landscape, Charles-Emmanuel Serret  French, Pastel on brown wove paper (mounted on beige wove paper)
Charles-Emmanuel Serret
1840–1900
Children Seated on a Hillside with a Racquet, Charles-Emmanuel Serret  French, Black chalk and pastel
Charles-Emmanuel Serret
19th century
Tired Out, from "The Graphic" Christmas Number, Adrien Emmanuel Marie  French, Color wood engraving
Adrien Emmanuel Marie
December 7, 1885
Emmanuel de la Villéon
1903
Vase and cover, Minton(s)  British, Pâte-sur-pâte porcelain, British, Stoke-on-Trent, Staffordshire
Minton(s)
Louis Marc Emmanuel Solon
1903
The Half and The Whole (one of a pair), Minton(s)  British, Bone china with pâte-sur-pâte decoration and gilding, British, Stoke-on-Trent, Staffordshire
Minton(s)
Louis Marc Emmanuel Solon
1895–1899
Olive-green ground vase with pâte-sur-pâte decoration, Minton(s)  British, Bone china, with enamel and pâte-sur-pâte decoration and gilding and platinum, British, Stoke-on-Trent, Staffordshire
Minton(s)
Louis Marc Emmanuel Solon
1884
The Half and The Whole (one of a pair), Minton(s)  British, Bone china with pâte-sur-pâte decoration and gilding, British, Stoke-on-Trent, Staffordshire
Minton(s)
Louis Marc Emmanuel Solon
1895–1899
The Half and The Whole (pair of vases), Minton(s)  British, Bone china with pâte-sur-pâte decoration and gilding, British, Stoke-on-Trent, Staffordshire
Minton(s)
Louis Marc Emmanuel Solon
1895–1899
Emmanuel Eichel
Johann Georg Hertel
[between 1750–82]
Emmanuel Wyttenbach
late 19th century
Emmanuel Wyttenbach
H. S. Crocker & Co.
after 1860
Multiple artists/makers
1928
Multiple artists/makers
1881
Multiple artists/makers
1825–26
Emmanuel Wyttenbach
H. S. Crocker & Co.
late 19th century
Caricature, Caran d'Ache [Emmanuel Poiré]  French, Pen and brown ink, brush and brown wash
Caran d'Ache [Emmanuel Poiré]
1858–1909
Study for "Types de races algériennes", Henri-Félix-Emmanuel Philippoteaux  French, Graphite
Henri-Félix-Emmanuel Philippoteaux
1830–86
L'Asie, from the "Almanach iconologique", Emmanuel Jean de Ghendt  Flemish, Etching with engraving
Emmanuel Jean de Ghendt
Hubert François Gravelot
ca. 1765–81
Perspectival Cross-Section of a Venetian Palace, Eugène-Emmanuel Viollet-le-Duc  French, Pen and gray ink, brush and light wash, metal point framing lines, with small spatters of brown wash
Eugène-Emmanuel Viollet-le-Duc
1830–79
Plan for the Renovation of a Chapel in the Nave of the Cathedral of Notre Dame, Paris, Eugène-Emmanuel Viollet-le-Duc  French, Watercolor, shell gold, pen and black ink, traces of graphite, gouache guidelines.
Eugène-Emmanuel Viollet-le-Duc
Jean-Baptiste-Antoine Lassus
1843
View Above Handeck, Switzerland, Eugène-Emmanuel Viollet-le-Duc  French, Watercolor heightened with gouache, on blue paper
Eugène-Emmanuel Viollet-le-Duc
1875