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Showing 6,046 results for Eric J. García

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Four Evils, Eric J. García American, Screenprint — Four Evils
Eric J. García
2018

Chicano Codices #1: Simplified Histories: The U.S. Invasion of Mexico 1846-1848, Eric J. García American, Offset lithograph — Chicano Codices #1: Simplified Histories: The U.S. Invasion of Mexico 1846-1848
Eric J. García
Salsedo Press
2015

Pintura Constructiva, Joaquín Torres-García Uruguayan, Oil on canvas — Pintura Constructiva
Joaquín Torres-García
1931

Removedor, Joaquín Torres-García Uruguayan — Removedor
Joaquín Torres-García
Guido Castillo
1944–53

Raison et nature : théorie, Joaquín Torres-García Uruguayan — Raison et nature : théorie
Joaquín Torres-García
1932

Coloration of the Grand Canal, Venice, Nicolás García Uriburu Argentine, Chromogenic print — Coloration of the Grand Canal, Venice
Nicolás García Uriburu
1968/1980s

Portfolio (Manifesto), Nicolás García Uriburu Argentine, Six screenprints on paper — Portfolio (Manifesto)
Nicolás García Uriburu
1975

Figure of a Man, Joaquín Torres-García Uruguayan, Oil on wood — Figure of a Man
Joaquín Torres-García
1930

Constructivo con objectos, Joaquín Torres-García Uruguayan, Oil on paperboard, mounted on plywood — Constructivo con objectos
Joaquín Torres-García
1936

Coloration Uriburu

Nicolás García Uriburu

1968

[Mariano Fortuny y Marsal]

José García Ayola

before 1874

Stretch Teapot, Eric Serritella American, Stoneware — Stretch Teapot
Eric Serritella
2011

Mike, Eric Fischl American, Oil on canvas — Mike
Eric Fischl
1999

A Woman Possessed, Eric Fischl American, Oil on canvas — A Woman Possessed
Eric Fischl
1981

Christ on the Cross, an angel below, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Juan Manuel García Mexican, Woodcut — Christ on the Cross, an angel below, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Juan Manuel García
ca. 1924

A man sitting in a doorway sheltered by an awning selling fruit from baskets, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Juan Manuel García Mexican, Woodcut — A man sitting in a doorway sheltered by an awning selling fruit from baskets, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Juan Manuel García
ca. 1924

Figures praying by a cemetary or roadside shrine, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Juan Manuel García Mexican, Woodcut — Figures praying by a cemetary or roadside shrine, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Juan Manuel García
ca. 1924

Plate 3: an indentured slave (peon acasillado) cutting maize, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 3: an indentured slave (peon acasillado) cutting maize, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 4: disgruntled campesinos being exectued by firing squad, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 4: disgruntled campesinos being exectued by firing squad, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Studies of three skeleton, from the 'Principios para estudiar el Nobilísimo y Real arte de la Pintura' (Madrid 1693), José García Hidalgo Spanish, Etching — Studies of three skeleton, from the 'Principios para estudiar el Nobilísimo y Real arte de la Pintura' (Madrid 1693)
José García Hidalgo
ca. 1693

Plate 62: the result of a pastoral ministry, the Cristero uprising, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 62: the result of a pastoral ministry, the Cristero uprising, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 66: portrait of the agrarian reform leader José Guadalupe Rodríguez on a banner after his assasination, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 66: portrait of the agrarian reform leader José Guadalupe Rodríguez on a banner after his assasination, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 81: The synarchists, scene with soldiers relating to the National Synarchist Union, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 81: The synarchists, scene with soldiers relating to the National Synarchist Union, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 84: the industrialisation of Mexico, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 84: the industrialisation of Mexico, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Study from behind of a naked man playing a cello, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura", José García Hidalgo Spanish, Etching — Study from behind of a naked man playing a cello, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura"
José García Hidalgo
ca. 1693

Study of a naked man playing a vihuela, a child holding a sheet of music at the left, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura", José García Hidalgo Spanish, Etching — Study of a naked man playing a vihuela, a child holding a sheet of music at the left, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura"
José García Hidalgo
ca. 1693

Reims: la cathédrale, Edouard-García Benito Spanish, Illustrations: line block (photomechanical relief print) and pochoir — Reims: la cathédrale
Multiple artists/makers
1918

Jacinto Canek, Plate 5 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph — Jacinto Canek, Plate 5 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960

Discontended campesinos get their response (El descontento de los campesinos obtiene su respuesta), Plate 49 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph — Discontended campesinos get their response (El descontento de los campesinos obtiene su respuesta), Plate 49 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960

Death of the agrarian leader José Guadalupe Rodríguez (La muerte del agrarista José Guadalupe Rodríguez), Plate 104 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph — Death of the agrarian leader José Guadalupe Rodríguez (La muerte del agrarista José Guadalupe Rodríguez), Plate 104 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960

Sinarquism (El Sinarquismo), Plate 118 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph — Sinarquism (El Sinarquismo), Plate 118 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960

Industrialization of the country (La industrialización del país), Plate 120 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph — Industrialization of the country (La industrialización del país), Plate 120 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960

David Alfaro Siqueiros in Prison, Arturo García Bustos Mexican, Linocut — David Alfaro Siqueiros in Prison
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
ca. 1961

A raised fist supported by workers celebrating May Day, for the newspaper "La Voz de Mexico", Arturo García Bustos Mexican, Lithograph (offset) — A raised fist supported by workers celebrating May Day, for the newspaper "La Voz de Mexico"
Arturo García Bustos
May 1, 1949

Kiss the Prince, Jon Eric Riis American, Silk and metallic thread, black freshwater pearls, coral, leather, silk — Kiss the Prince
Jon Eric Riis
2005

Dress, Oscar de la Renta, LLC. American, silk, synthetic — Dress
Multiple artists/makers
fall/winter 2021–22

Double-Barrel Breech-Loading Pinfire Shotgun, J. C. A. Brun French, Steel, wood (walnut), gold, French, Paris — Double-Barrel Breech-Loading Pinfire Shotgun
Multiple artists/makers
dated 1866

The morning of a machine gun : twenty poems & documents / Franklin Rosemont ; profusely illustrated by the author ; cover by Eric Matheson, Franklin Rosemont American — The morning of a machine gun : twenty poems & documents / Franklin Rosemont ; profusely illustrated by the author ; cover by Eric Matheson
Multiple artists/makers
1968

Conversation when our roads meet / conversación cuando nuestros caminos se encuentran

Multiple artists/makers

2014

[Francisco Domingo]

A. Garcia

1860s