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Showing 1,457 results for Fabrizio Carino
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Trattato sopra la Struttura de theatri e scene...
Fabrizio Carino
Alessandro Giauazzi
1676
Frontispiece, from Relazione del Torneo à Piedi Fatto in Mantova l'Anno 1674 per Feseggiare gli Augustissimi Sponsali Delle Sacre Cesaree Maest di Leopoldo Cesare e di Clavdia Felice Arcidvchessa d'Austria Ordinato, e Disposato Dal Sig. Co" Pinamonte Bonacossi Ferrarese
Multiple artists/makers
1674
Prima Comparsa del Toreno a piedi Fatto in Mantova per le Nozze di S. M. Ces.a [...], depicting a Colonnade with Bellona and Alcide above a group of soldiers and beneath the Gonzaga Coat of Arms, from Relazione del Torneo à Piedi Fatto in Mantova l'Anno 1674 per Feseggiare gli Augustissimi Sponsali Delle Sacre Cesaree Maest di Leopoldo Cesare e di Clavdia Felice Arcidvchessa d'Austria Ordinato, e Disposato Dal Sig. Co" Pinamonte Bonacossi Ferrarese
Multiple artists/makers
1674
Seconda Comparsa del Toreno a piedi Fatto in Mantova per le Nozze di S. M. Ces.a [...], depicting Six Allegorical Figures Seated Amidst Clouds, from Relazione del Torneo à Piedi Fatto in Mantova l'Anno 1674 per Feseggiare gli Augustissimi Sponsali Delle Sacre Cesaree Maest di Leopoldo Cesare e di Clavdia Felice Arcidvchessa d'Austria Ordinato, e Disposato Dal Sig. Co" Pinamonte Bonacossi Ferrarese
Multiple artists/makers
1674
Terza Comparsa del Toreno a piedi Fatto in Mantova per le Nozze di S. M. Ces.a [...], depicting Pallas in her Chariot above Nine Cavalieri Carried by Personifications of Wind, from Relazione del Torneo à Piedi Fatto in Mantova l'Anno 1674 per Feseggiare gli Augustissimi Sponsali Delle Sacre Cesaree Maest di Leopoldo Cesare e di Clavdia Felice Arcidvchessa d'Austria Ordinato, e Disposato Dal Sig. Co" Pinamonte Bonacossi Ferrarese
Multiple artists/makers
1674
Quarta Comparsa del Toreno a piedi Fatto in Mantova per le Nozze di S. M. Ces.a [...], depicting Jupiter surrounded by deities inlcuding Pallas and Mars, from Relazione del Torneo à Piedi Fatto in Mantova l'Anno 1674 per Feseggiare gli Augustissimi Sponsali Delle Sacre Cesaree Maest di Leopoldo Cesare e di Clavdia Felice Arcidvchessa d'Austria Ordinato, e Disposato Dal Sig. Co" Pinamonte Bonacossi Ferrarese
Multiple artists/makers
1674
Ultim'Ordinanza, e Comparsa del Torneo à Piedi Fatto in Mantova per le Nozze di S.M. Ce.a [...], from Relazione del Torneo à Piedi Fatto in Mantova l'Anno 1674 per Feseggiare gli Augustissimi Sponsali Delle Sacre Cesaree Maest di Leopoldo Cesare e di Clavdia Felice Arcidvchessa d'Austria Ordinato, e Disposato Dal Sig. Co" Pinamonte Bonacossi Ferrarese
Multiple artists/makers
1674
Relazione del Torneo à Piedi Fatto in Mantova l'Anno 1674 per Feseggiare gli Augustissimi Sponsali Delle Sacre Cesaree Maest di Leopoldo Cesare e di Clavdia Felice Arcidvchessa d'Austria Ordinato, e Disposato Dal Sig. Co" Pinamonte Bonacossi Ferrarese
Multiple artists/makers
1674
Stole, Reiss & Fabrizio American, Fur, silk, American
Stole
Reiss & Fabrizio
ca. 1962
Study for a Pietà, Fabrizio Boschi Italian, Red chalk, traces of black chalk
Study for a Pietà
Fabrizio Boschi
1620s
Saint Andrew, Apostle, with Transverse Cross, Book, and Fish, (recto); Architectural sketch (verso), Fabrizio Santafede Italian, Pen and brown ink, brush and gray-brown wash, over red chalk (recto);<br/> red chalk (verso)
Saint Andrew, Apostle, with Transverse Cross, Book, and Fish, (recto); Architectural sketch (verso)
Fabrizio Santafede
1576–1623
Virgin and Child with two angels appearing to two saints, Fabrizio Santafede Italian, Pen and brown ink
Virgin and Child with two angels appearing to two saints
Fabrizio Santafede
1575–1623
Street Scene with a Palace Façade and an Arcade, Fabrizio Galliari Italian, Pen and brown ink, brush and gray wash over traces of black chalk
Street Scene with a Palace Façade and an Arcade
Fabrizio Galliari
Bernardino Galliari
1707–94
Outline Drawing: Stage Set Design for a Performance of "Iphigenia". Verso: Two Designs for Palace Interiors., Fabrizio Galliari Italian, Pen and black ink, over black chalk or graphite. Verso: pen and dark brown ink over black chalk; separate design in black chalk
Outline Drawing: Stage Set Design for a Performance of "Iphigenia". Verso: Two Designs for Palace Interiors.
Fabrizio Galliari
1709–90
Scheme for an Architectural Decoration with a Standing Male Figure in a Niche, Fabrizio Boschi Italian, Black and red chalk
Scheme for an Architectural Decoration with a Standing Male Figure in a Niche
Fabrizio Boschi
1572–1642
Saint Matthew Seated in a Niche, Fabrizio Boschi Italian, Black chalk
Saint Matthew Seated in a Niche
Fabrizio Boschi
1572–1642
Mars and Venus, Fabrizio Chiari Italian, Etching
Mars and Venus
Multiple artists/makers
1635–49
Bartolomeo, Blacksmith-Ferrier, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence), Jacques Callot French, Engraving; second state of two (Lieure)
Bartolomeo, Blacksmith-Ferrier, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence)
Jacques Callot
Fabrizio Boschi
1611–19
An Apparition of the Virgin, volume 3, plate 228 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Ocarina, Ceramic, Nariño
Ocarina
Nariño
600–1200
Samuel Barber, Marino Marini Italian, Bronze
Samuel Barber
Marino Marini
1949
Drop-front desk (secrétaire à abattant or secrétaire en cabinet), Martin Carlin French, Oak veneered with tulipwood, amaranth, holly, and sycamore; six Sèvres soft-paste porcelain plaques and two painted tin plaques; gilt-bronze mounts; marble shelves; moiré silk, French, Paris and Sèvres
Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Multiple artists/makers
ca. 1776
Secretary, Martin Carlin and French, Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top. Soft paste porcelain plaques from the Sèvres Manufactory.
Secretary
Multiple artists/makers
ca. 1781–85
Zemí cohoba stand, Taíno artist(s), Guaiacum wood, shell, Taíno
Zemí cohoba stand
Taíno artist(s)
ca. 1000 CE
Transverse Flute, Garion French, Rosewood, ivory, silver, French
Transverse Flute
Garion
ca. 1720–40
Mantle Clock, Joseph Garino French, Wood, brass
Mantle Clock
Joseph Garino
ca. 1902
Standing Female Nude, Marino Marini Italian, Etching
Standing Female Nude
Marino Marini
20th century
Mammalian disk, Gold, Carchi-Nariño, Capulí
Mammalian disk
Carchi-Nariño, Capulí
800–1500 CE
Monkey Pendant, Gold, Carchi-Nariño, Capulí
Monkey Pendant
Carchi-Nariño, Capulí
800–1500 CE
Margins, Ulises Carrión Mexican
Margins
Ulises Carrión
1975
Don't Forget to Call Your Mother, Maurizio Cattelan Italian, Silver dye bleach print
Don't Forget to Call Your Mother
Maurizio Cattelan
2000
Madonna and Child, Pietro Lombardo (or Pietro di Martino da Carona) Italian, Relief: stone, traces of gilding; Frame: stone painted blue and gilded in parts, Italian, Venice
Madonna and Child
Pietro Lombardo (or Pietro di Martino da Carona)
ca. 1495
The Last Communion of Saint Jerome, Botticelli (Alessandro di Mariano Filipepi) Italian, Tempera and gold on wood
The Last Communion of Saint Jerome
Botticelli (Alessandro di Mariano Filipepi)
early 1490s
The Annunciation, Botticelli (Alessandro di Mariano Filipepi) Italian, Tempera and gold on wood
The Annunciation
Botticelli (Alessandro di Mariano Filipepi)
ca. 1485–92
Covered bowl, David Haring American, Earthenware; Redware, American
Covered bowl
David Haring
ca. 1830–40
Covered Bowl, David Haring American, Earthenware, American
Covered Bowl
David Haring
ca. 1835
Covered Bowl, David Haring American, Earthenware, American
Covered Bowl
David Haring
1830–70
After a Long Cruise, John Carlin American, Oil on canvas, American
After a Long Cruise
John Carlin
1857
The Allen Children, John Carlin American, Watercolor on ivory, American
The Allen Children
John Carlin
1847
Jewel coffer on stand (petit coffre à bijoux), Martin Carlin French, Oak veneered with tulipwood, amaranth, stained sycamore, holly, and ebonized holly; thirteen soft-paste porcelain plaques; gilt-bronze mounts; velvet (not original), French, Paris and Sèvres
Jewel coffer on stand (petit coffre à bijoux)
Multiple artists/makers
ca. 1770