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Francesco da Sangallo, Francesco da Sangallo Italian, Bronze, Italian, Florence
Francesco da Sangallo
Medalist: Francesco da Sangallo
1551
Francesco da Sangallo and Elena Marsupini, his wife, Francesco da Sangallo Italian, Bronze, Italian, Florence
Francesco da Sangallo and Elena Marsupini, his wife
Medalist: Francesco da Sangallo
1551
Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse), Francesco da Sangallo Italian, Bronze (Copper alloy with brown patina<br/>under a layer of dark wax.)
Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse)
Francesco da Sangallo
model ca. 1552 (probably a later cast)
Giovanni de'Medici della Bande Nere (1498–1526), a Celebrated Condottiere, and Father of Cosimo I, Francesco da Sangallo Italian, Bronze, Italian, Florence
Giovanni de'Medici della Bande Nere (1498–1526), a Celebrated Condottiere, and Father of Cosimo I
Medalist: Francesco da Sangallo
ca. 1570
Paolo Giovio, Historian and Prelate, Bishop of Nocera (d. 1552), Francesco da Sangallo Italian, Bronze, Italian, possibly Florence
Paolo Giovio, Historian and Prelate, Bishop of Nocera (d. 1552)
Medalist: Francesco da Sangallo
1552
Medal: Giovanni de'Medici delle Bande Nere, Francesco da Sangallo Italian, Lead.
Medal: Giovanni de'Medici delle Bande Nere
Francesco da Sangallo
model 1522 or ca. 1570 (cast 16th century)
Corbel, Giuliano da Sangallo Italian, Grey stone (pietra serena), Italian, Florence
Corbel
Follower of Giuliano da Sangallo
late 15th century
Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio
Studiolo from the Ducal Palace in Gubbio
Multiple artists/makers
ca. 1478–82
Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a Roman Basilica in Ruins (? the Basilica Giulia, inspired by Giuliano da Sangallo)., Sangallo family Italian, Pen and dark brown ink
Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a Roman Basilica in Ruins (? the Basilica Giulia, inspired by Giuliano da Sangallo).
Attributed to a member of the Sangallo family
Author Original Treatise Written by Marcus Pollio Vitruvius
1530–45
Adoration of the Shepherds, Francesco di Marco Marmitta da Parma Emilian, Tempera and gold on parchment
Adoration of the Shepherds
Francesco di Marco Marmitta da Parma
ca. 1500
Armorial dish: The story of King Anius, Francesco Xanto Avelli da Rovigo Italian, Maiolica (tin-glazed earthenware)
Armorial dish: The story of King Anius
Francesco Xanto Avelli da Rovigo
1532
Armorial dish: The story of Apollo, Francesco Xanto Avelli da Rovigo Italian, Maiolica (tin-glazed earthenware)
Armorial dish: The story of Apollo
Francesco Xanto Avelli da Rovigo
1532
Armorial dish: The story of Phaeton, Francesco Xanto Avelli da Rovigo Italian, Maiolica (tin-glazed earthenware)
Armorial dish: The story of Phaeton
Francesco Xanto Avelli da Rovigo
1532
Plate (piatto): The story of Aeneas, Francesco Xanto Avelli da Rovigo Italian, Maiolica (tin-glazed earthenware)
Plate (piatto): The story of Aeneas
Francesco Xanto Avelli da Rovigo
1532
The Virgin and Child with Saint Anne, Polychromed terracotta, Italian, Florence
The Virgin and Child with Saint Anne
Italian, Florence
early 16th century
Wall fountain, Simone Mosca Italian, Grey sandstone (pietra serena), Italian, Florence
Wall fountain
Simone Mosca
1527–34
Plate (tondino), Francesco Xanto Avelli da Rovigo Italian, Maiolica (tin-glazed earthenware)
Plate (tondino)
Francesco Xanto Avelli da Rovigo
1530
Dish (piatto), Francesco Xanto Avelli da Rovigo Italian, Maiolica (tin-glazed earthenware)
Dish (piatto)
Francesco Xanto Avelli da Rovigo
lustered in Gubbio
1532
Dish (coppa), Francesco Xanto Avelli da Rovigo Italian, Maiolica (tin-glazed earthenware)
Dish (coppa)
Francesco Xanto Avelli da Rovigo
Lustered in Gubbio
1532
Plate (tagliere), Francesco Xanto Avelli da Rovigo Italian, Maiolica (tin-glazed earthenware)
Plate (tagliere)
Francesco Xanto Avelli da Rovigo
1534
Plate (tagliere), Francesco Xanto Avelli da Rovigo Italian, Maiolica (tin-glazed earthenware)
Plate (tagliere)
Francesco Xanto Avelli da Rovigo
1539
Recto: "Libro Primo, Chapo Quarto..." (Vitruvius, Book 1, Chapter 4); Verso: The Fortification of City Walls (Vitruvius, Book 1, Chapter 5)., Sangallo family Italian, Pen and dark brown ink
Recto: "Libro Primo, Chapo Quarto..." (Vitruvius, Book 1, Chapter 4); Verso: The Fortification of City Walls (Vitruvius, Book 1, Chapter 5).
Attributed to a member of the Sangallo family
Author Original Treatise Written by Marcus Pollio Vitruvius
1530–45
The Port City of Alexandria (? Allusion to Dinocrates's Building of Alexandria, Vitruvius, Book 2, introduction, no. 1) (recto); Fragmentary Writing ("Libro Primo...") (verso), Sangallo family Italian, Pen and dark brown ink
The Port City of Alexandria (? Allusion to Dinocrates's Building of Alexandria, Vitruvius, Book 2, introduction, no. 1) (recto); Fragmentary Writing ("Libro Primo...") (verso)
Attributed to a member of the Sangallo family
Author Original Treatise Written by Marcus Pollio Vitruvius
1530–45
Recto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3); Verso: Temple Types: Peripteral (Vitruvius, Book 3, Chapter 2, no. 5)., Sangallo family Italian, Pen and dark brown ink
Recto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3); Verso: Temple Types: Peripteral (Vitruvius, Book 3, Chapter 2, no. 5).
Attributed to a member of the Sangallo family
Author Original Treatise Written by Marcus Pollio Vitruvius
1530–45
Giuliano da Sangallo
Multiple artists/makers
1769–72
The Descent of the Holy Spirit, Francesco Orlandini, Walnut and other woods, Italian, Verona
The Descent of the Holy Spirit
Francesco Orlandini
1547
Saint Jerome with a lion, Francesco Orlandini, Walnut and other woods, Italian, Verona
Saint Jerome with a lion
Francesco Orlandini
1547
Architectural Capriccio, Francesco Orlandini, Walnut and other woods, Italian, Verona
Architectural Capriccio
Francesco Orlandini
1547
Design for a Freestanding Tomb Seen in Elevation and Plan, Antonio da Sangallo, the Younger Italian, Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo, the Younger
1530–35
The Finding of Moses, Jacopo [Giacomo] Barozzi da Vignola Italian, Wood, Italian
The Finding of Moses
Designer Jacopo [Giacomo] Barozzi da Vignola
Intarsia by Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)
16th century
The Nativity, Francesco di Giorgio Martini Italian, Tempera on wood
The Nativity
Francesco di Giorgio Martini
Chapel from Le Château de la Bastie d'Urfé, Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli) and his workshop Italian, Walnut and intarsia of various woods, Italian, Bologna
Chapel from Le Château de la Bastie d'Urfé
Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)
Francesco Orlandini
Designer Jacopo [Giacomo] Barozzi da Vignola
ca. 1547–48
Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s
The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome
The Farnese Table
Designer Designed by Jacopo [Giacomo] Barozzi da Vignola
Marble piers carved by Guglielmo della Porta
Pietre Dure top attributed to Giovanni Mynardo (Jean Ménard)
ca. 1565–73
St. Peter's, from "Speculum Romanae Magnificentiae", Antonio da Sangallo, the Younger Italian, Engraving
St. Peter's, from "Speculum Romanae Magnificentiae"
After Antonio da Sangallo, the Younger
After Antonio da Labacco
Publisher Antonio Salamanca
1547
Plan of St. Peter's, from "Speculum Romanae Magnificentiae", Antonio da Sangallo, the Younger Italian, Engraving
Plan of St. Peter's, from "Speculum Romanae Magnificentiae"
After Antonio da Sangallo, the Younger
After Antonio da Labacco
Publisher Antonio Salamanca
1549
The Last Communion of Saint Jerome, Botticelli (Alessandro di Mariano Filipepi) Italian, Tempera and gold on wood
The Last Communion of Saint Jerome
Botticelli (Alessandro di Mariano Filipepi)
early 1490s
Francesco d' Ageno, Francesco Bartolozzi Italian, Etching and stipple engraving; second state of two
Francesco d' Ageno
Multiple artists/makers
1785–90
Saint Paul, Michele da Verona, Brush and brown, gray, and black ink, heightened with white (partly oxidized), on paper washed with brown.
Saint Paul
Michele da Verona
ca. 1510
The Crucified Christ, Pietro da Rimini Italian, Tempera and gold on wood
The Crucified Christ
Pietro da Rimini
Sleeping Amor, Pseudo Francesco Antonio da Brescia, Bronze, Northern Italian
Sleeping Amor
Pseudo Francesco Antonio da Brescia
ca. 1500
Apollo and the Serpent Python, Pseudo Francesco Antonio da Brescia, Bronze, Italian, Brescia
Apollo and the Serpent Python
Pseudo Francesco Antonio da Brescia
16th century