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Showing 7,759 results for Francisco Arturo Marín

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A woman seated in a chair, vase of flowers to her left, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).

Francisco Arturo Marín

ca. 1924

A woman seated in a chair with her arms folded, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).

Francisco Arturo Marín

ca. 1924

A young man wearing a tie, bust length, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).

Francisco Arturo Marín

ca. 1924

A woman seated in a chair, her arms folded, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).

Francisco Arturo Marín

ca. 1924

The Young Virgin, Francisco de Zurbarán Spanish, Oil on canvas — The Young Virgin
Francisco de Zurbarán
ca. 1632–33

The World's Great Theater, Arturo Rodriguez American, Oil on canvas — The World's Great Theater
Arturo Rodriguez
1986

Young Kafka, a Dalai Lama, Arturo Elizondo Mexican, Oil on canvas — Young Kafka, a Dalai Lama
Arturo Elizondo
1995

Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias, Vicente Carducho Italian — Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias
Multiple artists/makers
1633

Flintlock Gun of Louis XIII (1601–1643), King of France, Pierre Le Bourgeois French, Steel, brass, silver, gold, wood (walnut), mother-of-pearl, French, Lisieux — Flintlock Gun of Louis XIII (1601–1643), King of France
Pierre Le Bourgeois
Marin Le Bourgeois
ca. 1620

Pair of Miquelet Pistols, Francisco Pintan Spanish or Mexican, Steel, wood (family leguminosae), silver, Colonial Spanish, probably Mexico — Pair of Miquelet Pistols
Francisco Pintan
dated 1757

Grill, Francisco Gonzales, Gilded wrought iron, bronze, Spanish — Grill
Francisco Gonzales
17th century

Admiral de Tourville (1642–1701), Joseph-Charles Marin French, Terracotta, French — Admiral de Tourville (1642–1701)
Joseph-Charles Marin
1816

Female Bust, Joseph-Charles Marin, Terracotta, on green marble pedestal. — Female Bust
Joseph-Charles Marin
ca. 1795

Female Bust, Joseph-Charles Marin, Terracotta, on green marble pedastal. — Female Bust
Joseph-Charles Marin
ca. 1795

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88

Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

Battle between Christians and Muslims at El Sotillo, Francisco de Zurbarán Spanish, Oil on canvas — Battle between Christians and Muslims at El Sotillo
Francisco de Zurbarán
ca. 1637–39

Saint Benedict, Francisco de Zurbarán Spanish, Oil on canvas — Saint Benedict
Francisco de Zurbarán
ca. 1640–45

Municipal Building, New York (recto): Flatiron Building, New York (verso), John Marin American, Watercolor and charcoal on paper — Municipal Building, New York (recto): Flatiron Building, New York (verso)
John Marin
1912

New Mexico Landscape (recto); Mountains (verso), John Marin American, Watercolor, charcoal, and graphite on paper (recto); charcoal on paper (verso) — New Mexico Landscape (recto); Mountains (verso)
John Marin
1929

Delaware Country (recto); Landscape (verso), John Marin American, Watercolor and graphite on paper — Delaware Country (recto); Landscape (verso)
John Marin
1912

Kufstein, Austrian Tyrol, John Marin American, Watercolor on paper — Kufstein, Austrian Tyrol
John Marin
1910

Movement - Pertaining to Deer Isle, Maine - The Harbor I, John Marin American, Watercolor and fabricated chalk over graphite on paper — Movement - Pertaining to Deer Isle, Maine - The Harbor I
John Marin
1927

White Mountain Country - Franconia Range, Mountain Peaks, John Marin American, Watercolor, charcoal, and graphite on paper — White Mountain Country - Franconia Range, Mountain Peaks
John Marin
1927

Movement, The Seine, Paris, John Marin American, Watercolor on paper (recto and verso) — Movement, The Seine, Paris
John Marin
1909

Along the Seine, John Marin American, Watercolor and graphite on paper — Along the Seine
John Marin
1909

Popham Beach, Small Point, Maine, John Marin American, Watercolor over fabricated chalk on wove paper — Popham Beach, Small Point, Maine
John Marin
1928

Blue Sea, Small Point, Maine, John Marin American, Watercolor with scraping, graphite, and charcoal on paper — Blue Sea, Small Point, Maine
John Marin
1928

Sun and Gray Sea, Small Point, Maine, John Marin American, Watercolor, chalk, and graphite on paper — Sun and Gray Sea, Small Point, Maine
John Marin
1928

Broadway Night, John Marin American, Watercolor, charcoal, and graphite on paper — Broadway Night
John Marin
1929

Storm, Taos Mountain, New Mexico, John Marin American, Watercolor over charcoal on paper — Storm, Taos Mountain, New Mexico
John Marin
1930

Phippsburg, Maine, John Marin American, Watercolor, charcoal, and graphite on paper — Phippsburg, Maine
John Marin
1932

A Town in Maine, John Marin American, Watercolor, charcoal, and graphite on paper mounted on paper with watercolor over graphite — A Town in Maine
John Marin
1932

Off Bald Head, Small Point, Maine, John Marin American, Watercolor, gouache, charcoal, and graphite on paper — Off Bald Head, Small Point, Maine
John Marin
1932

Headland, Cape Split, Maine, John Marin American, Watercolor, fabricated chalk, and graphite on paper — Headland, Cape Split, Maine
John Marin
1933

Young Man of the Sea, Maine, John Marin American, Watercolor and charcoal on paper — Young Man of the Sea, Maine
John Marin
1934

New York City, John Marin American, Graphite on paper — New York City
John Marin
1932

Sea and Ledges, Green and Brown, Maine, John Marin American, Watercolor over fabricated chalk on paper — Sea and Ledges, Green and Brown, Maine
John Marin
1936

Motive, Telephone Building, New York (recto); Downtown Manhattan (verso), John Marin American, Watercolor, ink, charcoal, and graphite on paper — Motive, Telephone Building, New York (recto); Downtown Manhattan (verso)
John Marin
1936

Off Cape Split, Maine, John Marin American, Watercolor, opaque watercolor, charcoal, and graphite on paper — Off Cape Split, Maine
John Marin
1937