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Showing 2,467 results for Franz Cleyn
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Border Designs for the Mortlake "Acts of the Apostles" Tapestries, Franz Cleyn German, Watercolor with white heightening, details in pen and ink and graphite
Border Designs for the Mortlake "Acts of the Apostles" Tapestries
Franz Cleyn
ca. 1626–36
Sight (Visus), from "Quinque Sensuum", Franz Cleyn German, Engraving
Sight (Visus), from "Quinque Sensuum"
Franz Cleyn
Robert Walton
ca. 1655
Smell (Odor), from "Quinque Sensuum", Franz Cleyn German, Engraving
Smell (Odor), from "Quinque Sensuum"
Franz Cleyn
Robert Walton
ca. 1655
Title Plate, from "Quinque Sensuum", Franz Cleyn German, Engraving
Title Plate, from "Quinque Sensuum"
Franz Cleyn
Robert Walton
ca. 1655
Touch (Tactus), from "Quinque Sensuum", Franz Cleyn German, Engraving
Touch (Tactus), from "Quinque Sensuum"
Franz Cleyn
Robert Walton
ca. 1655
Taste (Gustus), from "Quinque Sensuum", Franz Cleyn German, Engraving
Taste (Gustus), from "Quinque Sensuum"
Franz Cleyn
Robert Walton
ca. 1655
The Sack of Troy: Pyrrhus Killing Priam, Franz Cleyn German, Black chalk and gray wash; incised for transfer; framing lines in graphite; verso treated with red chalk for transfer
The Sack of Troy: Pyrrhus Killing Priam
Franz Cleyn
before 1654
Hearing (Auditus), from "Quinque Sensuum", Franz Cleyn German, Engraving
Hearing (Auditus), from "Quinque Sensuum"
Franz Cleyn
Robert Walton
ca. 1655
Varii Zophori, Figuris Animalium Ornati...
Franz Cleyn
1645
Quinque Sensum Descriptio
Franz Cleyn
1646
Self-Portrait
Franz Cleyn
n.d.
Christ and the woman taken in adultery
Franz Cleyn
1620–45
Christ and the woman taken into adultery
Franz Cleyn
1620–45
The Sack of Troy–Pyrrhus Killing Priam, Pierre Lombart French, Engraving
The Sack of Troy–Pyrrhus Killing Priam
Pierre Lombart
Franz Cleyn
before 1654
Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697), Wenceslaus Hollar Bohemian, Etching and engraving; fifth state of five, the plate reduced, as published in 1697 or 1698
Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697)
Multiple artists/makers
1654
A scallop shell chariot, William Carter British, Etching
A scallop shell chariot
Multiple artists/makers
1654
Venus and Cupid (from Variae Deorum Ethnicorum Effigies or Divers pourtraicturs of Heathen Gods)
Josias English
Franz Cleyn
1654
Dido complains: Her Sister gives advice to cherish Love and offer Sacrifice to favouring Gods
Pierre Lombart
Franz Cleyn
ca. 1654
Orpheus Taming the Animals?
Pierre Lombart
Franz Cleyn
1630–82
The Abduction of Cassandra by Ajax from a set of The Horses, Frans Cleyn German, Wool, silk (16-19 warps per inch, 6-7 per cm.), British, probably Mortlake
The Abduction of Cassandra by Ajax from a set of The Horses
Multiple artists/makers
designed early 1630s, woven ca. 1650–70
Initial letter "V" (U) (from John Ogilby's "The Works of Publius Virgilius Maro," London: 1654, p.1)
Multiple artists/makers
1654
Initial Letter "P" (from John Ogilby's "The Works of Publius Virgilius Maro," London: 1654)
Multiple artists/makers
1654
Frontispiece: The Works of Publius Virgilius Maro
Multiple artists/makers
1654–68
The Cat and the Cock (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Multiple artists/makers
1665
The Stag and the Horse (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Multiple artists/makers
1665
The Lion and the Forester (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Multiple artists/makers
1665
The Lion and the Mouse (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Multiple artists/makers
1665
The Wolf, the Lamb, and the Crane (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Multiple artists/makers
1665
The Fox and the Cock (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Multiple artists/makers
1665
The Woodman (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Multiple artists/makers
1665
Harlequina, Franz Anton Bustelli Swiss, Hard-paste porcelain, German, Nymphenburg
Harlequina
Franz Anton Bustelli
Nymphenburg Porcelain Manufactory
ca. 1763
A Hypocrite and a Slanderer, Franz Xaver Messerschmidt German, Tin alloy, Austrian, probably Pressburg (Bratislava)
A Hypocrite and a Slanderer
Franz Xaver Messerschmidt
ca. 1770–83
Kettle Drums, Franz Peter Bundsen Hanoverian (German), Silver, iron, calfskin, textiles, gilding,, Hanoverian (German)
Kettle Drums
Franz Peter Bundsen
1780
Inferno, Franz von Stuck German, Oil on canvas
Inferno
Franz von Stuck
1908
The Destruction of the Children of Niobe from a set of "The Horses", Frans Cleyn German, Wool, silk (16-19 warps per inch, 6-7 per cm.), British, probably Mortlake
The Destruction of the Children of Niobe from a set of "The Horses"
Multiple artists/makers
ca. 1650–70
The art of marbling, Franz Weisse German
The art of marbling
Multiple artists/makers
1980
Cup with scenes from the New Testament (one of a pair), Franz Fischer, Silver gilt, German, Nuremberg
Cup with scenes from the New Testament (one of a pair)
Franz Fischer
early 17th century
Cup with scenes from the New Testament (one of a pair), Franz Fischer, Silver gilt, German, Nuremberg
Cup with scenes from the New Testament (one of a pair)
Franz Fischer
early 17th century
The Flagellation, Christ at the Column, Franz Fallenter German, Stained glass, Swiss, Lucerne
The Flagellation, Christ at the Column
Franz Fallenter
1598
Christ Falling Under the Cross, Franz Fallenter German, Stained glass, Swiss, Lucerne
Christ Falling Under the Cross
Franz Fallenter
1594