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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 85 results for Fujinuma Noboru

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Peerless Fruit or Offering Tray (Morikago), Fujinuma Noboru Japanese, Timber bamboo, rattan, and lacquer, Japan — Peerless Fruit or Offering Tray (Morikago)
Fujinuma Noboru
2012

Mt. Fujiyama, Toyosei Kimigi (?) Japanese, Hanging scroll; color on silk, Japan — Mt. Fujiyama
Toyosei Kimigi
19th century

Banner (Nobori)
, Cotton, hemp (?), bamboo, paper, Japan — Banner (Nobori)
Japan
1827

Turtle Island and Fujiyama, Ryūryūkyo Shinsai Japanese, Woodblock print (surimono); ink and color on paper, Japan — Turtle Island and Fujiyama
Ryūryūkyo Shinsai
19th century

12 původních litografií z německých koncentračních táborů, Leo Haas German — 12 původních litografií z německých koncentračních táborů
Leo Haas
1947

Letter by Kobori Enshu, Kobori Enshū Japanese, Hanging scroll; ink on paper, Japan — Letter by Kobori Enshu
Kobori Enshū
17th century

Critiquing the Reliance on Koans, Tōkei Sōboku Japanese, Hanging scroll; ink on paper, Japan — Critiquing the Reliance on Koans
Tōkei Sōboku
late 15th–early 16th century

Carving in Form of Fujiama, Rock crystal; green stained ivory stand, China — Carving in Form of Fujiama
China
18th century

Chess set, Sorcha Boru, Clay, American — Chess set
Sorcha Boru
1934

Powrót z piekła hitlerowskiego : wspomnienie z obozu koncentracyjnego w Gross-Rosen i Litomierzycach, Antoni Gładysz Polish — Powrót z piekła hitlerowskiego : wspomnienie z obozu koncentracyjnego w Gross-Rosen i Litomierzycach
Antoni Gładysz
1945

Ariwara Narihira, from the “Fujifusa Version” of Thirty-six Poetic Immortals (Fujifusa-bon Sanjūrokkasen emaki), Hanging scroll; ink and color on paper, Japan — Ariwara Narihira, from the “Fujifusa Version” of Thirty-six Poetic Immortals (Fujifusa-bon Sanjūrokkasen emaki)
Japan
first half 15th century

The Poet Koōgimi, from the “Fujifusa Version” of Thirty-six Poetic Immortals (Fujifusa-bon Sanjūrokkasen emaki)l, Handscroll fragment mounted as a hanging scroll; ink and color on paper, Japan — The Poet Koōgimi, from the “Fujifusa Version” of Thirty-six Poetic Immortals (Fujifusa-bon Sanjūrokkasen emaki)l
Japan
15th century

Sakamoto Otasuku, Mizuno Toshikata Japanese, Woodblock print; ink and color on paper, Japan — Sakamoto Otasuku
Mizuno Toshikata
ca. 1894

Noboto at Shimōsa (Shimōsa Noboto), from the series One Thousand Pictures of the Sea (Chie no umi), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Noboto at Shimōsa (Shimōsa Noboto), from the series One Thousand Pictures of the Sea (Chie no umi)
Katsushika Hokusai
1832–33

Noboto Bay (Noboto no ura), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Noboto Bay (Noboto no ura), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Noboto Bay (Noboto no ura), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Noboto Bay (Noboto no ura), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Landscape with Lovers and Hunters, Adam van Noort Netherlandish, Black chalk, pen and brown ink and brown wash — Landscape with Lovers and Hunters
Adam van Noort
n.d.

Aaron and Nadab Taking Leave of Elisheba (?), with the Israelites Camped before Mount Sinai and Moses Ascending the Mountain., Adam van Noort Netherlandish, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink. Indented for transfer — Aaron and Nadab Taking Leave of Elisheba (?), with the Israelites Camped before Mount Sinai and Moses Ascending the Mountain.
Adam van Noort
late 16th–mid 17th century

Jacob Blessing his Sons, Adam van Noort Netherlandish, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink. Indented for transfer — Jacob Blessing his Sons
Adam van Noort
late 16th–mid 17th century

St. George and the Sorcerer of Dacian, Lambert van Noort Netherlandish, Pen and brown ink, brush and blue wash, touches of white heightening, extremely faint traces of preliminary drawing in black chalk; framing lines in pen and brown ink — St. George and the Sorcerer of Dacian
Lambert van Noort
1555

Kettle (Kama) with Willow and Cherry, Ōnishi Gorōzaemon Japanese, Cast iron and bronze, Japan — Kettle (Kama) with Willow and Cherry
Ōnishi Gorōzaemon
mid-17th century

The Actor Nakamura Utaemon IV as the Wrestler Iwakawa Jirokichi, Shunbaisai Hokuei 春梅斎北英 Japanese, Woodblock print; ink and color on paper; vertical ōban, Japan — The Actor Nakamura Utaemon IV as the Wrestler Iwakawa Jirokichi
Shunbaisai Hokuei 春梅斎北英
1837

Reliquary or triple cross, Silver-gilt plates on wood, British, after Russian original — Reliquary or triple cross
British, after Russian original
19th century, after 17th century original

Tankard, Silver on base metal, British, after Russian original — Tankard
British, after Russian original
19th century, after 17th century original

Crown, Silver on base metal, British, after Russian original — Crown
British, after Russian original
19th century, after 17th century original

Three Studies for Self-Portrait, Francis Bacon British, born Ireland, Oil on canvas — Three Studies for Self-Portrait
Francis Bacon
1979

Candlestick, Silver on base metal, British, after Russian original — Candlestick
British, after Russian original
19th century, after 17th century original

Flagon with cover, Silver-gilt, British, after Russian original — Flagon with cover
British, after Russian original
19th century, after 17th century original

Bowl, Silver, parcel-gilt, British, after Russian original — Bowl
British, after Russian original
19th century, after 17th century original

Shigaraki Tea Jar (Chatsubo), Stoneware with natural ash glaze; gold lacquer repairs (Kyoto ware, Shigaraki type), Japan — Shigaraki Tea Jar (Chatsubo)
Japan
17th century

Imre Révész

1940s–50s

Fujiyama, Visit to a tea house, bakery card from the Around the World Series (D92), issued by White Star Bakery, White Star Bakery American, Commercial color lithograph — Fujiyama, Visit to a tea house, bakery card from the Around the World Series (D92), issued by White Star Bakery
White Star Bakery
early 20th century

Plate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce)
Goya (Francisco de Goya y Lucientes)
1799

Wallace Beery and Rose Hobort from Star Folders Special Cards (W439), Commercial photolithograph — Wallace Beery and Rose Hobort from Star Folders Special Cards (W439)
ca. 1925–45

Drawing of the "Koh-I-Noor Diamond", R. S. Garrard & Co. British, Watercolor and gold paint over graphite — Drawing of the "Koh-I-Noor Diamond"
R. S. Garrard & Co.
1851

Portrait of Minamoto no Muneyuki, from the “Fujifusa Version of the Handscroll of Thirty-Six Poetic Immortals”, Emperor Godaigo Japanese, Hanging scroll; ink and color on paper, Japan — Portrait of Minamoto no Muneyuki, from the “Fujifusa Version of the Handscroll of Thirty-Six Poetic Immortals”
Emperor Godaigo
early 15th century

Adam van Noort, from "The Iconography"

Anthony van Dyck

early 17th century

Adam van Noort, from "The Iconography"

Anthony van Dyck

early 17th century

Bowl or bratina

British, after Danish original

19th century, after 17th century original

Double-cut (Nijū-giri) Flower Container (Hanaire), named Cool Summer Morning (Shinryō), Kōgetsu Sōgan Japanese, Bamboo, lacquer, gold, Japan — Double-cut (Nijū-giri) Flower Container (Hanaire), named Cool Summer Morning (Shinryō)
Kōgetsu Sōgan
early 17th century