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More than 10,000 results for Gazette des Beaux-Arts
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The Supplier, from "Gazette des Beaux-Arts", Henri Charles Guérard French, Etching and drypoint; fifth state of five
The Supplier, from "Gazette des Beaux-Arts"
Multiple artists/makers
1888
Jeanne, from "Gazette des Beaux-Arts", Edouard Manet French, Etching and aquatint on laid paper
Jeanne, from "Gazette des Beaux-Arts"
Multiple artists/makers
1882, printed 1902
Bataille des Cimbres, from "Gazette des Beaux-Arts", Saro Cucinotta Italian, Etching
Bataille des Cimbres, from "Gazette des Beaux-Arts"
Multiple artists/makers
1850–71
Breakfast, from "Gazette des Beaux-Arts", Emile Boilvin French, Etching
Breakfast, from "Gazette des Beaux-Arts"
Multiple artists/makers
1897
Greek Medals, from "Gazette des Beaux-Arts", Jules-Ferdinand Jacquemart French, Etching
Greek Medals, from "Gazette des Beaux-Arts"
Jules-Ferdinand Jacquemart
Gazette des Beaux-Arts
1863
Portrait of Jules Jacquemart, from "Gazette des Beaux-Arts", Marcellin Desboutin French, Drypoint; second state of two
Portrait of Jules Jacquemart, from "Gazette des Beaux-Arts"
Multiple artists/makers
1876
Oriental Arms, from "Gazette des Beaux-Arts", Jules-Ferdinand Jacquemart French, Etching
Oriental Arms, from "Gazette des Beaux-Arts"
Multiple artists/makers
1875
Alderney Street, from "Gazette des Beaux-Arts," 1881, James McNeill Whistler American, Etching, printed in black ink on ivory laid paper; first state of three (Glasgow)
Alderney Street, from "Gazette des Beaux-Arts," 1881
James McNeill Whistler
[1880–81]
The Muse Erato, from "Gazette des Beaux-Arts", Albert Ardail French, Etching
The Muse Erato, from "Gazette des Beaux-Arts"
Multiple artists/makers
1890
Dante, from "Gazette des Beaux-Arts"
Multiple artists/makers
ca. 1870–80
Bologne (Bologna, for "Gazette des Beaux-Arts")
Richard Parkes Bonington
Alfred Fortuné Salmon
1828 (republished 1879)
'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burin
'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)
Goya (Francisco de Goya y Lucientes)
Gazette des Beaux-Arts
ca. 1815 (published after 1867)
La Rivière, from "Gazette des Beaux-Arts"
Multiple artists/makers
1874
La Bohémienne, from "Gazette des Beaux-Arts"
Multiple artists/makers
1870
The Good Shepherd, from "Gazette des Beaux-Arts", Charles-Albert Waltner French, Etching
The Good Shepherd, from "Gazette des Beaux-Arts"
Multiple artists/makers
1875
Rebecca and Eliezer, from "Gazette des Beaux-Arts", Achille-Isidore Gilbert French, Etching
Rebecca and Eliezer, from "Gazette des Beaux-Arts"
Multiple artists/makers
ca. 1880–99
Vision of a Knight (Le Songe du Chevalier), from "Gazette des Beaux-Arts", Jean-Baptiste Danguin French, Engraving
Vision of a Knight (Le Songe du Chevalier), from "Gazette des Beaux-Arts"
Multiple artists/makers
1845–94
Portrait of Two Men, from "Gazette des Beaux-Arts"
Multiple artists/makers
1880
Portrait of Martin Day, from "Gazette des Beaux-Arts"
Multiple artists/makers
1879
Spanish Vase, Jules-Ferdinand Jacquemart French, Etching
Spanish Vase
Jules-Ferdinand Jacquemart
Gazette des Beaux-Arts
1862
French Mirror of the XVI Century, Jules-Ferdinand Jacquemart French, Etching
French Mirror of the XVI Century
Jules-Ferdinand Jacquemart
Gazette des Beaux-Arts
1865
Trépied par Gouthières, Jules-Ferdinand Jacquemart French, Etching; state three of five (Gonse)
Trépied par Gouthières
Jules-Ferdinand Jacquemart
Gazette des Beaux-Arts
1866
Minerva of Besançon, Jules-Ferdinand Jacquemart French, Etching, second state of three (Gonse)
Minerva of Besançon
Jules-Ferdinand Jacquemart
Gazette des Beaux-Arts
1864
Ivory and Greenware, Jules-Ferdinand Jacquemart French, Etching
Ivory and Greenware
Jules-Ferdinand Jacquemart
Gazette des Beaux-Arts
1872
"He smothers her": plate 13 from Othello (Act 5, Scene 2), Théodore Chassériau French, Etching and engraving on chine collé; second edition (Gazette des Beaux-Arts)
"He smothers her": plate 13 from Othello (Act 5, Scene 2)
Théodore Chassériau
William Shakespeare
etched 1844, reprinted 1900
Extase poétique, from "Gazette des Beaux-Arts"
Alphonse Legros
Alfred Cadart
1876
Porcelain from Vincennes, Jules-Ferdinand Jacquemart French, Etching
Porcelain from Vincennes
Multiple artists/makers
1862
Bijoux, from the Collection of Prince Czartoryski, Jules-Ferdinand Jacquemart French, Etching
Bijoux, from the Collection of Prince Czartoryski
Multiple artists/makers
1865
Moses, after Michelangelo, Jules-Ferdinand Jacquemart French, Etching; third state of five (Gonse)
Moses, after Michelangelo
Multiple artists/makers
1875
Mousetrap, Charles Jacque French, Etching
Mousetrap
Multiple artists/makers
1860
The Nativity, Maurice Denis French, Color lithograph
The Nativity
Multiple artists/makers
1907
"Villain, thou diest": plate 10 from Othello (Act 5, Scene 1), Théodore Chassériau French, Etching, engraving, and aquatint on chine collé; second edition (Gazette des Beaux-Arts)
"Villain, thou diest": plate 10 from Othello (Act 5, Scene 1)
Théodore Chassériau
William Shakespeare
etched 1844, reprinted 1900
"Oh! Oh! Oh!": plate 14 from Othello (Act 5, Scene 2), Théodore Chassériau French, Etching, engraving, and roulette on chine collé; second edition (Gazette des Beaux-Arts)
"Oh! Oh! Oh!": plate 14 from Othello (Act 5, Scene 2)
Théodore Chassériau
William Shakespeare
etched 1844, reprinted 1900
Jacob Fighting with the Angel, from "Gazette des Beaux-Arts"
Léon Bonnat
Alfred Salmon
1876
Woman sitting on a garden bench
Giuseppe De Nittis
Alfred Cadart
1878–80 (printed 1881)
"She lov'd me for the dangers I had pass'd": plate 3 from Othello (Act 1, Scene 3), Théodore Chassériau French, Etching, engraving, roulette, and drypoint on chine collé; second edition (Gazette des Beaux-Arts)
"She lov'd me for the dangers I had pass'd": plate 3 from Othello (Act 1, Scene 3)
Théodore Chassériau
William Shakespeare
etched 1844, reprinted 1900
"Honest Iago, my Desdemona must I leave to thee": plate 4 from Othello (Act 1, Scene 3), Théodore Chassériau French, Etching, engraving, roulette, and drypoint on chine collé; second edition (Gazette des Beaux-Arts)
"Honest Iago, my Desdemona must I leave to thee": plate 4 from Othello (Act 1, Scene 3)
Théodore Chassériau
William Shakespeare
etched 1844, reprinted 1900
"O my fair warrior!": plate 5 from Othello (Act 2, Scene 1), Théodore Chassériau French, Etching, engraving, roulette, and drypoint on chine collé; second edition (Gazette des Beaux-Arts)
"O my fair warrior!": plate 5 from Othello (Act 2, Scene 1)
Théodore Chassériau
William Shakespeare
etched 1844, reprinted 1900
"Yet she must die": plate 11 from Othello (Act 5, Scene 2), Théodore Chassériau French, Etching, engraving, roulette, and drypoint on chine collé; second edition (Gazette des Beaux-Arts)
"Yet she must die": plate 11 from Othello (Act 5, Scene 2)
Théodore Chassériau
William Shakespeare
etched 1844, reprinted 1900
"Have you pray'd tonight, Dedesmona?": plate 12 from Othello (Act 5, Scene 2), Théodore Chassériau French, Etching, engraving, and roulette on chine collé; second edition (Gazette des Beaux-Arts, 1900)
"Have you pray'd tonight, Dedesmona?": plate 12 from Othello (Act 5, Scene 2)
Théodore Chassériau
William Shakespeare
etched 1844, reprinted 1900