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More than 10,000 results for Giovanni Andrea de Ferrari

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Members of a Monastic Order Carrying the Cross for Christ to Heaven, Giovanni Andrea de Ferrari Italian, Pen and brown ink, brown wash, over traces of red and black chalk — Members of a Monastic Order Carrying the Cross for Christ to Heaven
Giovanni Andrea de Ferrari
n.d.

Pair of mirrored double doors, Lorenzo de Ferrari, Lindenwood, carved and gilded; mirrored glass panels, walnut, pine, Italian, Genoa — Pair of mirrored double doors
Lorenzo de Ferrari
ca. 1743–44

ex "Kurtz" Violin, Andrea Amati Italian, Spruce, maple, ebony, paint, gilding, Italian (Cremona) — ex "Kurtz" Violin
Andrea Amati
ca. 1560

The Adoration of the Shepherds, Andrea Mantegna Italian, Tempera on canvas, transferred from wood — The Adoration of the Shepherds
Andrea Mantegna
shortly after 1450

The Holy Family with the Young Saint John the Baptist, Andrea del Sarto (Andrea d'Agnolo) Italian, Oil on wood — The Holy Family with the Young Saint John the Baptist
Andrea del Sarto (Andrea d'Agnolo)
ca. 1528

Virgin and Child, Andrea della Robbia Italian, Glazed terracotta, Italian, Florence — Virgin and Child
Andrea della Robbia
ca. 1470–75

Standing boy, Andrea Mantegna Italian, Bronze, silver inlay (eyes), on a later porphyry and ormolu base, Italian, probably Mantua — Standing boy
Andrea Mantegna
Andrea del Verrocchio
late 15th–early 16th century

Rothschild lamp, Andrea Briosco, called Riccio Italian, Bronze, on a later wood base, Italian, Padua — Rothschild lamp
Andrea Briosco, called Riccio
ca. 1510–20

Striding Pan, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Striding Pan
Andrea Briosco, called Riccio
1530–1539

The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio Italian, Tempera on wood, gold ground, and silver, Italian, Rimini — The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio
ca. 1330–35

Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano Italian, Marble, Italian — Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist
Giovanni Pisano
ca. 1301, with later additions

Madonna and Child, Giovanni Bellini Italian, Oil on wood — Madonna and Child
Giovanni Bellini
late 1480s

I quattro libri dell'architettura di Andrea Palladio . . ., Andrea Palladio Italian, Illustrated book, Venice: Domenico de'Franceschi, 1570 — I quattro libri dell'architettura di Andrea Palladio . . .
Andrea Palladio
1570

De Florum Cultura, Giovanni Battista Ferrari Italian, Engraving, woodcut — De Florum Cultura
Multiple artists/makers
1633

Madonna and Child with Saints Martin and Maurice (?), Gaudenzio Ferrari Italian, Pen and ink in two shades of brown, over black chalk. — Madonna and Child with Saints Martin and Maurice (?)
Gaudenzio Ferrari
ca. 1530

Saints John the Evangelist and Lawrence, Defendente Ferrari Italian, Oil on wood — Saints John the Evangelist and Lawrence
Defendente Ferrari

Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor, Giovanni Battista Ferrari Italian, plates: etching, engraving — Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor
Multiple artists/makers
1646

Contes et nouvelles de Bocace florentin : traduction libre, accommodée au gout de ce temps, & enrichie de figures en taille-douce gravées par Mr. Romain de Hooge, Giovanni Boccaccio Italian — Contes et nouvelles de Bocace florentin : traduction libre, accommodée au gout de ce temps, & enrichie de figures en taille-douce gravées par Mr. Romain de Hooge
Multiple artists/makers
1697

Saint Andrew, Andrea Bregno Italian, Marble, Italian, Rome — Saint Andrew
Andrea Bregno
1491

The Holy Family with Saint Mary Magdalen, Andrea Mantegna Italian, Distemper on canvas — The Holy Family with Saint Mary Magdalen
Andrea Mantegna
ca. 1495–1500

Marcantonio Pasqualini (1614–1691) Crowned by Apollo, Andrea Sacchi Italian, Oil on canvas — Marcantonio Pasqualini (1614–1691) Crowned by Apollo
Andrea Sacchi
1641

Christ Blessing, Andrea Solario Italian, Oil on wood — Christ Blessing
Andrea Solario
ca. 1524

Salome with the Head of Saint John the Baptist, Andrea Solario Italian, Oil on wood — Salome with the Head of Saint John the Baptist
Andrea Solario
ca. 1507–9

Portrait of a Man, Andrea del Sarto (Andrea d'Agnolo) Italian, Oil on canvas, transferred from wood — Portrait of a Man
Andrea del Sarto (Andrea d'Agnolo)
1528–29

Giovanni Andrea Gesualdo

Gabriele Giolito de Ferrari

1553

Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence — Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82

Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground — Madonna and Child
Benvenuto di Giovanni
ca. 1470

Allegory of the Planets and Continents, Giovanni Battista Tiepolo Italian, Oil on canvas — Allegory of the Planets and Continents
Giovanni Battista Tiepolo
1752

Saint Ignatius Loyola with Saints and Martyrs of the Jesuit Order, Alessandro Algardi Italian, Bronze, Italian, Rome — Saint Ignatius Loyola with Saints and Martyrs of the Jesuit Order
Alessandro Algardi
Giovanni Andrea Lorenzani
second half of the 17th century

The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, Giovanni di ser Giovanni Guidi (called Scheggia) Italian, Tempera, silver, and gold on wood — The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia)
ca. 1449

The Three Ages of Humans, Dosso Dossi (Giovanni de Lutero) Italian, Oil on canvas — The Three Ages of Humans
Dosso Dossi (Giovanni de Lutero)

Putti before a statue of Venus; after Titian, Giovanni Andrea Podestà Italian, Etching — Putti before a statue of Venus; after Titian
Multiple artists/makers
1636

Study for Emperor Heraclius Carrying the Cross into Jerusalem, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, over black chalk — Study for Emperor Heraclius Carrying the Cross into Jerusalem
Gregorio de' Ferrari
1647–1726

Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso), Gregorio de' Ferrari Italian, Brush and white gouache over black chalk on gray prepared paper (recto and verso) — Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso)
Gregorio de' Ferrari
1647–1726

Design for an Overdoor Decoration (recto); Rinceaux (verso), Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, over traces of black chalk (recto); rinceaux in red chalk (verso) — Design for an Overdoor Decoration (recto); Rinceaux (verso)
Gregorio de' Ferrari
ca. 1670–90

The Assumption of the Virgin (recto); Architectural Notations (verso), Lorenzo de' Ferrari Italian, Black chalk, a little pen and brown ink (recto); architectural notations in black chalk (verso) — The Assumption of the Virgin (recto); Architectural Notations (verso)
Lorenzo de' Ferrari
1680–1744

Ceiling Design with the Presentation in the Temple, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on blue-gray paper — Ceiling Design with the Presentation in the Temple
Gregorio de' Ferrari
1647–1726

Christ Driving the Money Changers from the Temple, Lorenzo de' Ferrari Italian, Black chalk and graphite, with partial reinforcements in pen and black ink — Christ Driving the Money Changers from the Temple
Lorenzo de' Ferrari
1700–44

Study of Justice Dispensing Rewards to the Arts (recto); Study of a Lunette and Spandrel (verso), Lorenzo de' Ferrari Italian, Brush and brown wash, over black chalk (recto); faint study of a lunette and spandrel, in black chalk (verso) — Study of Justice Dispensing Rewards to the Arts (recto); Study of a Lunette and Spandrel (verso)
Lorenzo de' Ferrari
1680–1744

Design for a Ceiling Decoration (recto); Daphne Pursued by Apollo (verso), Lorenzo de' Ferrari Italian, Pen and brown ink, over black chalk (recto); black chalk (verso) — Design for a Ceiling Decoration (recto); Daphne Pursued by Apollo (verso)
Lorenzo de' Ferrari
1680–1744