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1-42 of 23,561 results for Giovanni Andrea de Ferrari
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Members of a Monastic Order Carrying the Cross for Christ to Heaven, Giovanni Andrea de Ferrari Italian, Pen and brown ink, brown wash, over traces of red and black chalk
Members of a Monastic Order Carrying the Cross for Christ to Heaven
Giovanni Andrea de Ferrari
n.d.
Pair of mirrored double doors, Lorenzo de Ferrari, Lindenwood, carved and gilded; mirrored glass panels, walnut, pine, Italian, Genoa
Pair of mirrored double doors
Lorenzo de Ferrari
ca. 1743–44
The Adoration of the Shepherds, Andrea Mantegna Italian, Tempera on canvas, transferred from wood
The Adoration of the Shepherds
Andrea Mantegna
shortly after 1450
ex "Kurtz" Violin, Andrea Amati Italian, Spruce, maple, ebony, paint, gilding, Italian (Cremona)
ex "Kurtz" Violin
Andrea Amati
ca. 1560
The Holy Family with the Young Saint John the Baptist, Andrea del Sarto (Andrea d'Agnolo) Italian, Oil on wood
The Holy Family with the Young Saint John the Baptist
Andrea del Sarto (Andrea d'Agnolo)
ca. 1528
Virgin and Child, Andrea della Robbia Italian, Glazed terracotta, Italian, Florence
Virgin and Child
Andrea della Robbia
ca. 1470–75
Standing boy, Andrea Mantegna Italian, Bronze, silver inlay (eyes), on a later porphyry and ormolu base, Italian, probably Mantua
Standing boy
Andrea Mantegna
Andrea del Verrocchio
late 15th–early 16th century
Rothschild lamp, Andrea Briosco, called Riccio Italian, Bronze, on a later wood base, Italian, Padua
Rothschild lamp
Andrea Briosco, called Riccio
ca. 1510–20
Striding Pan, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Striding Pan
Andrea Briosco, called Riccio
1530–1539
Madonna and Child, Giovanni Bellini Italian, Oil on wood
Madonna and Child
Giovanni Bellini
late 1480s
The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio Italian, Tempera on wood, gold ground, and silver
The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio
ca. 1330–35
Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano Italian, Marble, Italian
Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist
Giovanni Pisano
ca. 1301, with later additions
I quattro libri dell'architettura di Andrea Palladio . . ., Andrea Palladio Italian, Illustrated book, Venice: Domenico de'Franceschi, 1570
I quattro libri dell'architettura di Andrea Palladio . . .
Andrea Palladio
1570
De Florum Cultura, Giovanni Battista Ferrari Italian, Engraving, woodcut
De Florum Cultura
Multiple artists/makers
1633
Saints John the Evangelist and Lawrence, Defendente Ferrari Italian, Oil on wood
Saints John the Evangelist and Lawrence
Defendente Ferrari
Madonna and Child with Saints Martin and Maurice (?), Gaudenzio Ferrari Italian, Pen and ink in two shades of brown, over black chalk.
Madonna and Child with Saints Martin and Maurice (?)
Gaudenzio Ferrari
ca. 1530
Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor, Giovanni Battista Ferrari Italian, plates: etching, engraving
Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor
Multiple artists/makers
1646
Contes et nouvelles de Bocace florentin : traduction libre, accommodée au gout de ce temps, & enrichie de figures en taille-douce gravées par Mr. Romain de Hooge, Giovanni Boccaccio Italian
Contes et nouvelles de Bocace florentin : traduction libre, accommodée au gout de ce temps, & enrichie de figures en taille-douce gravées par Mr. Romain de Hooge
Multiple artists/makers
1697
Saint Andrew, Andrea Bregno Italian, Marble, Italian, Rome
Saint Andrew
Andrea Bregno
1491
The Holy Family with Saint Mary Magdalen, Andrea Mantegna Italian, Distemper on canvas
The Holy Family with Saint Mary Magdalen
Andrea Mantegna
ca. 1495–1500
Christ Blessing, Andrea Solario Italian, Oil on wood
Christ Blessing
Andrea Solario
ca. 1524
Marcantonio Pasqualini (1614–1691) Crowned by Apollo, Andrea Sacchi Italian, Oil on canvas
Marcantonio Pasqualini (1614–1691) Crowned by Apollo
Andrea Sacchi
1641
Salome with the Head of Saint John the Baptist, Andrea Solario Italian, Oil on wood
Salome with the Head of Saint John the Baptist
Andrea Solario
ca. 1507–9
Portrait of a Man, Andrea del Sarto (Andrea d'Agnolo) Italian, Oil on canvas, transferred from wood
Portrait of a Man
Andrea del Sarto (Andrea d'Agnolo)
1528–29
Il Petrarcha
Giovanni Andrea Gesualdo
Gabriele Giolito de Ferrari
1553
Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence
Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82
Allegory of the Planets and Continents, Giovanni Battista Tiepolo Italian, Oil on canvas
Allegory of the Planets and Continents
Giovanni Battista Tiepolo
1752
Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground
Madonna and Child
Benvenuto di Giovanni
ca. 1470
Saint Ignatius Loyola with Saints and Martyrs of the Jesuit Order, Alessandro Algardi Italian, Bronze, Italian, Rome
Saint Ignatius Loyola with Saints and Martyrs of the Jesuit Order
Alessandro Algardi
Giovanni Andrea Lorenzani
second half of the 17th century
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, Giovanni di ser Giovanni Guidi (called Scheggia) Italian, Tempera, silver, and gold on wood
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia)
ca. 1449
The Three Ages of Humans, Dosso Dossi (Giovanni de Lutero) Italian, Oil on canvas
The Three Ages of Humans
Dosso Dossi (Giovanni de Lutero)
Putti before a statue of Venus; after Titian, Giovanni Andrea Podestà Italian, Etching
Putti before a statue of Venus; after Titian
Multiple artists/makers
1636
Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso), Gregorio de' Ferrari Italian, Brush and white gouache over black chalk on gray prepared paper (recto and verso)
Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso)
Gregorio de' Ferrari
1647–1726
Ceiling Design with the Glorification of the Name of Jesus (recto); Aurora and Cephalus (verso), Lorenzo de' Ferrari Italian, Pen and brown ink, brush and brown wash, heightened with white, on blue-gray paper (recto); pen and brown ink, brush and brown wash, heightened with white, over black chalk (verso)
Ceiling Design with the Glorification of the Name of Jesus (recto); Aurora and Cephalus (verso)
Lorenzo de' Ferrari
1680–1744
Susanna and the Elders, Gregorio de' Ferrari Italian, Pen and brown ink, over traces of black chalk or graphite
Susanna and the Elders
Gregorio de' Ferrari
1647–1726
Achilles and the Daughters of Lycomedes, Gregorio de' Ferrari Italian, Pen and brown ink, highlighted with white, over black chalk, on brownish paper
Achilles and the Daughters of Lycomedes
Gregorio de' Ferrari
1647–1726
Ceiling Design with the Presentation in the Temple, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on blue-gray paper
Ceiling Design with the Presentation in the Temple
Gregorio de' Ferrari
1647–1726
The Ascension of the Virgin, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown and gray wash
The Ascension of the Virgin
Gregorio de' Ferrari
1667–1726
Design for an Overdoor Decoration (recto); Rinceaux (verso), Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, over traces of black chalk (recto); rinceaux in red chalk (verso)
Design for an Overdoor Decoration (recto); Rinceaux (verso)
Gregorio de' Ferrari
ca. 1670–90
The Assumption of the Virgin (recto); Architectural Notations (verso), Lorenzo de' Ferrari Italian, Black chalk, a little pen and brown ink (recto); architectural notations in black chalk (verso)
The Assumption of the Virgin (recto); Architectural Notations (verso)
Lorenzo de' Ferrari
1680–1744
Study for Emperor Heraclius Carrying the Cross into Jerusalem, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, over black chalk
Study for Emperor Heraclius Carrying the Cross into Jerusalem
Gregorio de' Ferrari
1647–1726
Christ Driving the Money Changers from the Temple, Lorenzo de' Ferrari Italian, Black chalk and graphite, with partial reinforcements in pen and black ink
Christ Driving the Money Changers from the Temple
Lorenzo de' Ferrari
1700–44